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How high energy consumption transformed postwar Phoenix and deepened inequalities in the American SouthwestIn 1940, Phoenix was a small, agricultural…
city of sixty-five thousand, and the Navajo Reservation was an open landscape of scattered sheepherders. Forty years later, Phoenix had blossomed into a metropolis of 1.5 million people and the territory of the Navajo Nation was home to two of the largest strip mines in the world. Five coal-burning power plants surrounded the reservation, generating electricity for export to Phoenix, Los Angeles, and other cities. Exploring the postwar developments of these two very different landscapes, Power Lines tells the story of the far-reaching environmental and social inequalities of metropolitan growth, and the roots of the contemporary coal-fueled climate change crisis.Andrew Needham explains how inexpensive electricity became a requirement for modern life in Phoenix—driving assembly lines and cooling the oppressive heat. Navajo officials initially hoped energy development would improve their lands too, but as ash piles marked their landscape, air pollution filled the skies, and almost half of Navajo households remained without electricity, many Navajos came to view power lines as a sign of their subordination in the Southwest. Drawing together urban, environmental, and American Indian history, Needham demonstrates how power lines created unequal connections between distant landscapes and how environmental changes associated with suburbanization reached far beyond the metropolitan frontier. Needham also offers a new account of postwar inequality, arguing that residents of the metropolitan periphery suffered similar patterns of marginalization as those faced in America's inner cities.Telling how coal from Indian lands became the fuel of modernity in the Southwest, Power Lines explores the dramatic effects that this energy system has had on the people and environment of the region.The Philosopher, the Priest, and the Painter: A Portrait of Descartes
Par Steven Nadler. 2013
How a famous painting opens a window into the life, times, and philosophy of René DescartesIn the Louvre museum hangs…
a portrait that is considered the iconic image of René Descartes, the great seventeenth-century French philosopher. And the painter of the work? The Dutch master Frans Hals—or so it was long believed, until the work was downgraded to a copy of an original. But where is the authentic version, and who painted it? Is the man in the painting—and in its original—really Descartes?A unique combination of philosophy, biography, and art history, The Philosopher, the Priest, and the Painter investigates the remarkable individuals and circumstances behind a small portrait. Through this image—and the intersecting lives of a brilliant philosopher, a Catholic priest, and a gifted painter—Steven Nadler opens a fascinating portal into Descartes's life and times, skillfully presenting an accessible introduction to Descartes's philosophical and scientific ideas, and an illuminating tour of the volatile political and religious environment of the Dutch Golden Age. As Nadler shows, Descartes's innovative ideas about the world, about human nature and knowledge, and about philosophy itself, stirred great controversy. Philosophical and theological critics vigorously opposed his views, and civil and ecclesiastic authorities condemned his writings. Nevertheless, Descartes's thought came to dominate the philosophical world of the period, and can rightly be called the philosophy of the seventeenth century.Shedding light on a well-known image, The Philosopher, the Priest, and the Painter offers an engaging exploration of a celebrated philosopher's world and work.Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year
Par Paul Alexander. 2024
A revelatory look at the tumultuous life of a jazz legend and American cultural iconIn the first biography of Billie…
Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America&’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday&’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop—a reference to the last two words of Strange Fruit, her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.Geronimo's Story of His Life: As Told to S. M. Barrett
Par Geronimo, S. M. Barrett. 1906
A pivotal piece of nineteenth-century Native American history from a tireless warrior seeking justice for his people. Storied leader of…
the Bedonkohe band of the Chiricahua Apache tribe, Geronimo led resistance against Mexican and American troops seeking to drive the Apache from their land during the 1850s through the 1880s. In 1886, he finally surrendered to the US Army and became a prisoner of war. Although he would never return to his homeland, Geronimo became an iconic figure in Native American society and even had the honor of riding with President Theodore Roosevelt in his 1905 inaugural parade. That same year, he agreed to share his story with Stephen M. Barrett, a superintendent of education from Lawton, Oklahoma. In Geronimo&’s own words, this is his fascinating life story. Beginning with an Apache creation myth, he discusses his youth and family, the bloody conflicts between Mexico and the United States, and his two decades of life as a prisoner. Revered by his people and feared by his enemies, Geronimo narrates his memoir with a compassionate and compelling voice that still resonates today.The gripping, forgotten tale of Ira Hayes—a Native American icon and World War II legend who famously helped raise the flag at Iwo Jima but…
spent the latter half of his life haunted by being a war hero. IRA HAYES tells the story of Ira Hamilton Hayes from the perspective of a Native American combat veteran of the Vietnam generation. Hayes, along with five other Marines, was captured in Joe Rosenthal&’s iconic photograph of raising the stars and stripes on Mount Suribachi during the battle for the Japanese Island of Iwo Jima. The photograph was the inspiration and model for the U.S. Marine Corps War Memorial in Arlington. Between the time he helped raise that flag and his death—and beyond—he was the subject of more newspaper columns than any other Native person. He was hailed as a hero and maligned as a chronic alcoholic unable to take care of himself. IRA HAYES explores these fluctuating views of Ira Hayes. It reveals that they were primarily the product of American misconceptions about Native people, the nature of combat, and even alcoholism. Like most surviving veterans of combat, Ira did not think of himself as a heroic figure. There can be no doubt that Ira suffered from PTSD, which is a compound of survivor&’s guilt, the shock of seeing death, especially of one&’s friends, and the isolation brought on by feeling that no one could understand what he had been through. Ira&’s life has been a subject of two motion pictures and a television drama. All these dramas sympathize with him, but ultimately fail to see his binge drinking as his way of temporarily escaping the melancholy, the rage he felt, his sense of betrayal, and the sheer boredom of peacetime. IRA HAYES breaks apart the complexities of Ira&’s short life in honor of all Native veterans who have been to war in the service of the United States. This is equally their story.Growing Up Guggenheim: A Personal History of a Family Enterprise
Par Peter Lawson-Johnston. 2005
In Growing Up Guggenheim, Peter Lawson-Johnston—a Guggenheim himself, and the board president who oversaw the transformation of the renowned museum from…
a local New York institution to a global art venture—shares a personal memoir that includes intimate portraits of the five people principally responsible for the entire Guggenheim art legacy.In addition to first-hand biographical accounts of his grandfather Solomon Guggenheim (the museum&’s founder), his cousin Harry (Solomon&’s successor), and his famously rebellious cousin Peggy (whose magnificent Venice art collection he helped bring under New York Guggenheim management), the author tells the stories of long-time museum director Thomas Messer, who initiated the bold expansion of Frank Lloyd Wright&’s original museum building, and current director Thomas Krens, whose controversial tenure has featured such innovations as the Guggenheim&’s wildly successful first international outpost in Bilbao, Spain, and exhibits devoted to fashion and motorcycles.Lawson-Johnston also traces his own career, from his first job as sales manager of a remote feldspar mine, to his rapid ascent to the family summit, to his extension of the Guggenheim legacy in ways none of his predecessors could have envisioned. Despite his native and tangible humility, this evocative narrative makes clear Lawson-Johnston&’s indispensable role as the loyal steward of one of America&’s most famous family enterprises.Mistress of Modernism: The Life of Peggy Guggenheim
Par Mary V. Dearborn. 2004
The life story of the bohemian socialite who rebelled against her famous family and became a renowned art collector. Peggy…
Guggenheim was the ultimate self-invented woman, a cultural mover and shaker who broke away from her poor-little-rich-girl origins to shape a life for herself as the enfant terrible of the art world. Her visionary Art of This Century gallery in New York, which brought together the European surrealist artists with the American abstract expressionists, was an epoch-shaking &“happening&” at the center of its time. In Mistress of Modernism, Mary V. Dearborn draws upon her unprecedented access to the Guggenheim family, friends, and papers to craft a &“thorough biography . . . [that] will appeal to art lovers interested in more than the paint&” (Publishers Weekly). &“With drive and clarity, Dearborn charts Guggenheim&’s peripatetic life,&” offering rich insight into Peggy&’s traumatic childhood in German-Jewish &“Our Crowd&” New York, her self-education in the ways of art and artists, her caustic battles with other art-collecting Guggenheims, and her legendary sexual appetites (her lovers included Max Ernst, Samuel Beckett, and Marcel Duchamp, to name just a few) (Booklist). Here too is a poignant portrait of Peggy&’s last years as l&’ultima dogaressa—the last (female) doge—in her palazzo in Venice, where her collection still draws thousands of visitors every year. Mistress of Modernism is the first definitive biography of Peggy Guggenheim, whose wit, passion, and provocative legacy Dearborn brings compellingly to life.&‘[A] richly evocative, captivating, and reflective memoir&” of a feminist artist who broke free of the limits placed on her…
by family, Judaism and society (Publishers Weekly). Growing up an Orthodox Jew in Brooklyn, Helene Aylon spent her Friday nights in a sea of extended family as the Sabbath candles flickered. Passionate about art, she dreamt of escaping the strict, secular world of her youth, but instead married a rabbi and became a mother of two. Then, her world was split apart when her husband was diagnosed with cancer, and Aylon found herself widowed at thirty. Free to explore both her own soul and the changing world around her, Aylon sought a home in the burgeoning environmental art scene of the 1970s—creating transgressive works that explore identity, women&’s bodies, the environment, disarmament, and the notion of God. Finally, she dares to asks of Judaism: Where are the women? With many examples of her work included within, Whatever is Contained &”is an arresting tale of uncommon courage, intelligence, and wit&” following Aylon&’s search for truth in art, and the links between feminism and Judaism (Gail Levin, author of Lee Krasner: A Biography and Becoming Judy Chicago).The Friar and the Maya: Diego de Landa and the Account of the Things of Yucatan
Par Matthew Restall, Amara Solari, John F. Chuchiak, Traci Ardren. 2023
The Friar and the Maya offers a full study and new translation of the Relación de las Cosas de Yucatán…
(Account of the Things of Yucatan) by a unique set of eminent scholars, created by them over more than a decade from the original manuscript held by the Real Academia de la Historia in Madrid. This critical and careful reading of the Account is long overdue in Maya studies and will forever change how this seminal text is understood and used. For generations, scholars used (and misused) the Account as the sole eyewitness insight into an ancient civilization. It is credited to the sixteenth-century Spanish Franciscan, monastic inquisitor, and bishop Diego de Landa, whose legacy is complex and contested. His extensive writings on Maya culture and history were lost in the seventeenth century, save for the fragment that is the Account, discovered in the nineteenth century, and accorded near-biblical status in the twentieth as the first “ethnography” of the Maya. However, the Account is not authored by Landa alone; it is a compilation of excerpts, many from writings by other Spaniards—a significant revelation made here for the first time. This new translation accurately reflects the style and vocabulary of the original manuscript. It is augmented by a monograph—comprising an introductory chapter, seven essays, and hundreds of notes—that describes, explains, and analyzes the life and times of Diego de Landa, the Account, and the role it has played in the development of modern Maya studies. The Friar and the Maya is an innovative presentation on an important and previously misunderstood primary source.Kicking & Dreaming: A Story of Heart, Soul, and Rock and Roll
Par Ann Wilson, Nancy Wilson, Charles R. Cross. 2012
The story of Heart is a story of heart and soul and rock ’n’ roll. Since finding their love of…
music and performing as teenagers in Seattle, Washington, Ann Wilson and Nancy Wilson, have been part of the American rock music landscape. From 70s classics like “Magic Man” and “Barracuda” to chart- topping 80s ballads like “Alone,” and all the way up to 2012, when they will release their latest studio album, Fanatic, Heart has been thrilling their fans and producing hit after hit. In Kicking and Dreaming, the Wilsons recount their story as two sisters who have a shared over three decades on the stage, as songwriters, as musicians, and as the leaders of one of our most beloved rock bands. An intimate, honest, and a uniquely female take on the rock and roll life, readers of bestselling music memoirs like Life by Keith Richards and Steven Tyler’s Does the Noise in My Head Bother You? will love this quintessential music story finally told from a female perspective.My Booky Wook: A Memoir of Sex, Drugs, and Stand-Up
Par Russell Brand. 2010
“A child’s garden of vices, My Booky Wook is also a relentless ride with a comic mind clearly at the…
wheel.... The bloke can write. He rhapsodizes about heroin better than anyone since Jim Carroll. With the flick of his enviable pen, he can summarize childhood thus: ‘My very first utterance in life was not a single word, but a sentence. It was, ‘Don’t do that.’... Russell Brand has a compelling story." — New York Times Book ReviewThe gleeful and candid New York Times bestselling autobiography of addiction, recovery, and rise to fame from Russell Brand, star of Forgetting Sarah Marshall and one of the biggest personalities in comedy today.Mozart: A Life
Par Maynard Solomon. 1996
Hawk: Occupation: Skateboarder
Par Tony Hawk, Sean Mortimer. 2000
For Tony Hawk, it wasn't enough to skate for two decades, to invent more than eighty tricks, and to win…
more than twice as many professional contests as any other skater.It wasn't enough to knock himself unconscious more than ten times, fracture several ribs, break his elbow, knock out his teeth twice, compress the vertebrae in his back, pop his bursa sack, get more than fifty stitches laced into his shins, rip apart the cartilage in his knee, bruise his tailbone, sprain his ankles, and tear his ligaments too many times to count.No.He had to land the 900. And after thirteen years of failed attempts, he nailed it. It had never been done before. Growing up in Sierra Mesa, California, Tony was a hyperactive demon child with an I44 IQ. He threw tantrums, terrorized the nanny until she quit, exploded with rage whenever he lost a game; this was a kid who was expelled from preschool. When his brother, Steve, gave him a blue plastic hand-me-down skateboard and his father built a skate ramp in the driveway, Tony finally found his outlet--while skating, he could be as hard on himself as he was on everyone around him. But it wasn't an easy ride to the top of the skating game. Fellow skaters mocked his skating style and dubbed him a circus skater. He was so skinny he had to wear elbow pads on his knees, and so light he had to ollie just to catch air off a ramp. He was so desperate to be accepted by young skating legends like Steve Caballero, Mike McGill, and Christian Hosoi that he ate gum from between Steve's toes. But a few years of determination and hard work paid off in multiple professional wins, and the skaters who once had mocked him were now trying to learn his tricks. Tony had created a new style of skating. In Hawk Tony goes behind the scenes of competitions, demos, and movies and shares the less glamorous demands of being a skateboarder--from skating on Italian TV wearing see-through plastic shorts to doing a demo in Brazil after throwing up for five days straight from food poisoning. He's dealt with teammates who lit themselves and other subjects on fire, driving down a freeway as the dashboard of their van burned. He's gone through the unpredictable ride of the skateboard industry during which, in the span of a few years, his annual income shrank to what he had made in a single month and then rebounded into seven figures. But Tony's greatest difficulty was dealing with the loss of his number one fan and supporter--his dad, Frank Hawk. With brutal honesty, Tony recalls the stories of love, loss, bad hairdos, embarrassing '80s clothes, and his determination that had shaped his life. As he takes a look back at his experiences with the skateboarding legends of the '70s, '80s, and '90s, including Stacy Peralta, Eddie Elguera, Lance Mountain, Mark Gonzalez, Bob Burnquist, and Colin Mckay, he tells the real history of skateboarding--and also what the future has in store for the sport and for him.This Is Gonna Hurt is music, photography, and life through the distorted lens of Nikki Sixx, bassist for heavy metal…
rock band Mötley Crüe’s and the New York Times bestselling author of The Heroin Diaries. A combination of powerful prose and dramatic photographs, This Is Gonna Hurt is an arresting, deeply personal look through the eyes of a real rock star at a stark, post-addiction world.This Is Gonna Hurt chronicles Sixx's experiences—from his early years filled with toxic waste, to his success with Motley Crue, to his near death from an OD and his eventual rebirth through music, photography, and love. Love story, social commentary, family memoir, This Is Gonna Hurt offers the compelling insights of an artist and a man struggling to survive, connect, and find a happy ending—a search that fuels Sixx's being.The Philosophy of Andy Warhol: From A to B and Back Again
Par Andy Warhol. 1977
In The Philosophy of Andy Warhol, the enigmatic, legendary Warhol makes the reader his confidant on love, sex, food, beauty,…
fame, work, money, success, and much more.Andy Warhol claimed that he loved being outside a party—so that he could get in. But more often than not, the party was at his own studio, The Factory, where celebrities—from Edie Sedgwick and Allen Ginsberg to the Rolling Stones and the Velvet Underground—gathered in an ongoing bash.A loosely formed autobiography, told with his trademark blend of irony and detachment, this compelling and eccentric memoir riffs and reflects on all things Warhol: New York, America, and his childhood in McKeesport, Pennsylvania, as well as the explosion of his career in the sixties, and his life among the rich and famous.Becoming Superman: My Journey From Poverty to Hollywood
Par J. Michael Straczynski. 2019
A Hugo Award Nominee!Featuring an introduction by Neil Gaiman!“J. Michael Straczynski is, without question, one of the greatest science fiction minds…
of our time.” -- Max Brooks (World War Z)For four decades, J. Michael Straczynski has been one of the most successful writers in Hollywood, one of the few to forge multiple careers in movies, television and comics. Yet there’s one story he’s never told before: his own.In this dazzling memoir, the acclaimed writer behind Babylon 5, Sense8, Clint Eastwood’s Changeling and Marvel’s Thor reveals how the power of creativity and imagination enabled him to overcome the horrors of his youth and a dysfunctional family haunted by madness, murder and a terrible secret.Joe's early life nearly defies belief. Raised by damaged adults—a con-man grandfather and a manipulative grandmother, a violent, drunken father and a mother who was repeatedly institutionalized—Joe grew up in abject poverty, living in slums and projects when not on the road, crisscrossing the country in his father’s desperate attempts to escape the consequences of his past. To survive his abusive environment Joe found refuge in his beloved comics and his dreams, immersing himself in imaginary worlds populated by superheroes whose amazing powers allowed them to overcome any adversity. The deeper he read, the more he came to realize that he, too, had a superpower: the ability to tell stories and make everything come out the way he wanted it. But even as he found success, he could not escape a dark and shocking secret that hung over his family’s past, a violent truth that he uncovered over the course of decades involving mass murder.Straczynski’s personal history has always been shrouded in mystery. Becoming Superman lays bare the facts of his life: a story of creation and darkness, hope and success, a larger-than-life villain and a little boy who became the hero of his own life. It is also a compelling behind-the-scenes look at some of the most successful TV series and movies recognized around the world.Popism: The Warhol Sixties
Par Andy Warhol, Pat Hackett. 1980
Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s.A cultural storm…
swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde.In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution.No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World
Par Carlos Acosta. 2007
Carlos Acosta, the Cuban dancer considered to be one of the world's greatest performers, fearlessly depicts his journey from adolescent…
troublemaker to international superstar in his captivating memoir, No Way Home.Carlos was just another kid from the slums of Havana; the youngest son of a truck driver and a housewife, he ditched school with his friends and dreamed of becoming Cuba's best soccer player. Exasperated by his son's delinquent behavior, Carlos's father enrolled him in ballet school, subjecting him to grueling days that started at five thirty in the morning and ended long after sunset. The path from student to star was not an easy one. Even as he won dance competitions and wowed critics around the world, Carlos was homesick for Cuba, crippled by loneliness and self-doubt. As he traveled the world, Carlos struggled to overcome popular stereotypes and misconceptions; to maintain a relationship with his family; and, most of all, to find a place he could call home. This impassioned memoir is about more than Carlos's rise to stardom. It is about a young man forced to leave his homeland and loved ones for a life of self-discipline, displacement, and physical hardship. It is also about how the heart and soul of a country can touch the heart and soul of one of its citizens. With candor and humor, Carlos vividly depicts daily life in communist Cuba, his feelings about ballet -- an art form he both lovesand hates -- and his complex relationship with his father. Carlos Acosta makes dance look effortless, but the grace, strength, and charisma we see onstage have come at a cost. Here, in his own words, is the story of the price he paid.The Medicine Wheel: Earth Astrology
Par Sun Bear, Wabun. 1980
"The Medicine Wheel is a springboard of power that will allow you to link up to all the energies of…
the universe." —Sun BearMillions of people around the world have incorporated Native American philosophy into their everyday lives. Now, with this special 25th anniversary edition of the late Sun Bear's classic bestseller, readers old and new can benefit from the teachings and techniques of the Medicine Wheel. In The Medicine Wheel, Sun Bear and Wabun put forth a whole new system of earth astrology to help guide people not only in their daily living but also in their life paths. In the authors' own words, this book was written to "help all people relate better to our Earth Mother...and find a kinship with the universe." The Medicine Wheel is a beautiful and inspiring approach to graceful, holistic living in trying modern times. The Medicine Wheel's philosophy is derived from a basic principle known by all people who live close to the earth: Once you fully embrace the elemental forces of nature, you become a part of the whole. Let this book be your first step toward finding peace and prosperity—and your own special place in the circle of life.The tragic and fascinating history of the first epic struggle between white settlers and Native Americans in the early seventeenth…
century: &“a riveting historical validation of emancipatory impulses frustrated in their own time&” (Booklist, starred review) as determined Narragansett Indians refused to back down and accept English authority.A devout Puritan minister in seventeenth-century New England, Roger Williams was also a social critic, diplomat, theologian, and politician who fervently believed in tolerance. Yet his orthodox brethren were convinced tolerance fostered anarchy and courted God&’s wrath. Banished from Massachusetts Bay Colony in 1635, Williams purchased land from the Narragansett Indians and laid the foundations for the colony of Rhode Island as a place where Indian and English cultures could flourish side by side, in peace.As the seventeenth century wore on, a steadily deepening antagonism developed between an expansionist, aggressive Puritan culture and an increasingly vulnerable, politically divided Indian population. Indian tribes that had been at the center of the New England communities found themselves shunted off to the margins of the region. By the 1660s, all the major Indian peoples in southern New England had come to accept English authority, either tacitly or explicitly. All, except one: the Narragansetts.In God, War, and Providence &“James A. Warren transforms what could have been merely a Pilgrim version of cowboys and Indians into a sharp study of cultural contrast…a well-researched cameo of early America&” (The Wall Street Journal). He explores the remarkable and little-known story of the alliance between Roger Williams&’s Rhode Island and the Narragansett Indians, and how they joined forces to retain their autonomy and their distinctive ways of life against Puritan encroachment. Deeply researched, &“Warren&’s well-written monograph contains a great deal of insight into the tactics of war on the frontier&” (Library Journal) and serves as a telling precedent for white-Native American encounters along the North American frontier for the next 250 years.