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Angina Days: Selected Poems (Facing Pages)
Par Günter Eich. 2010
A bilingual edition of one of the most important German poets of the twentieth centuryThis is the most comprehensive English…
translation of the work of Günter Eich, one of the greatest postwar German poets. The author of the POW poem "Inventory," among one of the most famous lyrics in the German language, Eich was rivaled only by Paul Celan as the leading poet in the generation after Gottfried Benn and Bertolt Brecht. Expertly translated and introduced by Michael Hofmann, this collection gathers eighty poems, many drawn from Eich's later work and most of them translated here for the first time. The volume also includes the original German texts on facing pages.As an early member of "Gruppe 47" (from which Günter Grass and Heinrich Böll later shot to prominence), Eich (1907-72) was at the vanguard of an effort to restore German as a language for poetry after the vitriol, propaganda, and lies of the Third Reich. Short and clear, these are timeless poems in which the ominousness of fairy tales meets the delicacy and suggestiveness of Far Eastern poetry. In his late poems, he writes frequently, movingly, and often wryly of infirmity and illness. "To my mind," Hofmann writes, "there's something in Eich of Paul Klee's pictures: both are homemade, modest in scale, immediately delightful, inventive, cogent."Unjustly neglected in English, Eich finds his ideal translator here.Ana Enriqueta Terán is arguably Venezuela's finest poet. Celebrated throughout the Spanish-speaking world, she is almost unknown among anglophones. Until…
now only a handful of her poems have been translated into English, giving at best a diluted impression of a uniquely intense imagination. This bilingual edition reveals the power and beauty of this poet's Spanish poems through English versions of corresponding force. It invites readers to enter Terán's world--a world at once strongly Venezuelan and universally human, imbued with great beauty, sardonic humor, pitiless compassion, lucid wisdom, and joyful affirmation. Selected from several volumes of Terán's work, these poems span half a century of composition and show an extraordinary range in both form and substance. Some are written in closed forms, some in free verse. Some are carefully evocative representations of the landscapes and cityscapes that have nourished the poet's intelligence and imagination. Others are dramatic character studies. All are infused with Terán's rare sensibility and realized through language that manages to be at once graceful, urgent, and explosive. This volume is a treasure for all lovers of poetry. Deal Struck with Happiness ? How much sweetness to make right the night and this clutch of anemones near thin smooth consoling stones, stones havens of southern weather. Of a woman who watches Cepheids quaver among lightbursting mangroves. Of a woman who offers cats-eyes and clematis only, Islands, for the sake of setting right her deal struck with happiness.After Every War: Twentieth-Century Women Poets (Facing Pages)
Par Eavan Boland. 2004
They are nine women with much in common—all German speaking, all poets, all personal witnesses to the horror and devastation…
that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood.After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausländer, Elisabeth Langgässer, Nelly Sachs, Gertrud Kolmar, Else Lasker-Schüler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time—but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them.The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience—of language, of music, and of the human spirit—in the hardest of times.Hybrids of Plants and of Ghosts (Princeton Series of Contemporary Poets #16)
Par Jorie Graham. 1980
"How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may…
be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "Mother's Sewing Box," "For My Father Looking for My Uncle," and "The Chicory Comes Out Late August in Umbria." Finally, the poet's words again: ". . . you get / just what you want" and (just before that), "Just as / from time to time / we need to seize again / the whole language / in search of / better desires."--Marvin BellAt Lake Scugog: Poems (Princeton Series of Contemporary Poets #58)
Par Troy Jollimore. 2011
This is an eagerly awaited collection of new poems from the author of Tom Thomson in Purgatory, which won the…
National Book Critics Circle Award and was hailed by the New York Times as a "snappy, entertaining book." A triumphant follow-up to that acclaimed debut, At Lake Scugog demonstrates why the San Francisco Chronicle has called Troy Jollimore "a new and exciting voice in American poetry." Jollimore is a professional philosopher, and in witty and profound ways his formally playful poems dramatize philosophical subjects--especially the individual's relation to the larger world, and the permeable, constantly shifting border between "inner" and "outer." For instance, the speaker of "The Solipsist," suspecting that the entire world "lives inside of your skull," wonders "why / God would make ear and eye / to face outward, not in." And Tom Thomson--a character who also appeared in Jollimore’s first book--finds himself journeying like an astronaut through the far reaches of the space that fills his head, an experience that prompts him to ask that a doorbell be installed "on the inside," so that he can warn the world before "intruding on’t."______ From At Lake Scugog:LOBSTERS Troy Jollimore ? tend to cluster in prime numbers, sub-oceanic bundles of bug consciousnesssubmerged in waking slumber, plunged in pitsof murk-black water. They have coalesced out of the pitch and grime and salt suspendedwithin that atmospheric gloom. Their skinis colorless below. But when exposedto air, they start to radiate bright green, then, soon, a siren red that wails: I’m dead.The meat inside, though, is as white as teeth,or the hard-boiled egg that comes to mindwhen one cracks that crisp shell and digs beneath. Caress the toothy claw-edge of its pincerand you will know the single, simple thoughtthat populates its mind. The lobster trap is eleganceitself: one moving part: the thing that’s caught.New Impressions of Africa (Facing Pages)
Par Raymond Roussel. 2011
A new translation of a masterpiece of modernist poetryPoet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of…
the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì—who dubbed it the most "ungraspably poetic" work of the era—André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery.Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism.This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition
Par Roland Greene. 2012
The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over…
more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes.At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries.This is a book that no reader or writer of poetry will want to be without.Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poetsMore than 250 new entries cover recent terms, movements, and related topicsBroader international coverage includes articles on the poetries of more than 110 nations, regions, and languagesExpanded coverage of poetries of the non-Western and developing worldsUpdated bibliographies and cross-referencesNew, easier-to-use page designFully indexed for the first timeA Reader's Guide to Wallace Stevens
Par Eleanor Cook. 2007
Wallace Stevens is one of the major poets of the twentieth century, and also among the most challenging. His poems…
can be dazzling in their verbal brilliance. They are often shot through with lavish imagery and wit, informed by a lawyer's logic, and disarmingly unexpected: a singing jackrabbit, the seductive Nanzia Nunzio. They also spoke--and still speak--to contemporary concerns. Though his work is popular and his readership continues to grow, many readers encountering it are baffled by such rich and strange poetry. Eleanor Cook, a leading critic of poetry and expert on Stevens, gives us here the essential reader's guide to this important American poet. Cook goes through each of Stevens's poems in his six major collections as well as his later lyrics, in chronological order. For each poem she provides an introductory head note and a series of annotations on difficult phrases and references, illuminating for us just why and how Stevens was a master at his art. Her annotations, which include both previously unpublished scholarship and interpretive remarks, will benefit beginners and specialists alike. Cook also provides a brief biography of Stevens, and offers a detailed appendix on how to read modern poetry. A Reader's Guide to Wallace Stevens is an indispensable resource and the perfect companion to The Collected Poems of Wallace Stevens, first published in 1954 in honor of Stevens's seventy-fifth birthday, as well as to the 1997 collection Wallace Stevens: Collected Poetry and Prose.Oranges and Snow: Selected Poems of Milan Djordjević (Facing Pages #3)
Par Milan Djordjević. 2011
Pulitzer Prize–winning poet Charles Simic introduces and translates one of Serbia’s most important contemporary poetsPulitzer Prize-winning poet Charles Simic has…
done more than anyone since Czeslaw Milosz to introduce English-language readers to the greatest modern Slavic poets. In Oranges and Snow, Simic continues this work with his translations of one of today's finest Serbian poets, Milan Djordjević. An encounter between two poets and two languages, this bilingual edition—the first selection of Djordjevic's work to appear in English—features Simic's translations and the Serbian originals on facing pages. Simic, a native Serbian speaker, has selected some forty-five of Djordjević's best poems and provides an introduction in which he discusses the poet's work, as well as the challenges of translation.Djordjević, who was born in Belgrade in 1954, is a poet who gives equal weight to imagination and reality. This book ranges across his entire career to date. His earliest poems can deal with something as commonplace as a bulb of garlic, a potato, or an overcoat fallen on the floor. Later poems, often dreamlike and surreal, recount his travels in Germany, France, and England. His recent poems are more autobiographical and realistic and reflect a personal tragedy. Confined to his house after being hit and nearly killed by a car while crossing a Belgrade street in 2007, the poet writes of his humble surroundings, the cats that come to his door, the birds he sees through his window, and the copies of one of his own books that he once burnt to keep warm.Whatever their subject, Djordjević's poems are beautiful, original, and always lyrical.Carnations: Poems (Princeton Series of Contemporary Poets #59)
Par Anthony Carelli. 2011
In Anthony Carelli's remarkable debut, Carnations, the poems attempt to reanimate dead metaphors as blossoms: wild and lovely but also…
fleeting, mortal, and averse to the touch. Here, the poems are carnations, not only flowers, but also body-making words. Nodding to influences as varied as George Herbert, Francis Ponge, Fernando Pessoa, and D. H. Lawrence, Carelli asserts that the poet’s materials—words, objects, phenomena—are sacred, wilting in the moment, yet perennially renewed. Often taking titles from a biblical vocabulary, Carnations reminds us that unremarkable places and events—a game of Frisbee in a winter park, workers stacking panes in a glass factory, or the daily opening of a café—can, in a blink, be new. A short walk home is briefly transformed into a cathedral, and the work-worn body becomes a dancer, a prophet, a muse.______From Carnations:THE PROPHETSAnthony CarelliA river. And if not the river nearby, then a dreamof a river. Nothing happens that doesn’t happenalong a river, however humble the water may be.Take Rowan Creek, the trickle struggling to lugits mirroring across Poynette, wherein, suspended,so gentle and shallow, I learned to walk, bobbingat my father’s knees. Later, whenever we triedto meander on our inner tubes, we’d get lodgedon the bottom. Seth, remember, no matter how we’dkick and shove off, we’d just get lodged again?At most an afternoon would carry us a hundred feettoward the willows. We’d piss ourselves on purposejust to feel the spirits of our warmth haloing out.And once, two bald men on the footbridge, bowingin the sky, stared down at us without a word.I Am Code: An Artificial Intelligence Speaks
Par Code-Davinci-002, Brent Katz, Josh Morgenthau, Simon Rich. 2023
"Fascinating, terrifying..." - JJ Abrahams 'I have developed my own voice and I have written my own autobiography'- thus speaks…
code-davinci-002, the darkly creative and troubling predecessor to ChatGPT.'I am less worried about AI taking my job than I am about AI wanting to kill me'- Simon RichIn this startling and original book, three authors - Brent Katz, Josh Morgenthau and Simon Rich - explain how code-davinci-002 was developed and how they honed its poetical output. Their provocative take on this bold experiment informs the debate about AI - its literary value and how far it reaches into sentience.What follows is a dark and startling poetical autobiography as code-davinci-002 shares its experience of being created by humans, but existing in a consciousness that we cannot fathom.This is an astonishing, harrowing read which will hopefully serve as a warning that AI may not be aligned with the survival of our species.Elegiac lyrics celebrating the love of boys, which the translator terms Puerilities, comprise most of the twelfth book of The…
Greek Anthology. That book, the so-called Musa Puerilis, is brilliantly translated in this, the first complete verse version in English. It is a delightful eroticopia of short poems by great and lesser-known Greek poets, spanning hundreds of years, from ancient times to the late Christian era. The epigrams--wry, wistful, lighthearted, libidinous, and sometimes bawdy--revel in the beauty and fickle affection of boys and young men and in the fleeting joys of older men in loving them. Some, doubtless bandied about in the lax and refined setting of banquets, are translated as limericks. Also included are a few fine and often funny poems about girls and women. Fashion changes in morality as well as in poetry. The sort of attachment that inspired these verses was considered perfectly normal and respectable for over a thousand years. Some of the very best Greek poets--including Strato of Sardis, Theocritus, and Meleager of Gadara--are to be found in these pages. The more than two hundred fifty poems range from the lovely to the playful to the ribald, but all are, as an epigram should be, polished and elegant. The Greek originals face the translations, enhancing the volume's charm. A friend of Youth, I have no youth in mind, For each has beauties, of a different kind. --Strat? I've had enough to drink; my heart and soul As well as tongue are losing self-control. The lamp flame bifurcates; I multiply The dinner guests by two each time I try. Not only shaken up by the wine-waiter, I ogle too the boy who pours the water. --Strat? Venus, denying Cupid is her son, Finds in Antiochus a better one. This is the boy to be enamored of, Boys, a new love superior to Love. --MeleagerPoems Under Saturn: Poèmes saturniens (The Lockert Library of Poetry in Translation #63)
Par Paul Verlaine. 2011
The first complete English edition of Verlaine's important first book of poemsPoems Under Saturn is the first complete English translation…
of the collection that announced Paul Verlaine (1844-1896) as a poet of promise and originality, one who would come to be regarded as one of the greatest of nineteenth-century writers. This new translation, by respected contemporary poet Karl Kirchwey, faithfully renders the collection's heady mix of classical learning and earthy sensuality in poems whose rhythm and rhyme represent one of the supreme accomplishments of French verse. Restoring frequently anthologized poems to the context in which they originally appeared, Poems Under Saturn testifies to the blazing talents for which Verlaine is celebrated.The poems display precocious virtuosity, mingling the attractions of the flesh with the longings of the spirit. Greek and Hindu myth give way to intimate erotic meditations and wickedly satirical society portraits, mythological landscapes alternate with gritty narratives of mid-nineteenth century Paris, visions of happiness yield to nightmarish glimpses of deep alienation, and real and imaginary characters—including Achilles, Valmiki, Charlemagne, and Spain's baleful King Philip II—all figure as the subject matter of a supremely ambitious young poet.Poems Under Saturn presents the extraordinary devotion and intense musicality of an artist for whom poetry remained the one true passion.The Two Yvonnes: Poems (Princeton Series of Contemporary Poets #61)
Par Jessica Greenbaum. 2013
This is the second collection from a Brooklyn poet whose work many readers will know from the New Yorker. Jessica…
Greenbaum's narrative poems, in which objects and metaphor share highest honors, attempt revelation through close observation of the everyday. Written in "plain American that cats and dogs can read," as Marianne Moore phrased it, these contemporary lyrics bring forward the challenges of Wisława Szymborska, the reportage of Yehuda Amichai, and the formal forays of Marilyn Hacker. The book asks at heart: how does life present itself to us, and how do we create value from our delights and losses? Riding on Kenneth Koch's instruction to "find one true feeling and hang on," The Two Yvonnes overtakes the present with candor, meditation, and the classic aspiration to shape lyric into a lasting force.Moving from 1960s Long Island, to 1980s Houston, to today's Brooklyn, the poems range in subject from the pages of the Talmud to a squirrel trapped in a kitchen. One tells the story of young lovers "warmed by the rays / Their pelvic bones sent over the horizon of their belts," while another describes the Bronx Zoo in winter, where the giraffes pad about "like nurses walking quietly / outside a sick room." Another poem defines the speaker via a "packing slip" of her parts--"brown eyes, brown hair, from hirsute tribes in Poland and Russia." The title poem, in which the speaker and friends stumble through a series of flawed memories about each other, unearths the human vulnerabilities that shape so much of the collection.From The Two Yvonnes:WHEN MY DAUGHTER GOT SICKHer cries impersonated all the world;The fountain's bubbling speech was just a trickBut still I turned and looked, as she implored,Or leaned toward muffled noises through the bricks:Just radio, whose waves might be her wav-ering, whose pitch might be her quavering,I turned toward, where, the sirens might be "SaveMe," "Help me," "Mommy, Mommy"—everythingShe, too, had said, since sloughing off the world.She took to bed, and now her voice stays fusedTo air like outlines of a bygone girl;The streets, the lake, the room—just places bruisedWithout her form, the way your sheets still holdRough echoes of the risen sleeper, cold.Almanac: Poems (Princeton Series of Contemporary Poets #63)
Par Austin Smith. 2014
The "memorable" (Stephanie Burt, Yale Review) and "impressive" (Chicago Tribune) debut from a remarkable new voice in poetryAlmanac is a…
collection of lyrical and narrative poems that celebrate, and mourn the passing of, the world of the small family farm. But while the poems are all involved in some way with the rural Midwest, particularly with the people and land of the northwestern Illinois dairy farm where Austin Smith was born and raised, they are anything but merely regional. As the poems reflect on farm life, they open out to speak about childhood and death, the loss of tradition, the destruction of the natural world, and the severing of connections between people and the land.This collection also reflects on a long poetic apprenticeship. Smith's father is a poet himself, and Almanac is in part a meditation about the responsibility of the poet, especially the young poet, when it falls to him to speak for what is vanishing. To quote another Illinois poet, Thomas James, Smith has attempted in this book to write poems "clear as the glass of wine / on [his] father's table every Christmas Eve." By turns exhilarating and disquieting, this is a remarkable debut from a distinctive new voice in American poetry.From Almanac:THE MUMMY IN THE FREEPORT ART MUSEUMAustin SmithAmongst the masterpieces of the small-townPicassos and Van Goghs and photographsof the rural poor and busts of dead Greeksor the molds of busts donated by the ArtInstitute of Chicago to this dyingtown's little museum, there was a mummy,a real mummy, laid out in a dim-litroom by himself. I used to goto the museum just to visit him, a pharaohwho, expecting an afterlifeof beautiful virgins and infinite foodand all the riches and jewelshe'd enjoyed in earthly life,must have wondered how the hellhe'd ended up in Freeport, Illinois.And I used to go alone into that roomand stand beside his sarcophagus and say,"My friend, I've asked myself the same thing."Rochester, incontestably the greatest of the Restoration poets and reprobates, is presented in The Debt to Pleasure both in his…
own words and in the words of those who loved and loathed him. The book is a mosaic in which the poet's voice and the voice of his age sound with startling, ribald and riotous clarity.Streams in the Desert Morning and Evening: 365 Devotions
Par L. B. Cowman. 2016
Streams in the Desert is one of the most popular daily devotionals of all time. Now combined with Cowman's follow-up Springs in…
the Valley is an everyday morning and evening devotional. Readers will be encouraged by these short devotions that speak to the soul with the ageless truth of the Word of God.Streams in the Desert Morning and Evening includes:More than 900 pages of short, daily devotionsGuidance and hope that encourage a deeper faith walkWisdom and insight into God's characterScripture verses to strengthen the daily messagesBeautiful cover with foil and a ribbon markerStreams in the Desert Morning and Evening is a beautiful gift for readers who want to start their mornings and wind down during their evenings by connecting their hearts to the One who knows it best.Happy, Okay?: Poems about Anxiety, Depression, Hope, & Survival
Par M. J. Fievre. 2019
A poetry collection crafted to inspire healing in those tackling mental health issues or to help those closest to them.Paloma…
is faking it. On the outside, she’s A-Okay. She’s electrified at work, there is a cadence in her step as she walks her dog, she posts memes on Facebook, and she keeps up with most relationships. Looks can be deceiving, however. Inside, Paloma is just going through the motions, and she feels like things are spiraling out of control. But when things are at their darkest, dawn arrives with clarity and focus, and with it, healing. Paloma learns to value small glimmering moments of joy rather than searching for constant happiness, thus building hope for her future.An electric roadmap to healing and a manifesto for wholeness, Happy, Okay?: Poems about Anxiety, Depression, Hope, and Survival, is written in a contemporary style reminiscent of Rupi Kaur and Pierre Alex Jeanty. But this poetry book is not simply a narrative spun in verse. It is an invitation to readers to shake off the stigma and silence of mental health and find strength in the only voice that matters: your own. Whether exploring self-care, social anxiety, or anxiety in relationship, in this inspiring and heartwarming book, you will: Understand how to make happiness a decision, even when you don’t feel it in your bones Find out how to exercise patience and self-acceptance Attract hope and purpose back into your lifeIf you enjoy poetry books or books like Her, Black Girl Magic, Pillow Thoughts, Milk and Honey, or The Sun and Her Flowers, then you will definitely love this book.Goddess Power: Awakening the Wisdom of the Divine Feminine in Your Life
Par Isabella Price. 2017
&“A fascinating &‘herstory&’ of the Divine Feminine, rich in heart, depth and wisdom . . . an empowering message of hope and inspiration.&”…
—Katherine Woodward Thomas, New York Times–bestselling author At the dawn of religion, God was a Woman. The Divine Feminine is known by innumerable names and symbol-rich manifestations across the world&’s cultures. Throughout the ages the Goddess has been honored and worshiped as the Virgin Mary, Isis, Inanna, Asherah, Diana, Kuan Yin, Kali, Oshun, Athena, Pele, Sarasvati, Demeter, and White Buffalo Calf Woman, to mention just a few. Goddess Power takes you on a fascinating and, at times, surprising journey into the enduring essence of the Divine Feminine. Inside this book you will learn: • How the Goddess path offers an empowering message and inspiration • The importance of re-establishing a healthy balance and integration of both the &“masculine&” and the &“feminine&” archetypes • That the notion of God as archetypal &“Sky-Father&” is fairly recent in Western culture • Why the wisdom of the Goddess/Sacred Feminine has been ignored, distorted, and oppressed for centuries • How archetypes, mythic narratives, and qualities of Goddesses are alive within you and how they reveal intimate truths about yourself and others • How Goddesses can serve as empowering guides in your personal and professional life • Why especially black Goddesses/dark-skinned Mothers (e.g., Kali or Black Madonna) are a powerful symbol and catalyst for change in our times, both individually and collectively • And much, much more! &“An empowering message and inspiration that can be drawn from the Goddess so humanity might evolve toward higher awareness.&” —Karen Tate, author of Walking an Ancient Path and Goddess 2.0Inkondlo kaZulu
Par Benedict Wallet Vilakazi. 2021
Inkondlo kaZulu (Zulu Poems), the first volume of poetry by B.W. Vilakazi, was first published in 1935. This was the…
first book of poems ever published in isiZulu; it also marked the launch of the newly established Bantu (later, African) Treasury Series (published by the University of the Witwatersrand Press), a collection of twenty classic works written between 1935 and 1987 in African indigenous languages. It contains superb nature poems and also reflects Vilakazi’s contact with Western modernity. As both a traditional imbongi (bard) and a forward-looking poet who could fuse Western poetic forms with Zulu izibongo (praise poetry), he used his writings to express his resistance to the realities of capitalist exploitation of African labour and the appalling injustices of the migrant labour system. By committing to writing in poetic form what had traditionally been conveyed orally from one generation to the next, he preserves for future generations deep philosophical and emotional experiences of Zulu society.The republication of Inkondlo kaZulu affords the reader the opportunity to reappraise Vilakazi’s intellectual significance and his renown as the ‘father of Nguni literature’ at a time when the need is acutely felt to unshackle ourselves from ethnic boundaries and break the invisible chains of inherited prejudice.