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The House Enters the Street
Par Gretchen Henderson. 2012
Braille électronique (abrégé), Braille (abrégé), DAISY texte (Téléchargement direct), DAISY texte (Zip), ePub (Zip), Word (Zip), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip)
Littérature générale (romans), Oeuvres littéraires (romans)Cécité et déficience visuelle
Audio avec voix de synthèse, Braille automatisé
"The House Enters the Street is beautifully written, confident, and complex. I was appreciative of its language and intelligence, mindfulness…
and scope."--Rikki Ducornet "A demanding and beautiful book, which tracks an exacting landscape with breathtaking inventiveness."--Mary Gordon "A startling and lovely configuration of stories, endlessly echoing and reverberating, haunted and haunting. Gretchen E. Henderson creates a sublime and mysterious music all her own."--Carole Maso It was all about the fruits of labors, not only on land: at sea. Faar's life began at sea. Waves rolled outside his window, where he watched watery horizons. His father had disappeared on a voyage to terra incognita, where horned narwhales swam under ice, where profit lulled into frozen floes. The young Faar began to dream of cloud lagoons, bellied sails, and wind. The wayfaring trait had been inherited. He decided to wander. Cousins on the other side of the world sent him a letter to marry their eldest daughter: S-v-a-n H-a-r-d-t. I-o-w-a, they wrote, without mentioning the distance between bordering seas. Faar assumed oceans existed near their home. He was young, then. This beautiful novel is simultaneously a love letter to the arts and a complex interweaving of characters, stories, landscapes. Scandinavian immigrants in Iowa migrate towards war. A photographer in Arkansas returns to California to repair her family after a devastating fire. Stories unfold, modulating and resonating. This intricate, moving book reminds us of the art a novel can be. Gretchen E. Henderson is a Mellon Postdoctoral Fellow in Writing and Humanistic Studies at Massachusetts Institute of Technology. Working at the intersection of literature, art history, museum studies, disability studies, and music, her creative and critical work explores aesthetics of deformity, museology as narrative strategy, poetics of embodiment, and literary appropriations of music. Her writings have appeared in a number of journals and anthologies, including The Kenyon Review, The Iowa Review, The Sourthern Review, and The &NOW Awards: The Best Innovative Writing. Her first novel Galerie de Difformité was awarded the 2011 Madeleine P. Plonskar Emerging Writer's Prize from &NOW Books. Other works include a critical study of literary appropriations of music, On Marvellous Things Heard (Green Lantern Press), and a poetry chapbook engaging cartographic history, Wreckage: By Land & By Sea (Dancing Girl Press). At MIT, she is working on Ugliness: A Cultural History while continuing the collaborative deformation of her Galerie de Difformité. She lives in Cambridge, Massachusetts.The Heart Laid Bare
Par Michel Tremblay. 1986
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Oeuvres littéraires (romans)LGBTQ+ (biographies)
Audio avec voix de synthèse, Braille automatisé
Translated by Sheila Fischman Talonbooks is pleased to announce a new edition of one of Michel Tremblay's most unusual novels.…
First published in English translation by M&S in 1989 under the title The Heart Laid Bare [Le coeur découvert, Leméac, 1986], British and American rights to this novel were sold to Serpent's Tail, who published this same book under a different title, Making Room, which is now out of print. This new Talonbooks edition proudly restores this novel to its rightful place in Tremblay's sweeping and compassionate imagination of human sensibility and passion. Jean-Marc has fallen in love. The object of his affection is Mathieu, a young actor working as a salesman at Eaton's while waiting for his big break. As a dowry to their new relationship, Mathieu brings Sébastien, his son. Jean-Marc, a fusty academic, is not sure about being able to make room in his life for this four-year-old boy. While daring, for some even shocking when it first appeared in the 1980s, this story has, like Tremblay's entire ouevre, stood the test of time and revealed itself to be a work of both enduring and prophetic vision The Heart Laid Bare marks a significant departure for Michel Tremblay, because it is the first of his mature novels which is not set in the semi-autobiographical milieu of his childhood. Yet this thoroughly contemporary love story is told with all the warmth and empathy that is so characteristic of all of his other work.