Résultats de recherche de titre
Articles 1 à 9 sur 9
War is: soldiers, survivors, and storytellers talk about war
Par Marc Aronson, Patty Campbell. 2009
Anthology of memoirs, poems, letters, and fiction that illustrate the life of a soldier at war. Servicemen and servicewomen, family…
members, journalists, and others depict experiences of adventure, terror, boredom, and mental and physical duress. Some violence and some strong language. For senior high readers. 2008Armageddon in retrospect: and other new and unpublished writings on war and peace
Par Kurt Vonnegut. 2008
Twelve fiction and nonfiction pieces representing Vonnegut's views on violence and war and his desire for world peace. Contains both…
a 1945 letter to his family summarizing his prisoner-of-war experience in Germany and his last speech, written in 2007. Introduction by his son Mark Vonnegut. Some strong language. Bestseller. 2008Dogbert's top secret management handbook
Par Scott Adams. 1996
A tongue-in-cheek guide to help new managers become "jargon-spewing corporate zombies." Explains key management skills, such as decision avoidance, deflecting…
blame, and offering empty promises of promotion. "Abuse is a form of recognition," Dogbert says. "And recognition is what every employee wants." BestsellerIn the Loyal Mountains: Stories
Par Rick Bass. 1995
Ten stories depicting people living close to nature in Montana and the deep South. In the title story, a man…
recounts his youthful escapades with his adventurous uncle in the Texas hill country. Other stories deal with human isolation or conflict, but all are told against the backdrop of the environmentA humorous look at the workplace from the creator of the "Dilbert" cartoon strip. The Dilbert Principle is that "the…
most ineffective workers are systematically moved to the place where they can do the least damage--management." BestsellerAny Deadly Thing
Par Roy Kesey. 2013
Following the critical success of his debut collection, All Over, and of his debut novel, Pacazo, Roy Kesey now brings…
us a new gathering of short stories, Any Deadly Thing. These stories first appeared in magazines including McSweeney's, Subtropics, Ninth Letter and American Short Fiction, and have been widely anthologized; among them are winners of a Pushcart Prize special mention, an Honorable Mention in The Year's Best Fantasy and Horror, and The Missouri Review's Jeffrey E. Smith Editors' Prize in Fiction. With story locales ranging across the Americas to Europe and Asia, Kesey once again makes the full strange world his stage. "Perfect, masterful portraits of an international cross-section of wise, broken souls--hopeful, brutal, funny as hell, and heart-crushing, every last one." -Elizabeth Crane, author of We Only Know So Much "Roy Kesey is one of my favorite contemporary writers, and Any Deadly Thing is another triumph. These stories, reminiscent of William Gass in the remarkable way they combine a virtuoso playfulness and wit with an atmosphere of grimness and grief and heartbreak, range the world over for their brilliantly realized locales, but they share a deeper setting in what Gass calls 'the only holiness we have,' human consciousness. Kesey demonstrates once again that he is a spectacularly deft and empathetic priest of that creed, which is the only one for me." -Michael Griffith, author of TrophySpiritual Stories from India
Par Chaman Lal. 1964
"India is the home of fables," says Mr. Lal in his preface to the book. "When God made the world,…
He gave many virtues to different nations. To India He gave wisdom as a special gift....The Stories presented in this book are full of wisdom. They illustrate what miracles can be wrought by faith in God. They tell us what we can learn from nature. What tolerance and love can bring to humanity....Cuentos invisibles
Par Pedro Sorela. 2002
Pedro Sorela emprende en estas páginas su viaje más largo: la distancia que separa un cuento de su historia. Estos…
cuentos son invisibles porque invisible es el lenguaje de la literatura, que no se puede filmar. También porque tratan de viajes, y el viaje es lo que se encuentra detrás de los ojos, no delante, y -al igual que la literatura- hace posible que de nuestra visión del mundo hagamos una creación. De una represa de aguas milenarias en la cima de los Andes a un motín de blancos en un río chino, de una persecución en Londres al renacimiento de un pobre tipo en Estambul, de una reunión de extravagantes en Helsinki a un Berlín improbable y sin embargo histórico, de un Madrid inédito a un Buenos Aires francés, los cuentos de Pedro Sorela ponen en evidencia el lado mentiroso de los pasaportes. Con humor y un idioma afilado, estos cuentos amplían el arco de una obra definida por la originalidad de la mirada y la sugerencia inherente a su doble condición de literatura y viaje. Reseñas:«Una experiencia humana intensa [...] un periplo abarcador de la existencia humana en el que entran componentes culturales, morales y hasta políticos, éstos no explícitos pero sí intencionados».Santos Sans Villaneva, El Cultural «Los relatos de Sorela prueban que ha viajado lo bastante para, como hubiera dicho Valle-Inclán, no ser arrogante cuando bien podría serlo».Víctor Andresco, El PaísThe Henry Miller Reader (Essay Index Reprint Ser.)
Par Henry Miller, Lawrence Durrell. 1969
A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence…
Durrell. In 1958, when Henry Miller was elected to membership in the American Institute of Arts and Letters, the citation described him as: "The veteran author of many books whose originality and richness of technique are matched by the variety and daring of his subject matter. His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller’s contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller’s life work. "I suspect," writes Durrell in his Introduction, "that Miller’s final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller’s birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.