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Le vieil homme qui m'a appris la vie
Par Mitch Albom. 2009
« C'est la rencontre de trois personnes que tout aurait dû séparer. Un pasteur excentrique et incroyablement attachant qui a…
commis des actes impardonnables et tente de se racheter ; un vieux rabbin, drôle et généreux, qui sait qu'il va mourir, et qui, avant, doit accomplir une dernière mission ; un brillant écrivain, rattrapé par son passé. Cette rencontre a changé la vie de ces trois hommes. Et leur histoire va changer la vôtre. Porté par la justesse d'écriture et d'émotion que l'on connaît à Mitch Albom, Le vieil homme qui m'a appris la vie est une réflexion sur la vie, la foi, la sagesse. C'est un message d'espoir et de tolérance qui fait du bien et nous rappelle que le bonheur est à la portée de tous. » -- 4e de couvThe Retrospective Imagination of A. B. Yehoshua (Dimyonot: Jews and the Cultural Imagination #9)
Par Yael Halevi-Wise. 2020
Once referred to by the New York Times as the "Israeli Faulkner," A. B. Yehoshua’s fiction invites an assessment of…
Israel’s Jewish inheritance and the moral and political options that the country currently faces in the Middle East. The Retrospective Imagination of A. B. Yehoshua is an insightful overview of the fiction, nonfiction, and hundreds of critical responses to the work of Israel’s leading novelist.Instead of an exhaustive chronological-biographical account of Yehoshua’s artistic growth, Yael Halevi-Wise calls for a systematic appreciation of the author’s major themes and compositional patterns. Specifically, she argues for reading Yehoshua’s novels as reflections on the "condition of Israel," constructed multifocally to engage four intersecting levels of signification: psychological, sociological, historical, and historiosophic. Each of the book’s seven chapters employs a different interpretive method to showcase how Yehoshua’s constructions of character psychology, social relations, national history, and historiosophic allusions to traditional Jewish symbols manifest themselves across his novels. The book ends with a playful dialogue in the style of Yehoshua’s masterpiece, Mr. Mani, that interrogates his definition of Jewish identity.Masterfully written, with full control of all the relevant materials, Halevi-Wise’s assessment of Yehoshua will appeal to students and scholars of modern Jewish literature and Jewish studies.As Though She Were Sleeping
Par Elias Khoury. 2007
Meelya's dreams are her refuge from events that threaten her or escape her understanding. She leaves her home in Lebanon…
to live in Nazareth with her Palestinian husband, but Mansour - an older man who fell for her beauty - is frustrated by her spiritual absence.When Mansour's brother's death demands a move to Jaffa - the centre of early tensions between Jewish settlers and displaced Palestinians - Meelya withdraws further into the realm of dreams. Expecting the birth of their son, Mansour can only watch as she cuts loose from the physical world.Over three traumatic nights, past, present and future merge seamlessly into a series of visions that draw the reader towards a conclusion that is powerfully symbolic of the ongoing troubles in the Middle East.The President's Gardens
Par Muhsin Al-Ramli. 2016
One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq. "A contemporary tragedy of epic proportions. No…
author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting". Hassan Blasim, winner of the Independent Foreign Fiction Prize for The Iraqi Christ. On the third day of Ramadan, the village wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop.One of them belonged to one of the most wanted men in Iraq, known to his friends as Ibrahim the Fated.How did this good and humble man earn the enmity of so many? What did he do to deserve such a death?The answer lies in his lifelong friendship with Abdullah Kafka and Tariq the Befuddled, who each have their own remarkable stories to tell.It lies on the scarred, irradiated battlefields of the Gulf War and in the ashes of a revolution strangled in its cradle.It lies in the steadfast love of his wife and the festering scorn of his daughter.And, above all, it lies behind the locked gates of The President's Gardens, buried alongside the countless victims of a pitiless reign of terror.Translated from the Arabic by Luke LeafgrenThe President's Gardens
Par Muhsin Al-Ramli. 2017
One Hundred Years of Solitude meets The Kite Runner in Saddam Hussein's Iraq. "A contemporary tragedy of epic proportions. No…
author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting". Hassan Blasim, winner of the Independent Foreign Fiction Prize for The Iraqi Christ. On the third day of Ramadan, the village wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop.One of them belonged to one of the most wanted men in Iraq, known to his friends as Ibrahim the Fated.How did this good and humble man earn the enmity of so many? What did he do to deserve such a death?The answer lies in his lifelong friendship with Abdullah Kafka and Tariq the Befuddled, who each have their own remarkable stories to tell.It lies on the scarred, irradiated battlefields of the Gulf War and in the ashes of a revolution strangled in its cradle.It lies in the steadfast love of his wife and the festering scorn of his daughter.And, above all, it lies behind the locked gates of The President's Gardens, buried alongside the countless victims of a pitiless reign of terror.Translated from the Arabic by Luke LeafgrenThe Retrospective Imagination of A. B. Yehoshua (Dimyonot)
Par Yael Halevi-Wise. 2021
Once referred to by the New York Times as the “Israeli Faulkner,” A. B. Yehoshua’s fiction invites an assessment of…
Israel’s Jewish inheritance and the moral and political options that the country currently faces in the Middle East. The Retrospective Imagination of A. B. Yehoshua is an insightful overview of the fiction, nonfiction, and hundreds of critical responses to the work of Israel’s leading novelist.Instead of an exhaustive chronological-biographical account of Yehoshua’s artistic growth, Yael Halevi-Wise calls for a systematic appreciation of the author’s major themes and compositional patterns. Specifically, she argues for reading Yehoshua’s novels as reflections on the “condition of Israel,” constructed multifocally to engage four intersecting levels of signification: psychological, sociological, historical, and historiosophic. Each of the book’s seven chapters employs a different interpretive method to showcase how Yehoshua’s constructions of character psychology, social relations, national history, and historiosophic allusions to traditional Jewish symbols manifest themselves across his novels. The book ends with a playful dialogue in the style of Yehoshua’s masterpiece, Mr. Mani, that interrogates his definition of Jewish identity.Masterfully written, with full control of all the relevant materials, Halevi-Wise’s assessment of Yehoshua will appeal to students and scholars of modern Jewish literature and Jewish studies.