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Cranky ladies of history
Par Garth Nix, Kathleen Jennings, Tehani Wessely, Tansy Rayner Roberts. 2015
This collection of twenty-two stories features an array of women challenging conventional wisdom about appropriate female behavior throughout history. The…
protagonists include both the iconic and all-but-forgotten. Authors include, among others, Garth Nix, Jane Yolen, Liz Barr, Kirstyn McDermott, and Foz Meadows. 2015At her majesty's request: an African princess in Victorian England
Par Walter Dean Myers. 1999
The life of an African princess who was about to be killed in a ritual sacrifice in 1850 when she…
was rescued by Commander Forbes, taken to England, and presented to Queen Victoria as Sarah Forbes Bonetta. The queen became Sarah's protector and godmother to her first child. For grades 5-8Samantha rastles the woman question
Par Marietta Holley, Jane Curry. 1983
A contemporary of Mark Twain, Holley was famous in her day and often compared to him. Samantha "rastles" with questions…
concerning history's treatment of women, the need for women's suffrage, women and the church, social status, role assumptions, and more. Of course, many of her sage observations still resonate for us. Adult. UnratedLittle Labors
Par Rivka Galchen. 2016
Rivka Galchen's Little Labors is a droll and dazzling compendium of observations, stories, lists, and brief essays about babies and…
literature Sei Shonagon's Pillow Book--a key inspiration for Rivka Galchen's new book--contains a list of "Things That Make One Nervous." And wouldn't the blessed event top almost anyone's list? Little Labors is a slanted, enchanted literary miscellany. Varying in length from just a sentence or paragraph to a several-page story or essay, Galchen's puzzle pieces assemble into a shining, unpredictable, mordant picture of the ordinary-extraordinary nature of babies and literature. Anecdotal or analytic, each part opens up an odd and tender world of wonder. The 47 Ronin; the black magic of maternal love; babies morphing from pumas to chickens; the quasi-repellent concept of "women writers"; origami-ophilia in Oklahoma as a gateway drug to a lifelong obsession with Japan; discussions of favorite passages from the Heian masterpieces Genji and The Pillow Book; the frightening prevalence of orange as today's new chic color for baby gifts; Frankenstein as a sort of baby; babies gold mines; babies as tiny Godzillas ... Little Labors-atomized and exploratory, conceptually byzantine and freshly forthright-delights.Subject to Change
Par Renee Rodin. 2010
Composed of autobiographical stories that sketch the resonant heights and depths of a memoir, Subject to Change is a series…
of portraits along the road of a life well-lived. These stories are articulate, intelligent, passionate records of how encounters with others have changed and shaped the humanity, character and community - the "subject" - of the writer.Bad Girls: Sirens, Jezebels, Murderesses, Thieves & Other Female Villains
Par Jane Yolen, Heidi E. Y. Stemple. 2013
From Jezebel to Catherine the Great, from Cleopatra to Mae West, from Mata Hari to Bonnie Parker, strong women have…
been a problem for historians, storytellers, and readers. Strong females smack of the unfeminine. They have been called wicked, wanton, and willful. Sometimes that is a just designation, but just as often it is not. "Well-behaved women seldom make history," is the frequently quoted statement by historian and feminist Laurel Thatcher Ulrich. But what makes these misbehaving women "bad"? Are we idolizing the wicked or salvaging the strong? In BAD GIRLS, readers meet twenty-six of history's most notorious women, each with a rotten reputation. But authors Jane Yolen and Heidi Stemple remind us that there are two sides to every story. Was Delilah a harlot or hero? Was Catherine the Great a great ruler, or just plain ruthless? At the end of each chapter, Yolen and Stemple appear as themselves in comic panels as they debate each girl's badness--Heidi as the prosecution, Jane for context. This unique and sassy examination of famed, female historical figures will engage readers with its unusual presentation of the subject matter. Heidi and Jane's strong arguments for the innocence and guilt of each bad girl promotes the practice of critical thinking as well as the idea that history is subjective. Rebecca Guay's detailed illustrations provide a rich, stylized portrait of each woman, while the inclusion of comic panels will resonate with fans of graphic novels.