Résultats de recherche de titre
Articles 1 à 20 sur 27
Let me tell you: new stories, essays, and other writings
Par Shirley Jackson, Laurence Hyman, Sarah Hyman DeWitt. 2015
Since her death in 1965, Shirley Jackson's reputation as a master of creepy short stories has only grown. Stories featuring…
her signature eerie style, as well as essays about writing and her family, make up the fifty-six entries in this collection, most previously unpublished. Some violence. 2015The opposite of loneliness: essays and stories
Par Marina Keegan. 2014
Collection of essays and short stories by Keegan (1989-2012), who was killed in a car accident five days after her…
college graduation. In the title essay--which appeared in the graduation issue of the Yale Daily News--she reflects on the bright future awaiting the graduates. Bestseller. 2014The Keillor reader
Par Garrison Keillor. 2014
Speak, memory: an autobiography revisited (Vintage International Ser.)
Par Vladimir Vladimirovich Nabokov. 1989
Autobiographical sketches chronicle the author's upper-class childhood in Russia, the 1917 Bolshevik Revolution that forced his family into exile in…
Europe, and his 1940 move to the United States. First published in 1951 under the title Conclusive Evidence and revised in 1966. 1947Kevin Kling's Holiday Inn
Par Kevin Kling. 2009
National Public Radio commentator pens good-humored autobiographical stories about holidays throughout the year. Describes celebrating his fourth birthday inside a…
glass "cage" at the Shriners Hospital for Crippled Children, after measles postponed his operation, and holding his breath--and fainting--during Easter services at church. 2009La femme rompue ; L'âge de discrétion ; Monologue (Soleil #223)
Par Simone De Beauvoir. 1967
Trois récits, les "voix de trois femmes qui se débattent avec des mots dans des situations sans issue" (S. de…
Beauvoir) aux prises avec la jalousie, la vieillesse, l'isolement, l'échec professionnel, la déception causée par les enfants, etc. [SDMLet Me Tell You
Par Shirley Jackson, Ruth Franklin, Laurence Hyman, Sarah Hyman Dewitt. 2015
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * From the renowned author of "The Lottery" and…
The Haunting of Hill House, a spectacular new volume of previously unpublished and uncollected stories, essays, and other writings. Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces--more than forty of which have never been published before. Two of Jackson's children co-edited this volume, culling through the vast archives of their mother's papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson's landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children's games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community--the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson's radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.Praise for Let Me Tell You"Stunning."--O: The Oprah Magazine"Let us now--at last--celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson's heretofore unpublished works--uniquely unsettling stories and ruthlessly barbed essays on domestic life."--Vanity Fair "Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right."--NPR "There are . . . times in reading [Jackson's] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O'Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she's just incomparable."--The Washington Post "Offers insights into the vagaries of [Jackson's] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson."--The New York Times Book Review"The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness."--The Boston Globe"[Jackson's] writing, both fiction and nonfiction, has such enduring power--she brings out the darkness in life, the poltergeists shut into everyone's basement, and offers them up, bringing wit and even joy to the examination."--USA Today"The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation."--The Huffington PostFrom the Hardcover edition.Let Me Tell You: New Stories, Essays, and Other Writings
Par Shirley Jackson, Ruth Franklin, Laurence Hyman, Sarah Hyman Dewitt. 2015
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * From the renowned author of "The Lottery" and…
The Haunting of Hill House, a spectacular new volume of previously unpublished and uncollected stories, essays, and other writings.Features "Family Treasures," nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces--more than forty of which have never been published before. Two of Jackson's children co-edited this volume, culling through the vast archives of their mother's papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson's landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children's games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community--the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson's radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.Praise for Let Me Tell You"Stunning."--O: The Oprah Magazine"Let us now--at last--celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson's heretofore unpublished works--uniquely unsettling stories and ruthlessly barbed essays on domestic life."--Vanity Fair "Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right."--NPR "There are . . . times in reading [Jackson's] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O'Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she's just incomparable."--The Washington Post "Offers insights into the vagaries of [Jackson's] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson."--The New York Times Book Review"The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness."--The Boston Globe"[Jackson's] writing, both fiction and nonfiction, has such enduring power--she brings out the darkness in life, the poltergeists shut into everyone's basement, and offers them up, bringing wit and even joy to the examination."--USA Today"The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation."--The Huffington PostFrom the Hardcover edition.Let Me Tell You: New Stories, Essays, and Other Writings
Par Ruth Franklin, Sarah Hyman Dewitt, Shirley Jackson, Laurence Hyman. 2015
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR * From the renowned author of "The Lottery" and…
The Haunting of Hill House, a spectacular new volume of previously unpublished and uncollected stories, essays, and other writings.Features "Family Treasures," nominated for the Edgar Award for Best Short Story Shirley Jackson is one of the most important American writers of the last hundred years. Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted. As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces--more than forty of which have never been published before. Two of Jackson's children co-edited this volume, culling through the vast archives of their mother's papers at the Library of Congress, selecting only the very best for inclusion. Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson's landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children's games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community--the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson's radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist. This volume includes a Foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.Praise for Let Me Tell You"Stunning."--O: The Oprah Magazine"Let us now--at last--celebrate dangerous women writers: how cheering to see justice done with [this collection of] Shirley Jackson's heretofore unpublished works--uniquely unsettling stories and ruthlessly barbed essays on domestic life."--Vanity Fair "Feels like an uncanny dollhouse: Everything perfectly rendered, but something deliciously not quite right."--NPR "There are . . . times in reading [Jackson's] accounts of desperate women in their thirties slowly going crazy that she seems an American Jean Rhys, other times when she rivals even Flannery O'Connor in her cool depictions of inhumanity and insidious cruelty, and still others when she matches Philip K. Dick at his most hallucinatory. At her best, though, she's just incomparable."--The Washington Post "Offers insights into the vagaries of [Jackson's] mind, which was ruminant and generous, accommodating such diverse figures as Dr. Seuss and Samuel Richardson."--The New York Times Book Review"The best pieces clutch your throat, gently at first, and then with growing strength. . . . The whole collection has a timelessness."--The Boston Globe"[Jackson's] writing, both fiction and nonfiction, has such enduring power--she brings out the darkness in life, the poltergeists shut into everyone's basement, and offers them up, bringing wit and even joy to the examination."--USA Today"The closest we can get to sitting down and having a conversation with . . . one of the most original voices of her generation."--The Huffington PostFrom the Hardcover edition.The Opposite of Loneliness: Essays and Stories
Par Anne Fadiman, Marina Keegan. 2014
An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured…
the world's attention in 2012 and turned her into an icon for her generation. Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, "The Opposite of Loneliness," went viral, receiving more than 1.4 million hits. She had struck a chord. Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assemblage of Marina's essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.The Unknown Kerouac (LOA #283)
Par Jack Kerouac, Todd Tietchen, Jean-Christophe Cloutier. 2016
In On the Road and other iconic works, Jack Kerouac created a quintessentially American voice and a revolutionary prose style.…
This remarkable gathering of previously unpublished writings reveals as never before the extraordinary literary journey that led to his phenomenal success—a journey with deep roots in the language and culture of Kerouac’s French Canadian childhood.Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac’s own partial translations.Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver—where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo—and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway. This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.The Journal I Did Not Keep: New and Selected Writing
Par Lore Segal. 2019
"Segal is a monumental writer, one of the finest of her generation; this lovely collection is a fine introduction to…
her work."—Kirkus Reviews A DEFINITIVE COLLECTION FROM ONE OF AMERICA'S FINEST WRITERS—INCLUDING NEW AND NEVER-BEFORE-COLLECTED WORK From the award-winning New Yorker writer comes this essential volume spanning almost six decades. Admired for “a voice unlike any other” (Cynthia Ozick) and a style both “wry and poignant” (The New Yorker), Lore Segal is a master literary stylist. This volume collects some of her finest work—including new and uncollected writing—and selections from her novels, stories, and essays. From her very first story—which appeared in The New Yorker in 1961—to today, Segal’s voice has been unique in contemporary American literature: Hilarious and urbane, heartbreaking and profound, keen and utterly unsentimental. Segal has often used her own biography as both subject and inspiration: At age ten she was sent on the Kindertransport from Vienna to England to escape the Nazi invasion of Austria; grew up among English foster families; and eventually made her way to the United States. This experience was the impetus for her first novel, Other People’s Houses, and one that she has revisited throughout her career. From that beginning, Segal’s writing has ranged widely across form as well as subject matter. Her flawless prose and light touch belie the rigor and intelligence she brings to her art—qualities that were not missed by the New York Times reviewer who pointedly observed, “though it was not written by a man . . . Segal may have come closer than anyone to writing The Great American Novel.” With this volume comes a long-awaited career retrospective of an important American Writer.A Girl's Story
Par Annie Ernaux. 2020
Another masterpiece of remembering from Annie Ernaux, the Man Booker International Prize–shortlisted author of The Years. In A Girl&’s Story,…
Annie Ernaux revisits the season fifty years earlier when she found herself overpowered by another&’s will and desire. In the summer of 1958, eighteen-year-old Ernaux submits her will to a man&’s, and then he moves on, leaving her without a &“master,&” bereft. Now, fifty years later, she realizes she can obliterate the intervening years and return to consider this young woman that she wanted to forget completely. And to discover that here, submerged in shame, humiliation, and betrayal, but also in self-discovery and self-reliance, lies the origin of her writing life.Necropolis (Russian Library)
Par Vladislav Khodasevich. 2019
Necropolis is an unconventional literary memoir by Vladislav Khodasevich, hailed by Vladimir Nabokov as “the greatest Russian poet of our…
time.” In each of the book’s nine chapters, Khodasevich memorializes a significant figure of Russia’s literary Silver Age, and in the process writes an insightful obituary of the era.Written at various times throughout the 1920s and 1930s following the deaths of its subjects, Necropolis is a literary graveyard in which an entire movement, Russian Symbolism, is buried. Recalling figures including Alexander Blok, Sergey Esenin, Fyodor Sologub, and the socialist realist Maxim Gorky, Khodasevich tells the story of how their lives and artworks intertwined, including a notoriously tempestuous love triangle among Nina Petrovskaya, Valery Bryusov, and Andrei Bely. He testifies to the seductive and often devastating power of the Symbolist attempt to turn one’s life into a work of art and, ultimately, how one man was left with the task of memorializing his fellow artists after their deaths. Khodasevich’s portraits deal with revolution, disillusionment, emigration, suicide, the vocation of the poet, and the place of the artist in society. One of the greatest memoirs in Russian literature, Necropolis is a compelling work from an overlooked writer whose gifts for observation and irony show the early twentieth-century Russian literary scene in a new and more intimate light.Ciudad sumergida
Par Marta Barone. 2020
Galardonada con el Premio Vittorini, nominada al Premio Strega y una de las grandes revelaciones literarias en Italia de los…
últimos tiempos. Esta novela trata sobre la distancia que separa a los padres de los hijos: unas memorias familiares, una apasionada mirada a la literatura y el retrato de uno de los episodios más violentos de Italia. «La pregunta no es quiénes fueron nuestros padres antes de que naciéramos. La pregunta es: ¿existieron realmente antes de que naciéramos?» Nadia Terranova, TTL El joven corre bajo la lluvia, descalzo, cubierto de una sangre que no es suya. Llamémoslo L.B. y acerquémonos a él a través de los acontecimientos que le condujeron a esa noche. Nos guía la voz de una joven fuerte, solitaria, apasionada por la literatura, y esta novela es el recuerdo y la crónica de cómo se enfrentó a la muerte de su padre, lo que quedó del vínculo con él, y al descubrimiento tardío del caso judicial que le llevó a prisión. ¿Quién era L.B., ese médico de la clase trabajadora que estaba del lado de los perdedores, que siempre intentaba salvar a alguien, que fue condenado por colaboración con banda armada? ¿Por qué nunca quiso hablar del pasado? Testimonios, archivos y carpetas, recuerdos y revelaciones componen el retrato de una persona complicada y contradictoria que vivió una época complicada y contradictoria. Turín es el telón de fondo de la lucha política diaria y de la violencia que destruyó el sueño de un mundo nuevo, dejando un legado de desilusión y ruina. Esta novela, la revelación literaria del año en Italia, es la historia de un hombre, de su entorno y sus afiliaciones, es su vida visitada con amor y pudor por una hija, Marta Barone, para quien el mundo se mide y construye a través de la palabra leída y escrita. La crítica ha dicho...«Ciudad sumergida es una investigación personal, llena de amor por los libros y la lectura, que, con un lenguaje a momentos evoca al pasado mimetizándose con los tiempos que relata, recuerda a la "secreta dulzura" de Manuel Vilas en Ordesa.»Vanity Fair «Un debut brillante. Barone entremezcla diestramente el relato de actos judiciales inhumanos con los recuerdos de su juventud y sus pasiones literarias, para luego transformarse en una periodista tenaz que describe los años de terrorismo.»Enrico Deaglio, Il Venerdì di Repubblica «Lo que podría haber sido una novela de reconstrucción precisa, pero corriente, gracias a la espléndida escritura de la autora, te lleva a lugares mucho más interesantes, donde se presenta al padre con sus iniciales, LB, como si su breve historia estuviera guardada en un inmenso y hermoso libro sobre literatura.»La Stampa «Barone entreteje magistralmente fechas, reconstrucciones, documentos y recuerdos de aquellos que le contaron sobre su historia y la historia de su "complicado" padre.»Marta Stella, Sette «Este libro trata de la distancia que separa a los padres de los hijos. Trata de porqué es importante conocer a nuestros padres, para que puedan liberarse de nuestras expectativas, de modo que desaparezca cualquier posible deuda.»Simonetta Sciandivasci, Il FoglioPAGES FR COLD ISLAND
Par Frederick Exley. 1975
He: Shorter Writings of Franz Kafka (riverrun editions)
Par Franz Kafka. 2020
'Being asked to write about Kafka is like being asked to describe the Great Wall of China by someone who's…
standing just next to it. The only honest thing to do is point.' Joshua Cohen, from his preface to He: Shorter Writings of Franz KafkaThis is a Kafka emergency kit, a congregation of the brief, the minor works that are actually major. Joshua Cohen has produced a frame that refuses distinctions between what is a story, a letter, a workplace memo and a diary entry, also including popular favourites like The Bucket Rider, The Penal Colony and The Burrow. Here we see Kafka's preoccupations in writing about animals, messiah variations, food and exercise, each in his signature style.Cohen's selection emphasises the stately structure of utterly coherent logic, within an utterly incoherent illogical world, showing how Kafka harnessed the humblest grammar to metamorphic power until the predominant effect ceases to be the presence of an unreliable narrator, but the absence of the universe's only reliable narrator. Who is God.The Paper Lantern
Par Will Burns. 2021
'Will Burns is a soulful English poet of the kind we don't make enough of' MAX PORTER'Hugely affecting and timely'…
LUKE TURNER'A boldly struck chord, one that contains many of the dissonances, but also the harmonies, found in England today' CHRIS POWERIn THE PAPER LANTERN, a single speaker charts and interrogates the shifts in mood and understanding that have defined a surreal, transformative period in both his own history and that of the surrounding area. Set in a shuttered pub - The Paper Lantern - in a village in the very middle of the country adjacent to the Chequers estate, the narrator embarks on a series of walks in the Chiltern Hills, which become the landscape for evocations of a past scarred with trauma and a present lacking compass. From local raves in secret valleys and the history of landmarks such as Halton House, to the fallout of the lockdown period, climate change and capitalism, THE PAPER LANTERN creates a tangible, lived-in, complicated rendering of a place.Souvenir
Par Michael Bracewell. 2021
'The best evocation I've read of London in the '80s' Neil Tennant'A suspended act of retrieval, a partisan recall; a…
sustained, subtle summary of our recent past, and an epitaph for a future we never had' Philip Hoare'Michael Bracewell proves himself to be nothing less than the poet laureate of late capitalism' Jonathan CoeA vivid eulogy for London of the late 1970s and early 80s - the last years prior to the rise of the digital city. An elliptical, wildly atmospheric remembrance of the sites and soundtrack, at once aggressively modern and strangely elegiac, that accompanied the twilight of one era and the dawn of another. Haunted bedsits, post-punk entrepreneurs in the Soho Brasserie, occultists in Fitzrovia, Docklands before Canary Wharf, frozen suburbs in the winter of 1980...Souvenir
Par Michael Bracewell. 2021
'The best evocation I've read of London in the '80s' Neil Tennant'A suspended act of retrieval, a partisan recall; a…
sustained, subtle summary of our recent past, and an epitaph for a future we never had' Philip Hoare'Michael Bracewell proves himself to be nothing less than the poet laureate of late capitalism' Jonathan CoeA vivid eulogy for London of the late 1970s and early 80s - the last years prior to the rise of the digital city. An elliptical, wildly atmospheric remembrance of the sites and soundtrack, at once aggressively modern and strangely elegiac, that accompanied the twilight of one era and the dawn of another. Haunted bedsits, post-punk entrepreneurs in the Soho Brasserie, occultists in Fitzrovia, Docklands before Canary Wharf, frozen suburbs in the winter of 1980...