"Marilyn s'est-elle vraiment suicidée ? Quelle machination se cache derrière les événements de Mai 68 ? A-t-on marché sur la…
Lune en 1969 ? Kennedy a-t-il été assassiné par la mafia, à Dallas ? Nous a-t-on tout révélé sur l'attentat du 11 septembre 2001 ? Quelle vérité émerge de l'affaire du Rainbow Warrior ? Et de l'ahurissant décès du pape Jean-Paul Ier ? Et si la saga Star Wars était l'une des plus énormes conspirations politiques du XXe siècle ? Claude François est-il mort comme on le croit ? Et Diana ? Et Elvis Presley ? Et la Callas ? [...] Comme il n'est pas de complot sans secret, le romanesque n'est jamais loin... Dix-huit écrivains se sont ainsi divertis à livrer leur propre version de complots d'hier et d'aujourd'hui." -- 4e de couv
Littérature générale (romans), NouvellesLoi et crime, Crime véritable
Audio avec voix de synthèse, Braille automatisé
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system. In…
Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York–centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.