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Kissing game (Fuwa Fuwa)
Par Rhiannon Collett. 2023
Y regarde, pis y regarde, pis y regarde, pis y arrête jamais, pis derrière lui, Kate me dit c'est correct…
c'est correct c'est correct, pis je soulève mon marteau. Le jour où Kate demande à son amie Sam d'attaquer un agresseur sexuel, cette dernière ne se pose aucune question et la suit. Mais la violence du geste teintera tout. Même le fleuve. Même l'amour. La collection Fuwa Fuwa propose ici ce texte en version bilingue, afin d'offrir en miroir le souffle particulier de la langue originaleBone Cage
Par Catherine Banks. 2008
Jamie is twenty-two years old and works twelve-hour shifts operating a wood processor, clear-cutting for pulp. At the end of…
each shift, he walks through the destruction he has created looking for injured birds and animals and rescues those he can. Jamie's desire to escape this world is thwarted by his fear of leaving the place where he has some status.Bone Cage examines how young people in rural communities, employed in the destruction of the environment they love, treat the people they love at the end of their shift. Bone Cage is about the difficulty in growing and hanging on to dreams in a world where dreams are seen as impractical or weak. It is funny. It is tragic. It is about different kinds of escaping. It is about a soul trapped in its own rib cage, a cage of bone, a Bone Cage.The Diamond Eye: A Novel
Par Kate Quinn. 2022
New York Times BestsellerThe bestselling author of The Rose Code returns with an unforgettable World War II tale of a quiet bookworm…
who becomes history’s deadliest female sniper. Based on a true story.In 1937 in the snowbound city of Kyiv, wry and bookish history student Mila Pavlichenko organizes her life around her library job and her young son—but Hitler’s invasion of Ukraine and Russia sends her on a different path. Given a rifle and sent to join the fight, Mila must forge herself from studious girl to deadly sniper—a lethal hunter of Nazis known as Lady Death. When news of her three hundredth kill makes her a national heroine, Mila finds herself torn from the bloody battlefields of the eastern front and sent to America on a goodwill tour.Still reeling from war wounds and devastated by loss, Mila finds herself isolated and lonely in the glittering world of Washington, DC—until an unexpected friendship with First Lady Eleanor Roosevelt and an even more unexpected connection with a silent fellow sniper offer the possibility of happiness. But when an old enemy from Mila’s past joins forces with a deadly new foe lurking in the shadows, Lady Death finds herself battling her own demons and enemy bullets in the deadliest duel of her life.Based on a true story, The Diamond Eye is a haunting novel of heroism born of desperation, of a mother who became a soldier, of a woman who found her place in the world and changed the course of history forever.Divine Doppelgängers: YHWH’s Ancient Look-Alikes
Par Collin Cornell. 2020
The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity…
show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge.Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others?The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.Elephantine Revisited: New Insights into the Judean Community and Its Neighbors
Par Margaretha Folmer. 2022
The Judean community at Elephantine has long fascinated historians of the Persian period. This book, with its stellar assemblage of…
important scholarly voices, provides substantive new insights and approaches that will advance the study of this well-known but not entirely understood community from fifth-century BCE Egypt. Since Bezalel Porten’s pioneering Archives from Elephantine, published in 1968, the discourse on the subject of the community of Elephantine during the Persian period has changed considerably, due to new data from excavations, the discovery and publication of previously unknown texts, and original scholarly insights and avenues of inquiry. Running the gamut from archaeological to linguistic investigations and encompassing legal, literary, religious, and other aspects of life in this Judean community, this volume stands at a crossroads of research that extends from Hebrew Bible studies to the history of early Jewish communities. It also features fourteen new Aramaic ostraca from Aswan. The volume will appeal to students and scholars of the Hebrew Bible and ancient Judaism, as well as to a wider audience of Egyptologists, Semitists, and specialists in ancient Near Eastern studies. In addition to the editor, the contributors to this volume include Annalisa Azzoni, Bob Becking, Alejandro F. Botta, Lester L. Grabbe, Ingo Kottsieper, Reinhard G. Kratz, André Lemaire, Hélène Nutkowicz, Beatrice von Pilgrim, Cornelius von Pilgrim, Bezalel Porten, Ada Yardeni, and Ran Zadok. Moreover, a video recording of an interview conducted with Porten on his long career in Elephantine studies accompanies the book through a link on the Eisenbrauns website.Following the great periods of national leadership by Moses and Joshua, the book of Judges depicts the stewardship of various…
judges that rose to power to solve local religious and military challenges in the premonarchic period. This volume provides a close reading of the entire book of Judges, taking seriously the distinct elements of the book and how they are interconnected.Elie Assis explores the ways in which the ideology and theology of Judges unfold through a careful literary analysis. Moving beyond the cycle of sin, punishment, and salvation, Assis demonstrates how differences in the descriptive language applied to each judge, as well as the evaluations in the opening and concluding chapters, provide clues as to the organization and message of the text. Most works on Judges focus on the historical background of the period or the historical process of the book’s composition and seek to dissolve its stories into component parts. In contrast, Before There Were Kings points to the deep underlying unity of Judges and the function of the individual stories within the whole.New and carefully drawn insights related to the purpose of each section and the themes that shape the book as a whole make this a groundbreaking, programmatic contribution to research on the book of Judges. It will be of particular interest to students and scholars of the Old Testament and the Hebrew Bible.Camels in the Biblical World (History, Archaeology, and Culture of the Levant)
Par Martin Heide, Joris Peters. 2021
Camels are first mentioned in the Bible as the movable property of Abraham. During the early monarchy, they feature prominently…
as long-distance mounts for the Queen of Sheba, and almost a millennium later, the Gospels tell us about the impossibility of a camel passing through a needle’s eye. Given the limited extrabiblical evidence for camels before circa 1000 BCE, a thorough investigation of the spatio-temporal history of the camel in the ancient Near and Middle East is necessary to understand their early appearance in the Hebrew Bible.Camels in the Biblical World is a two-part study that charts the cultural trajectories of two domestic species—the two-humped or Bactrian camel (Camelus bactrianus) and the one-humped or Arabian camel (Camelus dromedarius)—from the fourth through first millennium BCE and up to the first century CE. Drawing on archaeological camel remains, iconography, inscriptions, and other text sources, the first part reappraises the published data on the species’ domestication and early exploitation in their respective regions of origin. The second part takes a critical look at the various references to camels in the Hebrew Bible and the Gospels, providing a detailed philological analysis of each text and referring to archaeological data and zoological observations whenever appropriate. A state-of-the-art evaluation of the cultural history of the camel and its role in the biblical world, this volume brings the humanities into dialogue with the natural sciences. The novel insights here serve scholars in disciplines as diverse as biblical studies, (zoo)archaeology, history, and philology.The True Friend: English translation of Il vero amico
Par Carlo Goldoni. 2009
True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns…
which only unravel in the final lines with a surprise ending.Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo.The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed by his hosts, leading to one complication after another.From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail?The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage.Lutheran Bible Companion, Volume 2: Intertestamental, New Testament, And Bible Dictionary
Par Edward Engelbrecht. 2014
Enrich your Bible study like never before with this visually stunning and practical resource which includes: • Overview and introductions…
to all New Testament books; • Historical, literary, and theological descriptions; • Summary commentaries, outlines, illustrations, and maps; • Insights from Martin Luther and Johann Gerhard; • Reviews and recommendations for additional resources.Joy, Despair, Illusion, Dreams: Twenty Plays from the Nō Tradition
Par Royall Tyler. 2024
Nō drama, which integrates speech, song, dance, music, mask, and costume into a distinctive art form, is among Japan’s most…
revered cultural traditions. It gained popularity in the fourteenth century, when the actor and playwright Zeami (1363–1443) drew the favor of the shogun with his theatrical innovations. Nō’s intricacies and highly stylized conventions continue to attract Japanese and Western appreciation, and a repertoire of some 250 plays is performed today.Joy, Despair, Illusion, Dreams presents a selection of Nō plays, magnificently rendered in English by Royall Tyler, an eminent scholar and translator of classical Japanese literature. It includes both canonical and lesser-known works of Zeami’s, as well as anonymous works. Several are outside the established repertoire, offering glimpses of Nō before the tradition was codified in the Edo period, and have not previously been translated into English. An introduction describes the structure, formal features, and performance conventions of Nō plays, and brief essays precede each work. Through Tyler’s authoritative scholarship and keen ear for the subtlety and beauty of the language, Joy, Despair, Illusion, Dreams gives Anglophone readers access to the complex art of Nō.The Birds and Other Plays
Par Aristophanes. 1978
The plays in this volume all contain Aristophanes' trademark bawdy comedy and dazzling verbal agility. In THE BIRDS, two frustrated…
Athenians join the birds to build the utopian city of 'Much Cuckoo in the Clouds'. THE KNIGHTS is a venomous satire on Cleon, a prominent Athenian demagogue, while THE ASSEMBLY WOMEN deals with the battle of the sexes as the women of Athens infiltrate the all-male Assembly in disguise. The lengthy conflict with Sparta is the subject of PEACE, inspired by the hope of a settlement in 421 BC, and WEALTH reflects on the economic catastrophe that hit Athens after the war.The Beggar's Opera
Par John Gay. 1986
The tale of Peachum, thief-taker and informer, conspiring to send the dashing and promiscuous highwayman Macheath to the gallows, became…
the theatrical sensation of the eighteenth century.In THE BEGGAR'S OPERA, John Gay turned conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the Prime Minister, Sir Robert Walpole. Gay's highly original depiction of the thieves, informers, prostitutes and highwaymen thronging the slums and prisons of the corrupt London underworld proved brilliantly successful in exposing the dark side of a corrupt and jaded society.The Barber of Seville and The Marriage of Figaro
Par Pierre-Augustin Beaumarchais. 1964
A French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly…
valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.Back to Methuselah
Par George Bernard Shaw. 1949
Back to Methuselah (A Metabiological Pentateuch) is a 1921 series of five plays and a preface by George Bernard Shaw.…
The five plays are:In the Beginning: B.C. 4004 (In the Garden of Eden); The Gospel of the Brothers Barnabas: Present Day; The Thing Happens: A.D. 2170; Tragedy of an Elderly Gentleman: A.D. 3000; As Far as Thought Can Reach: A.D. 31,920 The plays were published with a preface titled The Infidel Half Century, and first performed in 1922 by the New York Theatre Guild at the Garrick Theatre.The Bacchae and Other Plays
Par Euripides. 2005
Through their sheer range, daring innovation, flawed but eloquent characters and intriguing plots, the plays of Euripides have shocked and…
stimulated audiences since the fifth century BC. Phoenician Women portrays the rival sons of King Oedipus and their mother's doomed attempts at reconciliation, while Orestes shows a son ravaged with guilt after the vengeful murder of his mother. In the Bacchae, a king mistreats a newcomer to his land, little knowing that he is the god Dionysus disguised as a mortal, while in Iphigenia at Aulis, the Greek leaders take the horrific decision to sacrifice a princess to gain favour from the gods in their mission to Troy. Finally, the Rhesus depicts a world of espionage between the warring Greek and Trojan camps.As You Like It
Par William Shakespeare. 1968
'All the world's a stage, And all the men and women merely players'Rosalind, banished by her cruel uncle, travels secretly…
to the Forest of Arden, where her exiled father holds court. There, dressed as a boy to avoid discovery, she encounters the man she loves - now a fellow exile - and resolves to remain in disguise to test his feelings for her. One of Shakespeare's most sunny, fast-paced and accessible comedies, As You Like It is an exuberant combination of concealed identities and verbal jousting, burlesque and pastoral dream, reconciliations and multiple weddings.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by H. J. Oliver Introduction by Katherine Duncan-JonesThe Apocryphal Gospels
Par Simon Gathercole. 2021
A new translation of the oldest non-canonical Christian gospels In the early years of Christianity, several groups produced 'hidden' or…
'apocryphal' gospels, alternative versions of the story of Christ. Sometimes these texts complemented the four canonical gospels of the New Testament, sometimes they subverted them and often they were completely different. Here, in the widest selection of non-canonical gospels gathered in one volume - which also includes two modern forgeries - we see the young Jesus making live birds from clay, hear his secret words of wisdom, discover gnostic cosmologies and witness the Harrowing of Hell. Preserved by their readers and attacked by their detractors, these gospels shine a fascinating light on the early Christian Church.Translated with an Introduction by Simon GathercoleAntony and Cleopatra
Par William Shakespeare. 1977
'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' GuardianA battle-hardened soldier,…
Antony is one of the three leaders of the Roman world. But he is also a man in the grip of an all-consuming passion for the tempestuous and alluring queen of Egypt, Cleopatra. And when their life of pleasure together is threatened by encroaching politics, the conflict between love and duty has devastating consequences. A tragic drama of love and loss, sex and power, told in language of poetic sublimity, Antony and Cleopatra is one of Shakespeare's supreme imaginative achievements.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Emrys JonesIntroduction by René WeisAndrocles and the Lion
Par Dan Laurence, George Bernard Shaw. 1944
Androcles and the Lion is a 1912 play written by George Bernard Shaw.Androcles and the Lion is Shaw's retelling of…
the tale of Androcles, a slave who is saved by the requited mercy of a lion. In the play, Shaw makes Androcles out to be one of many Christians being led to the Colosseum for torture. Characters in the play exemplify several themes and takes on both modern and supposed early Christianity, including cultural clash between Jesus' teachings and traditional Roman values.All's Well That Ends Well
Par William Shakespeare. 1970
'Shakespeare was not of an age, but for all time' Ben Jonson A poor doctor's daughter cures the King of…
France and, in return, is promised marriage to any nobleman she wishes. But the proud young count she chooses refuses to consummate the marriage and flees to Florence - after setting her a seemingly impossible task. Depicting the triumph of trickery over youthful arrogance, All's Well That Ends Well is among Shakespeare's darkest romantic comedies, yet it remains a powerful tribute to the strength of love.Used and Recommended by the National TheatreGeneral Editor Stanley WellsEdited by Barbara EverettIntroduction by Janette Dillon