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Cry for Luck: Sacred Song and Speech Among the Yurok, Hupa, and Karok Indians of Northwestern California
Par Richard Keeling. 2024
The "sobbing" vocal quality in many traditional songs of northwestern California Indian tribes inspired the title of Richard Keeling's comprehensive…
study. Little has been known about the music of aboriginal Californians, and Cry for Luck will be welcomed by those who see the interpretation of music as a key to understanding other aspects of Native American religion and culture. Among the Yurok, Hupa, and Karok peoples, medicine songs and spoken formulas were applied to a range of activities from hunting deer to curing an upset stomach or gaining power over an uninterested member of the opposite sex. Keeling inventories 216 specific forms of "medicine" and explains the cosmological beliefs on which they were founded. This music is a living tradition, and many of the public dances he describes are still performed today. Keeling's comparative, historical perspective shows how individual elements in the musical tradition can relate to the development of local cultures and the broader sphere of North American prehistory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.The Symphonic Repertoire, Volume I: The Eighteenth-Century Symphony
Par Simon McVeigh, Timothy Noonan, Allan Badley, Jeannette Morgenroth, Adena Portowitz, Paul R. Bryan, Judith L. Schwartz, Suzanne Forsberg, Robert O. Gjerdingen, Peter Alexander, Joanna Cobb Biermann, Sarah Mandel-Yehuda, René Ramos, R. Todd Rober, Michael E. Ruhling, Bertil H. van Boer, Richard Will, Jean K. Wolf, Sterling E. Murray, Marita McClymonds. 2012
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as…
one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as…
one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony.Volume IV The Second Golden Age of the Viennese SymphonyBrahms, Bruckner, Dvorák, Mahler, and Selected ContemporariesAlthough during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as…
one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony.Volume II The First Golden Age of the Viennese SymphonyHaydn, Mozart, Beethoven, and SchubertVolume II considers some of the best-known and most universally admired symphonies by Haydn, Mozart, Beethoven, and Schubert, who created what A. Peter Brown designates as the first golden age of the Viennese symphony during the late 18th and first three decades of the 19th century. The last two dozen symphonies by Haydn, half dozen by Mozart, and three by Schubert, together with Beethoven's nine symphonies became established in the repertoire and provided a standard against which every other symphony would be measured. Most significantly, they imparted a prestige to the genre that was only occasionally rivaled by other cyclic compositions. More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media…
technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.Music and Cultural Diplomacy in the Middle East: Geopolitical Re-Configurations for the 21st Century
Par Maria M. Rijo Lopes da Cunha, Jonathan Shannon, Søren Møller Sørensen, Virginia Danielson. 2024
This edited volume offers innovative perspectives on the study of music as cultural diplomacy in the Middle East and North…
Africa (MENA), a region often overlooked in such discussions. It offers an innovative contribution to the field of ethnomusicology, as well as political science and international relations, by highlighting the agency of non-state actors (local voices, communities, and grassroots organizations), thereby contributing towards de-centering the state, hitherto conceived as the chief player in cultural diplomacy.This volume is divided into four main parts organized along the following themes: 1. History and Historiography, 2. Migration, Diaspora, and Ethics, 3. Statecraft and Music Making, and 4. Affective and Sensorial Diplomacy. The perspectives offered in this volume offer a deeper exploration of bottom-up initiatives of cultural diplomacy through music, instead of the more usual analyses of top-down, state-directed programmes. Overall, the aim is to reconceptualize Middle Eastern, North African and Arab Gulf musical practices in their relationship to power and cultural diplomacy in order build a broader and pluri-dimensional account of these contentious relationships.The Listening Book
Par W. A. Mathieu. 1991
The Listening Book is about rediscovering the power of listening as an instrument of self-discovery and personal transformation. By exploring…
our capacity for listening to sounds and for making music, we can awaken and release our full creative powers. Mathieu offers suggestions and encouragement on many aspects of music-making, and provides playful exercises to help readers appreciate the connection between sound, music, and everyday life.Teaching General Music: Approaches, Issues, and Viewpoints
Par Carlos R. Abril, Brent M. Gault. 2016
General music is informed by a variety of teaching approaches and methods. These pedagogical frameworks guide teachers in planning and…
implementing instruction. Established approaches to teaching general music must be understood, critically examined, and possibly re-imagined for their potential in school and community music education programs. Teaching General Music brings together the top scholars and practitioners in general music education to create a panoramic view of general music pedagogy and to provide critical lenses through which to view these frameworks. The collection includes an examination of the most prevalent approaches to teaching general music, including Dalcroze, Informal Learning, Interdisciplinary, Kodály, Music Learning Theory, Orff Schulwerk, Social Constructivism, and World Music Pedagogy. In addition, it provides critical analyses of general music and teaching systems, in light of the ways children around the world experience music in their lives. Rather than promoting or advocating for any single approach to teaching music, this book presents the various approaches in conversation with one another. Highlighting the perceived and documented benefits, limits, challenges, and potentials of each, Teaching General Music offers myriad lenses through which to re-read, re-think, and re-practice these approaches.Laughter In The Dark: Egypt To The Tune Of Change
Par Yasmine El Rashidi. 2023
A decade ago, millions of Egyptians took to the streets in a people-led revolution that captivated the world’s attention and…
sent ripples across the Middle East. But the so-called “Arab Spring” quickly faded, and a return to the status quo—of authoritarian rule—was cemented. What happened to the energy and desire for change? In Egypt, the answer lies in its youth, who comprise the bulk of the country’s fast-growing 106 million citizens. Sixty percent of the population is under the age of twenty-five, and their world views are very much influenced by social media: TikTok is their primary language and medium of choice. Music is their means of expression—in particular, a thriving hip-hop scene known as mahraganat. This music has given voice to deep dissatisfaction with the Egyptian state and the overall conditions of Egyptian society and culture. Could this be the start of a force for change? Laughter in the Dark is a riveting portrait of a country that is being transformed, for good or bad, by the rise of a fresh youth culture.Spirit of the Century: Our Own Story
Par The Blind Boys of Alabama. 2024
An insider history of the Blind Boys of Alabama, the longest running group in American music, and the untold story…
of their world, written with band members and key musical colleagues. The Blind Boys of Alabama are the quintessential Gospel vocal group, and the longest-running musical institution in America. Their story intersects with pivotal moments and issues in American history and is an ideal prism through which to trace music, culture, history, and race in America. Spirit of the Century invites readers to follow along the Blind Boys&’ eight-decade journey together from a segregated trade school, through the rough and tumble indie record game and grinding tour schedule of the golden age of gospel, to starring in an iconic Broadway musical, performing at the White House for three presidents twice, collaborating with Tom Petty, Lou Reed, and Ben Harper, among others, singing the theme song for &“The Wire,&” and winning five Grammys. More than just a story of the Blind Boys' illustrious career, Spirit of the Century also sheds new light on the larger world of African American gospel music, its origins, and the colorful characters at its center. Though there have been several iterations of the group over the decades, Spirit of the Century rounds up all surviving members of the group as contributors to the telling of their own story, and a result, the book offers a unique and intimate perspective on the group's enduring success. Current drummer and road manager Rickie McKinney has been with the group throughout its renaissance, while guitarist Joey Williams, the group&’s sighted member, has been the eyes of the Blind Boys since 1992. Octogenarian Jimmy Lee Carter has a fascinating history, as a fellow student of the original but deceased Blind Boys Clarence Fountain, George Scott, Olice Thomas, Johnny Fields, J.T. Hutton, and Velma Traylor at the Talladega school. Carter is one of a few performers who have been in both the Blind Boys of Alabama and Mississippi. He fronts the Alabama group today as a classic quartet leader and fiery preacher. Along with extensive interviews of Fountain, these legendary musicians provide this book with the voice, firsthand perspective, and authenticity that bring their story the same inspirational power that you hear in their songs. Thought-provoking, heartfelt, and deeply inspiring, Spirit of the Century is a fascinating and one-of-a-kind read that you won't be able to put down.3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool
Par James Kaplan. 2024
From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of…
American culture in 1959, told through the journey of three towering artists—Miles Davis, John Coltrane, and Bill Evans—who came together to create the most iconic jazz album of all time, Kind of BlueThe myth of the &’60s depends on the 1950s being the &“before times&” of conformity, segregation, straightness—The Lonely Crowd and The Organization Man. This all carries some truth, but it does nothing to explain how, in 1959, America&’s great indigenous art form, jazz, reached the height of its power and popularity, thanks to a number of Black geniuses so legendary they go by one name—Monk, Mingus, Rollins, Coltrane, and, above all, Miles. Nineteen fifty-nine saw Miles, Coltrane, Bill Evans, and more come together to record what is widely considered the greatest jazz album of all time, and certainly the bestselling: Kind of Blue. 3 Shades of Blue is James Kaplan&’s magnificent account of the paths of the three giants to the mountaintop of 1959 and beyond. It&’s a book about music, and business, and race, and heroin, and the towns that gave jazz its home, from New Orleans and New York to Kansas City, Philadelphia, Chicago, and LA. It&’s an astonishing meditation on creativity and the strange hothouses that can produce its full flowering. It&’s a book about the great forebears of this golden age, particularly Charlie Parker and Dizzy Gillespie, and the disrupters, like Ornette Coleman, who would take the music down truly new paths. And it&’s about why the world of jazz most people know is a museum to this never-replicated period.But above all, 3 Shades of Blue is a book about three very different men—their struggles, their choices, their tragedies, their greatness. Bill Evans had a gruesome downward spiral; John Coltrane took the mystic&’s path into a space far away from mainstream concerns. Miles had three or four sea changes in him before the end. The tapestry of their lives is, in Kaplan&’s hands, an American odyssey with no direction home. It is also a masterpiece, a book about jazz that is as big as America.Ray Davies: A Complicated Life
Par Johnny Rogan. 2015
NOW UPDATED WITH A NEW EPILOGUE In the summer of 1964, aged twenty, Ray Davies led the Kinks to fame…
with their number one hit ‘You Really Got Me’. Within months, they were established among the pop elite, swamped by fans and fast becoming renowned for the rioting at their gigs. But Ray’s journey from working-class Muswell Hill to the Rock ’n’ Roll Hall of Fame was tumultuous in the extreme, featuring breakdowns, bitter lawsuits, spectacular punch-ups and a ban from entering the USA. His relationship with his brother Dave is surely the most ferocious and abusive in music history. Based on countless interviews conducted over several decades, this richly detailed and revelatory biography presents the most frank and intimate portrait yet of Ray Davies.Barefaced Lies and Boogie-Woogie Boasts
Par Harriet Vyner, Jools Holland. 2007
Jools Holland has had a fascinating life. From playing on bomb sites as a boy in the East End, to…
skiving off school and then selling millions of records with Squeeze, the first twenty years of his life were eventful, chaotic and colourful. Then came The Tube with Paula Yates, the seminal live music programme that propelled him to fame. Over the following three decades, Jools succeeded in placing himself at the epicentre of a global community comprising just about anybody who is anybody in music. Through Later with Jools Holland, the longest-running music programme on television, he has given British TV debuts to countless now world famous bands. Packed with hilarious anecdotes written in Holland’s own inimitable style and laced with quirky insights and deliciously acute detail, this autobiography by one of Britain’s most gifted and debonaire musicians is not just for music fans, but for anyone who is looking for something several cuts above the conventional showbiz memoir.Music as Agency: Diversities of Perspectives on Artistic Citizenship
Par Maria Westvall, Emily Achieng’ Akuno. 2024
Music as Agency: Diversities of Perspectives on Artistic Citizenship focuses on the concept, application, interpretation and manifestation of Artistic Citizenship…
in diverse contexts. The key concepts that the book tackles are: Cultural experience, artistic practice, musical identities, equity, democracy, community, activism, resistance and empathy.In giving an overview of aspects of the compound concept of artistic citizenship, Akuno and Westvall present the outcome of research and interrogation of practice by a global network of educator-researchers from Africa, the Americas, Asia and Europe. The book articulates notions of artistic citizenship, coming up with the term artizenship as a derivative of the composite term. It further explains and analyses practical ways of perceiving and relating to art spaces, art practices and arts objects towards belonging, being and becoming in a global space that is disparate, polarised and often alienating, and thus responding to issues such as social justice, identity, participation and inclusion. With a focus on music, the book targets musicians, scholars, educators and enthusiasts keen on gaining a deeper understanding of how music and musicking can influence human interactions towards social integration, trust, cultural awareness and intercultural understanding.Nothing: John Cage and 4'33"
Par Nicholas Day. 2024
What does nothing sound like? An offbeat history of John Cage&’s 4&’33&”, a musical composition of blank bars, illustrated by…
Caldecott Medalist Chris Raschka.One night in 1952, master pianist David Tudor took the stage in a barnlike concert hall called the Maverick. A packed audience waited with bated breath for him to start playing. Little did they know that the performance had already begun. A rain patters.A tree rustles.An audience stirs. David was performing John Cage&’s 4&’33&”, whose purpose is to amplify the ambient sounds of whatever venue it inhabits. That shocking first performance earned 4&’33&” plenty of haters; and yet the piece endures, &“performed&” by the smallest garage bands and the grandest symphonies alike, year after year. Its fans hear what John Cage hoped we would hear: &“Nothing&” is never silent, and you don&’t need a creative genius, a concert hall, or even a piano to hear something worthwhile. All you have to do is stop and listen.Nicholas Day&’s text is reverent with a healthy drop of humor, warm and refined; two-time Caldecott Medalist Chris Raschka&’s childlike pencil-on-watercolor artwork is uninhibited and electrifying, with all the visionary spirit of the work it chronicles. Guaranteed to spark generative thought and lively debate among readers of all ages, Nothing is not to be missed.A Junior Library Guild Gold Standard SelectionResurrecting Song: A Pathway Forward for the Choral Art in the Time of Pandemics
Par Wendy K. Moy. 2024
Through a collection of extensive interviews with choral conductors, educators, singers, and professional leaders, this book documents the choral music…
community’s journey through crisis and change during the COVID-19 pandemic and aids in its rebuilding in a new era where COVID-19 is endemic.When the pandemic emerged in early 2020, the impact on choral music was immediate and devastating, as the act of gathering and singing together became a source of contagion and potential severe illness or death. Weaving together a wide range of first-person accounts, this book addresses the impact of the coronavirus pandemic on choral music across contexts including community choruses, professional choirs, children and youth choirs, school choirs, and choral organizations. In their own words, we hear how the community responded to the challenges and banded together to innovate, use technology in new ways, and generate changes to practice. The book also explores how the pandemic caused many directors to realize that they needed to create a more inclusive place of belonging in their rehearsals, and provides reflections on the philosophy of singing and creating a choral community.Documenting both pandemic experiences and the lessons learned from surviving and thriving, this book showcases the resilience of choral music and helps point the way to new directions for the choral community in the wake of the pandemic.Jelly Roll Blues: Censored Songs and Hidden Histories
Par Elijah Wald. 2024
A bestselling music historian follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early…
blues and jazz. In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz, guided by the legendary New Orleans pianist Jelly Roll Morton. Morton became nationally famous as a composer and bandleader in the 1920s, but got his start twenty years earlier, entertaining customers in the city&’s famous bordellos and singing rough blues in Gulf Coast honky-tonks. He recorded an oral history of that time in 1938, but the most distinctive songs were hidden away for over fifty years, because the language and themes were as wild and raunchy as anything in gangsta rap. Those songs inspired Wald to explore how much other history had been locked away and censored, and this book is the result of that quest. Full of previously unpublished lyrics and stories, it paints a new and surprising picture of the dawn of American popular music, when jazz and blues were still the private, after-hours music of the Black "sporting world." It gives new insight into familiar figures like Buddy Bolden and Louis Armstrong, and introduces forgotten characters like Ready Money, the New Orleans sex worker and pickpocket who ended up owning one of the largest Black hotels on the West Coast. Revelatory and fascinating, these songs and stories provide an alternate view of Black culture at the turn of the twentieth century, when a new generation was shaping lives their parents could not have imagined and art that transformed popular culture around the world—the birth of a joyous, angry, desperate, loving, and ferociously funny tradition that resurfaced in hip-hop and continues to inspire young artists in a new millennium.Who Is Taylor Swift? (Who Was?)
Par Kirsten Anderson, Who Hq. 2024
Learn how a young girl who lived on a Christmas tree farm grew up to become one of the most…
celebrated musical artists of the twenty-first century in this addition to the #1 New York Times bestselling series.Taylor Swift always knew she wanted to be a country music artist, so at age thirteen, she convinced her parents to move their family out of Pennsylvania to Nashville.As a singer, songwriter, and guitarist, Taylor wrote songs about teenage heartbreak and fitting in with her peers, and she performed these and other tunes at open mic nights and karaoke events. Breaking into the music industry took longer than she expected because record executives thought there was no place in country music for her songs. But Taylor was fearless and proved them wrong.Since the release of her self-titled debut album in 2006, Taylor Swift has dominated the music charts, reinvented her sound, won numerous awards, shaken off public criticism, and spoken up for herself and others. Whether you're a lifelong Swiftie or someone who just loves learning about musicians, this enchanting book will teach you all about the experiences that helped Taylor Swift become the successful superstar many kids and adults looks up to.The recording industry has famously been transformed by technology throughout its entire history.The book presents an analysis of these changes…
using Porter's five forces model. The author highlights the evolution of buyers' and suppliers' power, the emergence of new competitors, product innovation and rivalry between companies in the industry driven by economic, political, social and legal factors.As an early mover in the social diffusion of copyright-sensitive content, the recording industry reflected in this book serves as an important reference for the analysis of other cultural and creative sectors.The Road Crew: Live Music and Touring
Par Gabrielle Kielich. 2024
The Road Crew: Live Music and Touring is an in-depth study of the road crew – the group of workers…
who handle the logistical and technical requirements of popular music concert tours – that provides an extensive look at the activities and personnel involved in the daily operation of these events.Using interviews with road crew members, participant observation at concert venues and archival research, this book covers a range of topics, including how they learn their roles and maintain work through networks and informal practices, the experience of being on tour and the workplace culture of road crews, the daily tasks and necessary documents that contribute to the realisation of concert events, and the integral role that tour managers play in the working lives of musicians. The book also provides important insights into the experience of women working in a male-dominated field, the ways in which hierarchy shapes the working lives of “support” workers and the effects of touring on road crew members.The Road Crew will be of interest to scholars and students of popular music, live music and the creative industries, as well as music fans, journalists, and professionals and practitioners in the music industries.