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The elephant and my Jewish problem: selected stories and journals, 1957-1987
Par Hugh Nissenson. 1988
Short stories and journal entries which describe the Jewish experience from the turn of the century to the aftermath of…
the Holocaust and the beginning of the state of Israel. 1988.Giants in the earth: the California redwoods
Par Peter Johnstone, Peter E. Palmquist. 2001
Literary anthology of stories, poems, natural history compositions, and articles selected from three hundred years of writing about the California…
redwoods. Authors Walt Whitman, John Muir, Jack London, Tom Wolfe, Armistead Maupin, and others who visited the groves felt inspired to write about their experiences and feelingsWe the Sea Turtles: A collection of island stories
Par Michelle Kadarusman. 2023
In a collection of powerful stories by Governor General’s Award-nominated author Michelle Kadarusman, eight children on islands around the world…
are each changed by a chance meeting with a turtle as they find their own grounding in an increasingly unpredictable world.Recapture
Par Erica Olsen. 2012
The Utah Canyons WildMall gives tourists exactly what they want. An archivist preserves a rare map of a vanished Lake…
Tahoe. The Grand Canyon can only be visited in replica form. These stories-lyrical, deadpan, surreal-blur the line between the natural world and the world we make.Praise for Recapture:A Library Journal Best Short Story Collection of the Year"Unsentimental stories that tell us what the American West looks like now and what we've lost; the Grand Canyon, for instance, can be seen only in replica after environmental catastrophe."-Barbara Hoffert, Library Journal"Recapture is a living, breathing museum of natural wonders. With writing as spare as the landscape she evokes, Olsen wades through the detritus of the human experience and finds clarity there, and some magic, too."-ZYZZYVA"True to its name, Recapture grasps after lost loves, fading histories, and shifting landscapes to bring us an expertly curated series of human exhibits in an expansive, outdoor museum."-Lindsey Griffin, the museum of americana literary review"Erica Olsen gives us the dream life of the Southwest in this striking collection, a landscape told in language as spare and pungent and exacting as the desert itself. A swift and lovely debut from a writer of real gifts."-Kevin Canty, author of Where the Money Went"These sly, heartbreaking stories capture the modern West, where the past is ever-present and the future is already here."-Alison Baker, author of How I Came West, and Why I Stayed"Beneath their polished surfaces, Erica Olsen's stories are subversive, sometimes darkly funny, and always disquieting. When you set off on a hike in her universe, be prepared for surprises. You may find yourself exploring Utah-or Norway-or a surreal faux wilderness where rainbows are regularly scheduled and gnats are outlawed. Also, prepare to be exhilarated. This accomplished writer really knows her way through the tricky zone between truth and falsehood where art is made."-Susan Lowell Humphreys, author of Ganado Red"A sharp, wise new voice from the American West, Erica Olsen is the real thing. As wild as David Foster Wallace or George Saunders and as tender as James Salter or Alice Munro, Olsen's stories are hilarious, painful, and achingly lovely."-Amanda Eyre Ward, author of Close Your Eyes"Like all good narratives, Erica Olsen's "Grand Canyon II" suggests great consequence. The past is another country. The task of memory is impossible. No one exists and nothing ever happened. But somewhere in your brain, a beautiful lie is being spun..."-Sarah Manguso, author of The Guardians"Recapture is like a lost map of the backcountry, detailing the forgotten places where secrets shove up through the dust, pieces of lives demanding to be made whole. The territory is endlessly illuminating and constantly surprising, revealing a master storyteller at work."-Kim Todd, author of Tinkering with Eden: A Natural History of Exotic Species in AmericaGrind
Par Mark Maynard. 2012
Convicts round up wild mustangs, a schizophrenic homeless man wins the jackpot and disappears, a truck driver with a child's…
mind spends his last hours in the embrace of a prostitute's photos-disparate and vivid, Mark Maynard's characters intersect in the new wild west of Reno, Nevada."Throughout the volume's eight tenuously linked tales, lives and fortune are lost, and the city of Reno emerges as a locus of shattered souls. Maynard's debut collection bursts with idiosyncratic characters...packs a strong emotional punch...is strangely entertaining."-Publishers Weekly"In Grind, Maynard reveals a world the Nevada tourism board would rather you didn't see...A debut collection of stories that perfectly captures the seediness, desperation and sense of loss permeating the hot desert world of Reno."-Shelf Awareness"Mark Maynard's Reno is so sleazily appealing, so filled with convict cowboys, wild horses, racing pilots, truckers, snow bums, eco-terrorists, tattoo conventions, pawnshops and jackpots that you emerge from reading Grind dazed by this author's empathy for neglected quarters of humanity. You feel gritty all over-and more alive."-Carolyn Cooke, author of Daughters of the Revolution"The characters in these stories are as beautiful and broken as the desert itself. Mark Maynard explores the stony truths of lost lives with an unflinching eye for detail, an insider's sense of the place and its people, and an honest compassion. The heartbreaks here are real, as are the moments of uncommon grace and hard-won redemption."-Kim Barnes, author of In the Kingdom of Men"Mark Maynard's Grind is chock full of men and women who are desperate with want and full of spirit. Pawnbrokers. Truckers. Casino shills. Prison inmates. They're all here, and they're all gloriously alive. This is prime American fiction-tough, generous, and open-eyed."-Alyson Hagy, author of Boleto"Grind is exactly what I like in a locally based book. Plenty of those characters who make a visit to the environs of Reno both an exciting potential and an illicit affair...This is a Northern Nevada book."-D. Brian Burghart, Reno News & ReviewRaised in Captivity: Fictional Nonfiction
Par Chuck Klosterman. 2019
Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection, from…
the best-selling author of But What if We're Wrong?A man flying first class discovers a puma in the lavatory. A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination. Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.The Tangle
Par Justin Robertson. 2021
'A writer of fierce and vivid imagination. The Tangle, like Holdstock's classic Mythago Wood and Catlin's The Voorh, taps the…
deep resonances of the wild wood in the English soul, revering even the stones as living minds, possessed of souls and ancient memories. Visceral stuff from this promising new star of dark fantasy' Michael MoorcockJustin Robertson's debut novel is a trans- dimensional trip into the mysterious knot of nature; a journey into the 'brilliant darkness' where the timeless divine spirit of the 'Tangle' weaves its spell and all mankind's hubris is rendered insignificant by the radically non-human force of phantom ecology. Salvation, revelation and a terrible reckoning dwell in the ancient roots ...A time travelling account of what occurs when unknowable frontiers are breached and humanity finds itself, once again, lost in the woods, THE TANGLE invites us into a grotesque world of eco-horror, echoing with the spirit of writers such as Saki, Ballard, M R James, Ursula Le Guin, Brian Catling and Thomas Ligotti.Wide Eyed
Par Dennis Cooper, Trinie Dalton. 2005
"Trinie Dalton's voice is so charming in these stories and they fly right by, so it takes a little time…
to realize how deftly she is talking about death and sex and fear and love and fur and slumber parties, how lightly she touches upon heaviness, making an imprint so gentle you don't know it's there until later, when the story floats back up in your memory, light as a butterfly or a blood-oil lilypad in the bath." --Aimee Bender"Trinie Dalton is as radically original a young writer as I've ever come across: a post-punk, post-apocalyptic, post-everything sensibility, casting spells of willed innocence against the powers of darkness she knows terrifyingly well." --David Gates"These charming stories vibrate with innocence and awe. Trinie Dalton is an effortless purveyor of wonder, strangeness, and love. She is a writer of high spirits and unguarded vision, and this debut collection is an absolute pleasure to read." --Ben Marcus"In Wide Eyed, a wonderfully eccentric and vibrant collection, Trinie Dalton showcases her ability to put a fresh spin on the world, leading the reader into places never explored--sometimes dreamlike, sometimes nightmarish, always riveting. Her vision is wholly unique and memorable." --Jill McCorkleIn Trinie Dalton's tweaked vision of reality, psychic communications between herself and Mick Jagger, The Flaming Lips, Marc Bolan, Lou Reed, and Pavement are daily occurrences. Animals also populate this book; beavers, hamsters, salamanders, black widows, owls, llamas, bats, and many more are characters who befriend the narrator. This collection of stories is told by a woman compelled to divulge her secrets, fantasies, and obsessions with native Californian animals, glam rock icons, and horror movies, among other things. With a setting rooted in urban Los Angeles but colored by mythic tales of beauty borrowed from medieval times, Shakespeare, and Grimm's fairy tales, Wide Eyed makes the difficulties of surviving in a contemporary American city more palatable by showing the reader that magic and escape is always possible.Stories include, "Hummingbird Moonshine," in which the narrator's frustrated hunt for authentic religion in botanicas and science books culminates in a spiritual connection made with a hummingbird. In "Oceanic," she resolves to marry a manatee after a drunken pre-party for her best friend's wedding. In "Tiles," four vignettes about bloody accidents in tiled bathrooms intermingle with scenes from Dalton's favorite scary movies.Featuring oddball prose in the traditions of Dalton's literary heroes--Denton Welch, Robert Walser, and Jane Bowles--these stories have a dreamy, imaginative quality that reveal a peculiar state of mental ecstasy. To be inside the mind of Trinie Dalton is to be escorted into bliss.You Must Be This Happy to Enter: Stories (Punk Planet Bks.)
Par Elizabeth Crane. 2008
Whether breathlessly enthusiastic, serenely calm, or really concentrating right now on their personal zombie issues, Elizabeth Crane's happy cast explores…
the complexities behind personal satisfaction. Elizabeth Crane is the author of two previous story collections, When the Messenger is Hot and All This Heavenly Glory. Her work has also been featured in numerous publications, including Chicago Reader and The Believer, as well as several anthologies, including McSweeney's Future Dictionary of America and The Best Underground Fiction. A winner of the Chicago Public Library's 21st Century Award, Crane teaches creative writing at Northwestern's School of Continuing Studies, The School of the Art Institute, and The University of Chicago. She lives in Chicago.Unstrung: Rants And Stories Of A Noise Guitarist
Par Marc Ribot. 2021
The paperback edition of iconoclastic guitar player Marc Ribot’s darkly funny and subversive collection of writing, featuring brand-new essays not…
included in the hardcover. Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in the expanded paperback edition of Ribot’s first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays—including some new material not included in the hardcover—short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, "Lies and Distortion," Ribot turns his attention to his instrument--"my relation to the guitar is one of struggle; I'm constantly forcing it to be something else"--and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician--he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties," Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.