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The Fate of Bonté III (Literary Translation)
Par Alain Poissant. 2015
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Oeuvres littéraires (romans)Essais et documents généraux
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Bonté III was five years old. A cow at that age is at her prime. Prime is an accounting term.…
A dairy farm is a business and must be managed as such. From this perspective, Bonté III’s days were numbered. Numbered is not an empty word. She had been a good representative of her breed. A cow, after all, has no need to try to be a cow. Her life is that of a cow: a predetermined cycle that is easily reflected on a balance sheet. She eats. She drinks. She ruminates. She urinates. She defecates. All this has a cost. She ovulates. She bears a calf. She gives birth. She produces milk. All this brings money. [...] Tit for tat. The only thing left to do for Bonté III was to call the butcher. The Fate of Bonté III is a story of love and loneliness with colourful characters, a reflection on life and the vital need to be useful to someone or to something.The Long Song: Shortlisted for the Booker Prize (Nhb Modern Plays Ser.)
Par Andrea Levy. 2010
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Littérature générale (romans), Multiculturalisme (romans), Famille (récits), Histoire (romans), Oeuvres littéraires (romans)Histoire, Essais et documents généraux
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Now a major BBC TV drama, starring Tamara Lawrance, Lenny Henry and Hayley Atwell.A Sunday Times bestseller (2011), shortlisted for…
the Man Booker Prize, The Long Song by Andrea Levy is a hauntingly beautiful, heartbreaking and unputdownable novel of the last days of slavery in Jamaica, for those who loved Homegoing, The Underground Railroad, or the film 12 Years a Slave.'A marvel of luminous storytelling' Financial TimesYou do not know me yet. My son Thomas, who is publishing this book, tells me, it is customary at this place in a novel to give the reader a little taste of the story that is held within these pages. As your storyteller, I am to convey that this tale is set in Jamaica during the last turbulent years of slavery and the early years of freedom that followed.July is a slave girl who lives upon a sugar plantation named Amity and it is her life that is the subject of this tale. She was there when the Baptist War raged in 1831, and she was present when slavery was declared no more. My son says I must convey how the story tells also of July's mama Kitty, of the negroes that worked the plantation land, of Caroline Mortimer the white woman who owned the plantation and many more persons besides - far too many for me to list here. But what befalls them all is carefully chronicled upon these pages for you to peruse.Perhaps, my son suggests, I might write that it is a thrilling journey through that time in the company of people who lived it. All this he wishes me to pen so the reader can decide if this is a novel they might care to consider. Cha, I tell my son, what fuss-fuss. Come, let them just read it for themselves.They Divided the Sky: A Novel by Christa Wolf (Literary Translation)
Par Christa Wolf. 2012
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Oeuvres littéraires (romans)Essais et documents généraux, Anthologies
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First published in 1963, in East Germany, They Divided the Sky tells the story of a young couple, living in…
the new, socialist, East Germany, whose relationship is tested to the extreme not only because of the political positions they gradually develop but, very concretely, by the Berlin Wall, which went up on August 13, 1961. The story is set in 1960 and 1961, a moment of high political cold war tension between the East Bloc and the West, a time when many thousands of people were leaving the young German Democratic Republic (the GDR) every day in order to seek better lives in West Germany, or escape the political ideology of the new country that promoted the "farmer and peasant" state over a state run by intellectuals or capitalists. The construction of the Wall put an end to this hemorrhaging of human capital, but separated families, friends, and lovers, for thirty years. The conflicts of the time permeate the relations between characters in the book at every level, and strongly affect the relationships that Rita, the protagonist, has not only with colleagues at work and at the teacher's college she attends, but also with her partner Manfred (an intellectual and academic) and his family. They also lead to an accident/attempted suicide that send her to hospital in a coma, and that provide the backdrop for the flashbacks that make up the narrative. Wolf's first full-length novel, published when she was thirty-five years old, was both a great literary success and a political scandal. Accused of having a 'decadent' attitude with regard to the new socialist Germany and deliberately misrepresenting the workers who are the foundation of this new state, Wolf survived a wave of political and other attacks after its publication. She went on to create a screenplay from the novel and participate in making the film version. More importantly, she went on to become the best-known East German writer of her generation, a writer who established an international reputation and never stopped working toward improving the socialist reality of the GDR.
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Oeuvres littéraires (romans)Littérature (biographies), Anthologies, Essais, Critiques
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Selected works and incidental writings by the celebrated author of A River Runs Through It, plus excerpts from a 1986…
interview.In his eighty-seven years, Norman Maclean played many parts: fisherman, logger, firefighter, scholar, teacher. But it was a role he took up late in life, that of writer, that won him enduring fame and critical acclaim—as well as the devotion of readers worldwide. Though the 1976 collection A River Runs Through It and Other Stories was the only book Maclean published in his lifetime, it was an unexpected success, and the moving family tragedy of the title novella—based largely on Maclean’s memories of his childhood home in Montana—has proved to be one of the most enduring American stories ever written.The Norman Maclean Reader is a wonderful addition to Maclean’s celebrated oeuvre. Bringing together previously unpublished materials with incidental writings and selections from his more famous works, the Reader will serve as the perfect introduction for readers new to Maclean, while offering longtime fans new insight into his life and career.In this evocative collection, Maclean as both a writer and a man becomes evident. Perceptive, intimate essays deal with his career as a teacher and a literary scholar, as well as the wealth of family stories for which Maclean is famous. Complete with a generous selection of letters, as well as excerpts from a 1986 interview, The Norman Maclean Reader provides a fully fleshed-out portrait of this much admired author, showing us a writer fully aware of the nuances of his craft, and a man as at home in the academic environment of the University of Chicago as in the quiet mountains of his beloved Montana.Various and moving, the works collected in The Norman Maclean Reader serve as both a summation and a celebration, giving readers a chance once again to hear one of American literature’s most distinctive voices.Praise for The Norman MacLean Reader“A solid, satisfying, well-made body of work by a patient craftsman.” —Chicago Tribune“The Norman Maclean Reader fills out and makes more human the impressions of the restless, inquiring storyteller we saw in previously published works. In his writings, at their best, we too feel the thrusts and strains. He is a writer of great beauty, in his own terms.” —Financial Times“Weltzien has not only done great service for Norman Maclean’s readers, he has rightly expanded Maclean’s place in American literature . . . . For me, The Norman Maclean reader is discovered treasure.” —Bloomsbury ReviewThe Sixteen Satires
Par Juvenal. 1998
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Oeuvres littéraires (romans)Essais, Critiques
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Perhaps more than any other writer, Juvenal (c. AD 55-138) captures the splendour, the squalor and the sheer energy of…
everyday Roman life. In The Sixteen Satires he evokes a fascinating world of whores, fortune-tellers, boozy politicians, slick lawyers, shameless sycophants, ageing flirts and downtrodden teachers. A member of the traditional land-owning class that was rapidly seeing power slip into the hands of outsiders, Juvenal also creates savage portraits of decadent aristocrats - male and female - seeking excitement among the lower orders of actors and gladiators, and of the jumped-up sons of newly-rich former slaves. Constantly comparing the corruption of his own generation with its stern and upright forebears, Juvenal's powers of irony and invective make his work a stunningly satirical and bitter denunciation of the degeneracy of Roman society