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Reading the river: a traveller's companion to the North Saskatchewan River
Par Myrna Kostash, Duane Burton. 2006
A compendium of writings including poetry, fiction and non-fiction, from those who have spent time reading the river. Beginning at…
the rivers source, Kostash takes the reader through 21 communities along the North Saskatchewan. Includes the work of Hugh McLennan, Eli Mandel, Aritha van Herk, John V. Hicks and Thompson Highway. c2006.Lord of the fries and other stories: And Other Stories
Par Tim Wynne-Jones, Dorling Kindersley Publishing Staff. 1999
Seven short stories about active imaginations and making choices. In the title piece, two girls find themselves in a dilemma…
after pretending they know a tragic story about the cook at their favorite burger place. For grades 5-8. 1999Récits de Mathieu Mestokosho, chasseur innu
Par Mathieu Mestokosho. 2004
En 1970, jeune anthropologue, Serge Bouchard recueillait les propos de Mathieu Mestokosho, chasseur montagnais de la Minganie. Grâce à la…
parole de Mathieu, c’est tout un monde qui revit, celui des enfants de la Terre de Caïn que les colons européens avaient choisi d’ignorer. Heureusement pour nous, la mémoire de Mathieu Mestokosho nous permet de nous réapproprier — bien tardivement — toute une part de notre héritage culturel que nous avons failli laisser perdre.Alcohol, Tobacco, and Firearms: Stories And Essays
Par Tim McLoughlin. 2022
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system. In…
Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York–centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.