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The fragile lights of earth: articles and memories, 1942-1970
Par Alan Brown, Gabrielle Roy. 1982
Noces suivi de L'été
Par Albert Camus. 1981
Une simple histoire de famille
Par Andréa Bescond. 2023
« Faire en sorte que la vérité anéantisse la douleur. Confronter les secrets, pour être enfin libres et en paix.…
» Louisette, Hervé, Lio : trois personnages avec pour héritage la violence et les secrets de famille. Prisonniers des non-dits, lequel d'entre eux brisera le silence ? Du Finistère des années 1960 au Paris d'aujourd'hui, Andréa Bescond, l'autrice des Chatouilles, immense succès au théâtre et à l'écran, retisse le fil de ces destins brisés, trois générations qui refusent, par leurs choix, la transmission des tragédies. Ce premier roman poignant questionne les rapports homme-femme, les ravages du chagrin, le désir de vengeance et invite, par-delà la douleur, à une possible renaissanceL'envers et l'endroit (Folio. Essais #41)
Par Albert Camus. 1986
"L'envers et l'endroit est le premier livre d'Albert Camus. Il paraît à Alger en 1937. A la fin de sa…
vie, Camus verra dans cette œuvre de jeunesse la source secrète qui a alimenté ou aurait dû alimenter tout ce qu'il a écrit. L'envers et l'endroit livre l'expérience, déjà riche, d'un garçon de vingt-deux ans : le quartier algérois de Belcourt et le misérable foyer familial dominé par une terrible grand-mère ; un voyage aux Baléares, et Prague, où le jeune homme se retrouve la mort dans l'âme ; et surtout, ce thème essentiel : "l'admirable silence d'une mère et l'effort d'un homme pour retrouver une justice ou un amour qui équilibre ce silence." -- 4e de couvSpeak, memory: an autobiography revisited (Vintage International Ser.)
Par Vladimir Vladimirovich Nabokov. 1989
Autobiographical sketches chronicle the author's upper-class childhood in Russia, the 1917 Bolshevik Revolution that forced his family into exile in…
Europe, and his 1940 move to the United States. First published in 1951 under the title Conclusive Evidence and revised in 1966. 1947Teintes d'automne: suivi de, La succession des arbres en forêt
Par Henry David Thoreau. 2013
" Ah ! si nous pouvions mûrir avec autant de perfection, racine et branche, flamboyant au coeur de notre déchéance,…
comme le raisin d'Amérique! J'avoue que leur contemplation me remplit d'allégresse. J'en ai taillé une branche pour me servir de canne, car j'ai plaisir à la manier et m'appuyer dessus. J'adore écraser les grains entre mes doigts et voir leur jus me tacher la main. Marcher parmi les futailles de vin violet, droites et branchues, qui gardent et diffusent un éclat pareil à la pourpre du couchant, savourer chacune du regard au lieu de compter des barriques sur un quai du port de Londres, quel privilège ! " -- 4e de couvLe temps mord
Par Doris Lessing. 2011
" Au terme de sa longue vie, Goethe affirmait qu'il venait tout juste d'apprendre à lire. Dans ce recueil des…
meilleurs essais de Doris Lessing, rassemblés pour la première fois, on retrouve la sagesse et la passion d'un auteur qui a elle-même appris, au cours de son intense et longue vie, à lire le monde autrement. Depuis les expériences sexuelles secrètes de Tolstoï jusqu'aux mystères du soufisme, en passant par la critique des grands classiques de la littérature, ces essais abordent un très grand nombre de sujets, de cultures, de périodes et de thèmes. Peinture de l'âme humaine, de nos espoirs, de nos peurs et de nos désirs, Le temps mord offre un portrait unique en son genre de l'un des auteurs les plus talentueux de notre époque. " -- 4e de couvDe l'âme: sept lettres à une amie
Par François Cheng. 2016
La femme rompue ; L'âge de discrétion ; Monologue (Soleil #223)
Par Simone De Beauvoir. 1967
Trois récits, les "voix de trois femmes qui se débattent avec des mots dans des situations sans issue" (S. de…
Beauvoir) aux prises avec la jalousie, la vieillesse, l'isolement, l'échec professionnel, la déception causée par les enfants, etc. [SDMDerniers recours: suivi de, Souffler
Par Pierre Ouellet. 2022
On est à bout de souffle. À bout de tout. En manque d'une main qui nous secoure, nous prenne par…
en dessous, nous soulève de terre et nous remette debout. C'est une Voix, en fait, qui vient à notre rescousse : une parole qu'on émet ou qu'on entend au plus profond de soi ou du plus lointain de l'espace-temps, qui nous prend par le bras et ne nous lâche plusPerformance
Par Simon Liberati. 2023
Performance, ou la rencontre explosive entre un romancier en perdition, sa ravissante belle-fille et les Rolling Stones de la première…
époque. Un écrivain de 71 ans, déserté par l'inspiration après un AVC et menacé d'interdit bancaire, se voit proposer une série télévisuelle sur les débuts des Stones, de leur arrestation pour usage de stupéfiants en 1967 à la mort de Brian Jones en 1969. Voilà qui va lui permettre de vivre son histoire d'amour scandaleuse et passionnée avec Esther, dont un demi-siècle le sépare. Tous deux le savent, leur amour est condamné : elle a la beauté du diable, lui approche du terme fixé par le diable de Faust, de Don Juan, de Dracula. Mais la grâce de la jeunesse perdue fait miraculeusement ressurgir de l'abîme Marianne Faithfull, Anita Pallenberg et Brian Jones. Ce roman au souffle éblouissant met en scène la dernière aventure d'un écrivain qui vampirise l'innocence d'un amour réprouvé pour insuffler vie à ses personnagesEl laberinto de la soledad y otras obras (Penguin ediciones)
Par Octavio Paz. 1997
"Octavio Paz has written one of the most enduring and powerful works ever created on Mexico and its people, character,…
and culture. Compared to Ortega y Gasset's for its trenchant analysis, this collection contains Octavio Paz' most famous work, a beautifully written and deeply felt discourse on Mexico's quest for identity that gives us an unequaled look at the country hidden behind the mask. Also included are Postscript, Return to the Labyrinth of Solitude, and Mexico and the United States, all of which develop the themes of the title essay and extend his penetrating commentary to the United States and Latin America." -- GoodreadsArpenter la nuit
Par Leila Mottley. 2024
En Californie, une adolescente noire est décidée à survivre, coûte que coûte, dans un monde qui se refuse à la…
protéger. Un premier roman coup de poing. Kiara, dix-sept ans, et son frère aîné Marcus vivotent dans un immeuble d'East Oakland. Livrés à eux-mêmes, ils ont vu leur famille fracturée par la mort et la prison. Si Marcus rêve de faire carrière dans le rap, sa sœur se démène pour trouver du travail et payer le loyer. Mais les dettes s'accumulent et l'expulsion approche. Un soir, ce qui commence comme un malentendu avec un inconnu devient aux yeux de Kiara le seul moyen de s'en sortir. Elle décide de vendre son corps, d'arpenter la nuit. Rien ne l'a préparée à la violence de cet univers, et surtout pas la banale arrestation qui va la précipiter dans un enfer qu'elle n'aurait jamais imaginé. Un roman à la beauté brute, porté par la langue à fleur de peau de Leila MottleyThe Cows
Par Lydia Davis. 2011
Winner of the Man Booker International Prize"You read Lydia Davis to watch a writer patiently divide the space between epiphany…
and actual human beings by first halves, then quarters, then eighths, and then sixteenths, into infinity," says The Village Voice. Indeed, Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence.The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. It could be compared to some sections of Wallace Stevens' "Thirteen Ways of Looking at a Blackbird" or to Claude Monet's paintings of Rouen Cathedral.Forms of play: head butting; mounting, either at the back or at the front; trotting away by yourself; trotting together; going off bucking and prancing by yourself; resting your head and chest on the ground until they notice and trot toward you; circling each other; taking the position for head-butting and then not doing it.She moos toward the wooded hills behind her, and the sound comes back. She moos in a high falsetto before the note descends abruptly, or she moos in a falsetto that does not descend. It is a very small sound to come from such a large, dark animal.The Opposite of Loneliness: Essays and Stories
Par Anne Fadiman, Marina Keegan. 2014
An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured…
the world's attention in 2012 and turned her into an icon for her generation. Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, "The Opposite of Loneliness," went viral, receiving more than 1.4 million hits. She had struck a chord. Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assemblage of Marina's essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.The Unknown Kerouac (LOA #283)
Par Jack Kerouac, Todd Tietchen, Jean-Christophe Cloutier. 2016
In On the Road and other iconic works, Jack Kerouac created a quintessentially American voice and a revolutionary prose style.…
This remarkable gathering of previously unpublished writings reveals as never before the extraordinary literary journey that led to his phenomenal success—a journey with deep roots in the language and culture of Kerouac’s French Canadian childhood.Edited and published with unprecedented access to the Kerouac archives, The Unknown Kerouac presents two lost novels, The Night Is My Woman and Old Bull in the Bowery, which Kerouac wrote in French during the especially fruitful years of 1951 and 1952. Discovered among his papers in the mid-nineties, they have been translated into English for the first time by Jean-Christophe Cloutier, who incorporates Kerouac’s own partial translations.Also included are two journals from the heart of this same crucial period. In Private Philologies, Riddles, and a Ten-Day Writing Log, Kerouac recounts a brief stay in Denver—where he works on an early version of On the Road, reads dime novels, and even rides in a rodeo—and shows him contemplating writers like Chaucer and Joyce and playing with riddles and etymologies. Journal 1951, begun during a stay in a Bronx VA hospital, charts, in ecstatic, moving, and self-revealing pages, the wave of insights and breakthroughs that led Kerouac to the most singular transformation of American prose style since Hemingway. This landmark volume is rounded out with the memoir Memory Babe, a poignant evocation of childhood play and reverie in a robust immigrant community, in which Kerouac uncannily retrieves and distills the subtlest sense impressions. And finally, in an interview with his longtime friend and fellow Beat John Clellon Holmes and in the late fragment Beat Spotlight Kerouac reflects on his meteoric career and unlooked for celebrity.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.A Girl's Story
Par Annie Ernaux. 2020
Another masterpiece of remembering from Annie Ernaux, the Man Booker International Prize–shortlisted author of The Years. In A Girl&’s Story,…
Annie Ernaux revisits the season fifty years earlier when she found herself overpowered by another&’s will and desire. In the summer of 1958, eighteen-year-old Ernaux submits her will to a man&’s, and then he moves on, leaving her without a &“master,&” bereft. Now, fifty years later, she realizes she can obliterate the intervening years and return to consider this young woman that she wanted to forget completely. And to discover that here, submerged in shame, humiliation, and betrayal, but also in self-discovery and self-reliance, lies the origin of her writing life.An Inventory of Losses
Par Judith Schalansky. 2020
A dazzling book about memory and extinction from the author of Atlas of Remote Islands A Publishers Weekly Best Book…
of the Year A Financial Times Best Book of the Year Each disparate object described in this book—a Caspar David Friedrich painting, a species of tiger, a villa in Rome, a Greek love poem, an island in the Pacific—shares a common fate: it no longer exists, except as the dead end of a paper trail. Recalling the works of W. G. Sebald, Bruce Chatwin, or Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and, taken as a whole, opens mesmerizing new vistas of how we can think about extinction and loss. With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.Necropolis (Russian Library)
Par Vladislav Khodasevich. 2019
Necropolis is an unconventional literary memoir by Vladislav Khodasevich, hailed by Vladimir Nabokov as “the greatest Russian poet of our…
time.” In each of the book’s nine chapters, Khodasevich memorializes a significant figure of Russia’s literary Silver Age, and in the process writes an insightful obituary of the era.Written at various times throughout the 1920s and 1930s following the deaths of its subjects, Necropolis is a literary graveyard in which an entire movement, Russian Symbolism, is buried. Recalling figures including Alexander Blok, Sergey Esenin, Fyodor Sologub, and the socialist realist Maxim Gorky, Khodasevich tells the story of how their lives and artworks intertwined, including a notoriously tempestuous love triangle among Nina Petrovskaya, Valery Bryusov, and Andrei Bely. He testifies to the seductive and often devastating power of the Symbolist attempt to turn one’s life into a work of art and, ultimately, how one man was left with the task of memorializing his fellow artists after their deaths. Khodasevich’s portraits deal with revolution, disillusionment, emigration, suicide, the vocation of the poet, and the place of the artist in society. One of the greatest memoirs in Russian literature, Necropolis is a compelling work from an overlooked writer whose gifts for observation and irony show the early twentieth-century Russian literary scene in a new and more intimate light.That Distant Land: The Collected Stories (Port William Ser.)
Par Wendell Berry. 2004
Originally published in 2005, That Distant Land brings together twenty–three stories from the Port William Membership. Arranged in their fictional…
chronology, the book is not an anthology so much as it is a coherent temporal mapping of this landscape over time, revealing Berry’s mastery of decades of the life lived alongside this clutch of interrelated characters bound by affection and followed over generations.This volume combines the stories found in The Wild Birds (1985), Fidelity (1992), and Watch with Me (1994), together with a map and a charting of the complex and interlocking genealogies.