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The Bible for Unbelievers: The Beginning-Genesis
Par Laura Watkinson, Guus Kuijer. 2016
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Fantastique (récits)Religion, Textes religieux
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One of Northern Europe's most popular writers, Guus Kuijer was fascinated with the Bible from an early age, but was…
never able to believe it, no matter how hard he tried. Now, in prose that is humorous and sometimes irreverent, Kuijer reinterprets the most popular book in the world, making it new again for the twenty-first century and for the first time rendering it accessible to "unbelievers"—that is, to people who are ready to appreciate it as something other than a sacred text. The first volume of The Bible for Unbelievers tells the story of the Book of Genesis as an agnostic novel in which man's curiosity causes creation, not God alone. Kuijer explores the nagging loneliness of the universe before creation. He asks if man and woman are indeed God's handiwork or vice versa. The entire cast of characters in this Bible is imperfect, a little lawless, and at times fumbling and jealous—God included. Kuijer's afterword tells us that no story can "come to life unless the storyteller makes it his or her own." There's a charming invitation in these pages for us all to dare to revisit our founding myths and the roles we play in them. The Bible for Unbelievers is here to draw us into questions that have no answers. It does so not with fear or religiosity, but with joy.Law, Cinema, and the Ill City: Imagining Justice and Order in Real and Fictional Cities (Law, Language and Communication)
Par Anne Wagner, Le Cheng. 2020
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Fantastique (récits)Essais et documents généraux, Loi et justice , Critiques
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This book uses film and television as a resource for addressing the social and legal ills of the city. It…
presents a range of approaches to view the ill city through cinematic and televisual characterization in urban frameworks, political contexts, and cultural settings. Each chapter deconstructs the meaning of urban space as public space while critically generating a focus on order and justice, exploring issues such as state disorder, lawlessness, and revenge. The approach presents a careful balance between theory and application. The original and novel ideas presented in this book will be essential reading for those interested in the presentation of law and place in cultural texts such as film.The Criminalisation of Fantasy Material: Law and Sexually Explicit Representations of Fictional Children
Par Hadeel Al-Alosi. 2019
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Fantastique (récits), Érotisme (romans)Loi et justice , Essais et documents généraux, Loi et crime, Toxicomanies
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This book addresses the criminalisation of sexually explicit material depicting or describing fictitious characters who appear to be children. It…
is the first book of its kind to specifically examine the expansion of the law to include fictional representations of children, focusing on the law in Australia, Canada, the United Kingdom, and the United States. The author explores the potential criminalisation of comics and subgenres of manga that frequently depict childlike characters in a sexual context. Of course, the need to protect children from harm outweighs freedom of expression and the right to privacy; however, this argument is complicated by the material being purely fictional. Does prohibiting the fictional representation of minors interfere with individual freedoms? Based on a detailed socio-legal study, this book extensively analyses literature and pertinent theories of criminalisation, such as the Harm Principle, Offense Principle, and Legal Moralism. The book will be an invaluable resource for academics and students in various disciplines, including law, criminology, sociology, and psychology. It will also be of interest to fans of fantasy fiction.
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Christianisme (romans), Fantastique (récits), Littérature générale (romans)Textes religieux, Critiques , Poésie
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This book explores the contexts and reception history of Robert Pollok’s religious epic The Course of Time (1827), one of…
the best- selling long poems of the nineteenth century, which has been almost entirely forgotten today. Widely read in the United States and across the British Empire, the poem’s combination of evangelical Calvinism, High Romanticism, and native Scottishness proved irresistible to many readers. This monograph traces the poem’s origins as a defense of Biblical authority, divine providence, and religious orthodoxy (against figures like Byron and Joseph Priestley) and explores the reasons for The Course of Time’s enormous, decades- long popularity and later precipitous decline. A close reading of the poem and an examination of its reception history offers readers important insights into the dynamic relationship between religion and wider culture in the nineteenth century, the uses of literature as a vehicle for theological argument and theodicy, and the important but often overlooked role that religion played in literary— and, particularly, Scottish— Romanticism. This work will appeal to scholars of religious history, literary history, Evangelicalism, Romanticism, Scottish literature, and nineteenth- century culture.