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Law, Judges and Visual Culture (Social Justice)
Par Leslie J Moran. 2021
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Science-fictionLoi et justice
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Law, Judges and Visual Culture analyses how pictures have been used to make, manage and circulate ideas about the judiciary…
through a variety of media from the sixteenth century to the present. This book offers a new approach to thinking about and making sense of the important social institution that is the judiciary. In an age in which visual images and celebrity play key roles in the way we produce, communicate and consume ideas about society and its key institutions, this book provides the first in-depth study of visual images of judges in these contexts. It not only examines what appears within the frame of these images; it also explores the impact technologies and the media industries that produce them have upon the way we engage with them, and the experiences and meanings they generate. Drawing upon a wide range of scholarship – including art history, film and television studies, and social and cultural studies, as well as law – and interviews with a variety of practitioners, painters, photographers, television script writers and producers, as well as court communication staff and judges, the book generates new and unique insights into making, managing and viewing pictures of judges. Original and insightful, Law, Judges and Visual Culture will appeal to scholars, postgraduates and undergraduates from a variety of disciplines that hold an interest in the role of visual culture in the production of social justice and its institutions.The Natural Way of Things: 'The Handmaid's Tale for our age' (Economist)
Par Charlotte Wood. 2015
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Aventure (récits), Littérature générale (romans), Policiers (romans), Science-fiction, Fantômes et horreur (récits), Oeuvres littéraires (romans), Sensations (romans à)Sociologie, Famille et relations familiales , Loi et justice , Psychologie, Coutumes et cultures, Essais et documents généraux, Voyages et géographie, Crime véritable
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'Savage: think Atwood in the outback' Paula Hawkins, author of The Girl on the Train'An unforgettable reading experience' Liane Moriarty,…
author of Big Little Lies'Ferocious... recalls the early Elena Ferrante' NPR'A masterpiece' Guardian'Devastating' EconomistShe hears her own thick voice deep inside her ears when she says, 'I need to know where I am.'The man stands there, tall and narrow, hand still on the doorknob, surprised.He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'"Two women awaken from a drugged sleep to find themselves imprisoned in a brokendownproperty in the middle of a desert.Strangers to each other, they have no idea where they are or how they came to be therewith eight other girls, their heads shaved, guarded by two inept yet vicious jailers.Doing hard labour under a sweltering sun, the prisoners soon learn what links them: ineach girl's past is a sexual scandal with a powerful man.They pray for rescue but as the hours turn into days and the days into weeks and months,it becomes clear only the girls can rescue themselves. Winner, 2016 Stella PrizeWinner, 2016 Indie Book of the Year AwardWinner, Fiction Book of the Year, 2016 Indie Book AwardWinner, 2016 Prime Minister's Literary Award for FictionWinner, Reader's Choice, 2016 ABIA Literary Fiction Book of the Year Shortlisted, 2016 Miles Franklin Literary AwardShortlisted, 2016 ABA Nielsen BookData Booksellers Choice AwardLonglisted, 2017 International Dublin Literary AwardImaginative Resistance, Queer Fiction and the Law: Same-Sex Desire and the Good Life in Heteronormative Orders
Par Aleardo Zanghellini. 2022
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Littérature générale (romans), LGBTQ+ (romans)Loi et justice , Critiques , Essais et documents généraux
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Imaginative Resistance, Queer Fiction and the Law develops a novel account of how heteronormative sociolegal orders undermine the well-being of…
same-sex attracted people, even when these normative orders may fall short of coercively interfering with their choices. Queer well-being is generally studied from psychological perspectives, through the concept of ‘minority stress.’ Taking four texts of mid-century Anglo-American queer fiction as illustrative case studies, this book argues – in a philosophical rather than a psychological register – that heteronormativity also affects queer well-being in more intangible ways. The central claim is that heteronormativity shackles the imagination: it curtails no less the imaginative reach of authors of queer fiction, than our ability – engaged as we are in projects of self-authorship – to make-believe personal futures in which same-sex intimacy is brought to bear on our well-being. The book’s central claim re-works a concept central to the philosophy of fiction – ‘imaginative resistance’ – and puts it into service of questions raised in moral philosophy. Apart from its political and normative implications – strengthening the case for at least some global gay rights – and from challenging some of queer theory’s orthodoxies, the book also makes contributions to queer literary history, criticism and biography. Drawing on archival material and personal interviews, fresh readings are offered of Charles Jackson’s The Fall of Valor (1946), Gillian Freeman’s The Leather Boys (1961), and Patricia Highsmith’s The Price of Salt (1952) and The Talented Mr Ripley (1955), making a case for their inclusion in the queer literary canon. Imaginative Resistance, Queer Fiction and the Law will appeal to students of literary criticism, queer sociolegal history, law & literature, the philosophy of fiction, and queer theory, politics and ethics.