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What Becomes a Legend Most: A Biography of Richard Avedon
Par Philip Gefter. 2020
The first definitive biography of Richard Avedon, a monumental photographer of the twentieth century, from award-winning photography critic Philip Gefter.In…
his acclaimed portraits, Richard Avedon captured the iconic figures of the twentieth century in his starkly bold, intimately minimal, and forensic visual style. Concurrently, his work for Harper's Bazaar and Vogue transformed the ideals of women's fashion, femininity, and culture to become the defining look of an era. Yet despite his driving ambition to gain respect in the art world, during his lifetime he was condescendingly dismissed as a "celebrity photographer."What Becomes a Legend Most is the first definitive biography of this luminary—an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon’s coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life.Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon’s life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists—Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols—who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name.Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement—and not a little gossip—plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion—and his legacy as one of the most consequential artists of his time.What Would Frida Do?: A Guide to Living Boldly
Par Arianna Davis. 2020
A contemporary guide to life, love, and happiness inspired by the extraordinary artist Frida Kahlo.Revered as much for her fierce…
spirit as she is for her art, Frida Kahlo stands today as a brazen symbol of daring creativity. She was a woman ahead of her time whose paintings have earned her generations of admirers around the globe. But perhaps her greatest work of art was her own life.What Would Frida Do? explores the feminist icon's signature style, outspoken politics, and boldness in love and art, even in the face of pain and heartbreak. The book celebrates her larger than life persona as a woman who loved passionately and lived ambitiously, refusing to remain in her husband's shadow. Each chapter shares intimate stories from her life, revealing how she overcame obstacles by embracing her own ideals.In this charming read, author Arianna Davis conjures Frida's brave spirit, encouraging women to persevere, to create fearlessly, and to stand by their own truths.Gauguin's Intimate Journals
Par Paul Gauguin. 1997
Revealing documents, reprinted from rare, limited edition, throw much light on the painter's inner life, his tumultuous relationship with van…
Gogh, evaluations of Degas, Monet, and other artists; hatred of hypocrisy and sham, life in the Marquesas Islands, much more. 27 full-page illustrations by Gauguin. Preface by Emil Gauguin.Funny Bones: Posada and His Day of the Dead Calaveras
Par Duncan Tonatiuh. 2015
Funny Bones tells the story of how the amusing calaveras--skeletons performing various everyday or festive activities--came to be. They…
are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852-1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico's Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe's, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author's note, bibliography, glossary, and index. A 2016 Sibert Award Winner and Pura Belpré (Illustrator) Honor Book,My Father, Frank Lloyd Wright
Par John Lloyd Wright. 1992
"An anecdotal reminiscence of America's chief living genius by his son -- short, unconventional, amusing and on the whole revealing."…
-- Book Week.Frank Lloyd Wright is widely regarded as the twentieth century's greatest architect -- an unconventional genius who transformed both residential and commercial building design with his concept of "organic" architecture. During a long and productive life, Wright designed some 800 buildings, received scores of honors and awards, and left an indelible imprint on modern architectural theory and practice.In this charming, readable memoir, Wright the architect and father comes to life through the vivid recollections and firsthand knowledge of his son. John Lloyd Wright characterizes his father as "a rebel, a jolt to civilization, whose romantic theme -- purposive planning and organic unity in inventing and combining forms -- is an epoch in the architecture of the world." His unique view of the "epoch" will intrigue architects, students, and all who admire the work of this visionary and uncompromising spirit. An added attraction of this volume is the inclusion of the complete text of William C. Gannet's The House Beautiful, an extremely rare work designed and printed by Frank Lloyd Wright.Michelangelo
Par Diane Stanley. 2000
When he was born, Michelangelo Buonarroti was put into the care of a stonecutter's family. He often said it was…
from them that he got his love of sculpture. It certainly didn't come from his own father, a respectable magistrate who beat his son when he asked to become an artist's apprentice. But Michelangelo persevered. His early sculptures caught the attention of Florence's great ruler, Lorenzo de' Medici, who invited the boy to be educated with his own sons. Soon after, Michelangelo was astonishing people with the lifelike creations he wrested from marble--from the heartbreaking Pietd he sculpted when he was only twenty-five to the majestic David that brought him acclaim as the greatest sculptor in Italy. Michelangelo had a turbulent, quarrelsome life. He was obsessed with perfection and felt that everyone--from family members to his demanding patrons--took advantage and let him down. His long and difficult association with Pope Julius II yielded his greatest masterpiece, the radiant paintings in the Sistine Chapel, and his most disastrous undertaking, the monumental tomb that caused the artist frustration and heartache for forty years.Self-Portrait
Par Celia Paul. 2019
A rich, penetrating memoir about the author's relationship with a flawed but influential figure--the painter Lucian Freud--and the satisfactions and…
struggles of a life lived through art.One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. With over seventy illustrations, Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.De nidos, estrellas y girasoles: El niño Vincent van Gogh
Par Mario Iván Martínez. 2020
Todos conocemos la obra de Vincent van Gogh, pero ¿sabes cómo fue que se inició en el arte? En una…
pequeña ciudad en Holanda vive el travieso Vincent van Gogh, un pelirrojo con las mejillas llenas de pecas al que le encanta meterse en problemas. Junto a su inseparable hermano Theo, pasa sus tardes buscando nidos y mirando las estrellas, descubriendo una manera de ver el mundo que hoy puedes encontrar en pinturas colgadas en museos de muchos países. Aquí conocerás cómo fue la niñez de este famoso pintor impresionista y cómo inició su camino para convertirse en uno de los artistas más reconocidos de todos los tiempos.Russell Lee: A Photographer's Life And Legacy
Par Mary Jane Appel. 2021
Russell Lee, a contemporary of Walker Evans and Dorothea Lange, now emerges from the shadows as one of the most…
influential documentary photographers in American history. The most prolific photographer of the Great Depression, Russell Lee has never been canonized for his iconic images. With this compulsively readable and definitive biography, historian and archivist Mary Jane Appel finally uncovers Lee’s rebellious life, tracing his journey from blue-blood beginnings to intrepid years of activism and pioneering creativity, through the incredible body of work he left behind. Born in the quintessential turn-of-the-century small town of Ottawa, Illinois, in 1903, Lee grew up in a wealthy family riddled with tragedy. He trained in college to become a chemical engineer, but was quickly drawn to Greenwich Village, where he developed an interest in social change and the arts. In 1935, the charismatic bohemian picked up a camera and a year later walked into the office of Roy Stryker, head of the Historical Section of the Resettlement Administration, later renamed the Farm Security Administration (FSA), setting in motion a new life trajectory. The Historical Section aimed to capture rural poverty and the New Deal programs designed to abolish it. But Stryker imagined a much broader pictorial sourcebook for America, and no one on his legendary team—including Dorothea Lange, Walker Evans, and Gordon Parks, among others—would be more dedicated to reaching this goal than Russell Lee. As Appel demonstrates, Stryker and Lee developed a fascinating symbiotic relationship that resulted in a massive and complex breadth of work. Living out of his car from the fall of 1936 to mid-1942, Lee crisscrossed America’s back roads more than any photographer of his era. During this time, he shot 19,000 negatives that were captioned and printed—more than twice that of any other FSA photographer. He captured arresting images of sweeping dust storms and devastating floods, and chronicled the World War II home front and the last gasp of a small-town America that was inexorably vanishing?all the while focusing prophetically on issues like segregation and climate change, decades before they became national concerns. Meticulously weaving previously uneen letters and diaries, Appel brilliantly reveals why Lee’s profile has remained obscured, while his contemporaries became broadly celebrated. With more than 100 images spread throughout, Russell Lee speaks not only to the complexity of a pioneering documentary photographer’s work but to a seminal American moment captured viscerally like never before.How Did I Get Here?: A Memoir
Par Bruce McCall. 2020
From his hardscrabble post-World War II childhood and coming of age in Ontario to Mad Men-era New York City and the creative…
pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall&’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers (77 to date), as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. A Toronto high school dropout who is self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base for over forty years. Pulling no punches, How Did I Get Here? chronicles the evolution of his artistic genius as well as his journey from gifted childhood scribbler to passionate automobile enthusiast, a hobby that took him to the heights of the Detroit and Manhattan advertising worlds. His long-held passion for drawing and writing, which mostly lay dormant during his Mad Men days, reemerged later in life as he left the realm of advertising for the world of arts and letters, most notably at the National Lampoon, as a writer for Saturday Night Live in its first incarnation, and then of course at The New Yorker, as well as other Conde Nast magazines, such as Vanity Fair. His is an unorthodox life and career path, traversing through worlds that have now become iconic, giving us rich first-hand insight into Bruce's unique creative development and process, and providing a rare window into both the highs and the lows that define an artist's career and life. With wit, candor, and cover illustrations showcasing Bruce's storied career, Bruce McCall&’s memoir will charm his many fans and anyone who knows and loves the places and eras he describes so well.Forgotten Women: The Artists (Forgotten Women Ser.)
Par Zing Tsjeng. 2018
'To say this series is "empowering" doesn't do it justice. Buy a copy for your daughters, sisters, mums, aunts and…
nieces - just make sure you buy a copy for your sons, brothers, dads, uncles and nephews, too.' - IndependentThe women who shaped and were erased from our history.Forgotten Women is a new series of books that uncover the lost herstories of influential women who have refused over hundreds of years to accept the hand they've been dealt and, as a result, have formed, shaped and changed the course of our futures. From leaders and scientists to artists and writers, the fascinating stories of these women that time forgot are now celebrated, putting their achievements firmly back on the map.The Artists brings together the stories of 48* brilliant woman artists who made huge yet unacknowledged contributions to the history of art, including Camille Claudel, the extraordinarily talented sculptor who was always unfairly overshadowed by her lover, Rodin; Baroness Elsa von Freytag-Loringhoven, who has been claimed as the true originator of Marcel Duchamp's Fountain; and Ana Mendieta, the Cuban refugee who approached violence against women through her performance art before her own untimely death. With chapters ranging from Figurative to Photography, and Craft to Conceptual, this is an alternative guide to art history that demonstrates the broad range of artistic movements that included, and were often pioneered by, female artists who have been largely overlooked.*The number of Nobel-prize-winning women.The Shadow Drawing: How Science Taught Leonardo How to Paint
Par Francesca Fiorani. 2020
An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same…
man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.Wideness and Wonder: The Life and Art of Georgia O'Keeffe
Par Susan Goldman Rubin. 2010
Continuing Chronicle's acclaimed series of artist books for kids, Wideness and Wonder is the fascinating story of the mysterious and…
beloved artist Georgia O'Keeffe. Well-known children's biography writer Susan Goldman Rubin traces the events that shaped O'Keeffe's art and how art influenced O'Keeffe's life in return. Wideness and Wonder is colorful, accessible, and packed with the art that made O'Keeffe so renowned.Robert Rauschenberg: An Oral History (The Columbia Oral History Series)
Par Sara Sinclair. 2019
Robert Rauschenberg (1925–2008) was a breaker of boundaries and a consummate collaborator. He used silk-screen prints to reflect on American…
promise and failure, melded sculpture and painting in works called combines, and collaborated with engineers and scientists to challenge our thinking about art. Through collaborations with John Cage, Merce Cunningham, and others, Rauschenberg bridged the music, dance, and visual-art worlds, inventing a new art for the last half of the twentieth century.Robert Rauschenberg is a work of collaborative oral biography that tells the story of one of the twentieth century’s great artists through a series of interviews with key figures in his life—family, friends, former lovers, professional associates, studio assistants, and collaborators. The oral historian Sara Sinclair artfully puts the narrators’ reminiscences in conversation, with a focus on the relationship between Rauschenberg’s intense social life and his art. The book opens with a prologue by Rauschenberg’s sister and then shifts to New York City’s 1950s and ’60s art scene, populated by the luminaries of abstract expressionism. It follows Rauschenberg’s eventual move to Florida’s Captiva Island and his trips across the globe, illuminating his inner life and its effect on his and others’ art.The narrators share their views on Rauschenberg’s work, explore the curatorial thinking behind exhibitions of his art, and reflect on the impact of the influx of money into the contemporary art market. Included are artists famous in their own right, such as Laurie Anderson and Brice Marden, as well as art-world insiders and lesser-known figures who were part of Rauschenberg’s inner circle. Beyond considering Rauschenberg as an artist, this book reveals him as a man embedded in a series of art worlds over the course of a long and rich life, demonstrating the complex interaction of business and personal, public and private in the creation of great art.Lady in the Dark: Iris Barry and the Art of Film
Par Robert Sitton. 2014
Iris Barry (1895–1969) was a pivotal modern figure and one of the first intellectuals to treat film as an art…
form, appreciating its far-reaching, transformative power. Although she had the bearing of an aristocrat, she was the self-educated daughter of a brass founder and a palm-reader from the Isle of Man. An aspiring poet, Barry attracted the attention of Ezra Pound and joined a demimonde of Bloomsbury figures, including Ford Maddox Ford, T. S. Eliot, Arthur Waley, Edith Sitwell, and William Butler Yeats. She fell in love with Pound's eccentric fellow Vorticist, Wyndham Lewis, and had two children by him.In London, Barry pursued a career as a novelist, biographer, and critic of motion pictures. In America, she joined the modernist Askew Salon, where she met Alfred Barr, director of the new Museum of Modern Art. There she founded the museum's film department and became its first curator, assuring film's critical legitimacy. She convinced powerful Hollywood figures to submit their work for exhibition, creating a new respect for film and prompting the founding of the International Federation of Film Archives. Barry continued to augment MoMA's film library until World War II, when she joined the Office of Strategic Services to develop pro-American films with Orson Welles, Walt Disney, John Huston, and Frank Capra. Yet despite her patriotic efforts, Barry's "foreignness" and association with such filmmakers as Luis Buñuel made her the target of an anticommunist witch hunt. She eventually left for France and died in obscurity. Drawing on letters, memorabilia, and other documentary sources, Robert Sitton reconstructs Barry's phenomenal life and work while recasting the political involvement of artistic institutions in the twentieth century.Herndon Davis: Painting Colorado History, 1901–1962
Par Thomas J. Noel, Craig Leavitt. 2016
Herndon Davis, an artist and journalist, dedicated his life to depicting the major landmarks and personalities of Colorado in watercolor,…
oil, and pen and pencil. Best known for the Face on the Barroom Floor, the portrait of an alluring woman on the floor of the Teller House Hotel barroom in Central City, Colorado, Davis was a prolific artist whose murals, sketches, and portraits can be found all over the state, from the Sage Room of the Oxford Hotel on Seventeenth Street to the Denver Press Club poker room. Despite his numerous contributions, his work was never showcased or exhibited in the traditional manner. In this biography and first-ever collection featuring most of his life’s work, authors Craig Leavitt and Thomas J. Noel provide a detailed look into Davis’s life and career and include a catalog of almost 200 photographs of his work from Colorado and around the country. They also put his work into the broader context of the time through comparison with such contemporary Colorado artists as Muriel Sibell Wolle, Allen Tupper True, Charles Waldo Love, and Juan Menchaca. Published to coincide with the Denver Public Library’s 2016 exhibition—the only public display of Davis’s work to date—and bringing deserved attention to this overlooked figure, Herndon Davis: Painting Colorado History, 1901-1962 is an important contribution to Colorado’s cultural history. This book and the accompanying exhibit are sponsored by the Western History/Genealogy Department at the Denver Public Library. Publication originated and supported in part by Diane B. Wunnike.Darwin's Garden: Down House and the Origin of Species
Par Michael Boulter. 2008
Five years after returning from his trip around the world, young Charles Darwin became the owner of Down House in…
Kent, England, where he moved his growing family, far away from the turmoil and distractions of London. He would live there for the rest of his life, and it would become the place where he began work on his masterpiece, On the Origin of Species.For almost twenty years, he used the garden around him as a laboratory. In the orchard, he conducted experiments on pollination. He built a dovecote where breeding new strains of pigeons helped him understand the intricacies of generation. On his daily walk along the sandbank, he observed how plants competed for survival. In solitude he struggled with the ideas of evolution that had haunted him since his voyage, which, in turn, gave him the courage to publish his revolutionary ideas.Bringing Darwin's garden to the present day, Boulter unfolds a shining portrait of the formation of one of England's greatest thinkers and his relationship with the place he loved, and shows how his experiments—conducted more than 150 years ago—are still revealing new proofs as we continue to search for the origins of life.David Jones: Engraver, Soldier, Painter, Poet
Par Thomas Dilworth. 2017
Among the revolutions of the last century, none was more important or potentially more lasting than the one in the…
arts called "Modernism". Among the giants of that movement were writers who changed our conceptions of poetry and prose forever. Now, well into the new century, we can look back to admire and reflect on figures from that period. Last year saw biographies of two monumental poets of Modernism: Robert Crawford's first volume on T. S. Eliot, and David Moody's concluding third volume on the life of Ezra Pound.We are excited to announce the first full–length critical biography of the third member, too often overlooked, of that extraordinary group. The beautifully illustrated David Jones: Engraver, Soldier, Painter, Poet by Thomas Dilworth will stand for generations as the great biography this wonderful artist deserves.Jones (1895–1974) was a painter, a wood– and copper–engraver and maker of painted inscriptions, but it was as a poet that he left his most lasting mark. Eliot called him "one of the most distinguished writers of my generation" and Dylan Thomas said he "would like to have done anything as good as David Jones has done." Auden praised his poem In Parenthesis as "the greatest book [ever] about the Great War", and The Anathemata as one of the "truly great poems in Western Literature." His work, the whole of it, enables him to stand alongside Eliot, Pound, and James Joyce as an incomparable figure in literary Modernism.Who We're Reading When We're Reading Murakami
Par David Karashima. 2020
How did a loner destined for a niche domestic audience become one of the most famous writers alive? A "fascinating"…
look at the "business of bringing a best-selling novelist to a global audience" (The Atlantic)―and a “rigorous” exploration of the role of translators and editors in the creation of literary culture (The Paris Review). Thirty years ago, when Haruki Murakami’s works were first being translated, they were part of a series of pocket-size English-learning guides released only in Japan. Today his books can be read in fifty languages and have won prizes and sold millions of copies globally. How did a loner destined for a niche domestic audience become one of the most famous writers alive? This book tells one key part of the story. Its cast includes an expat trained in art history who never intended to become a translator; a Chinese American ex-academic who never planned to work as an editor; and other publishing professionals in New York, London, and Tokyo who together introduced a pop-inflected, unexpected Japanese voice to the wider literary world. David Karashima synthesizes research, correspondence, and interviews with dozens of individuals—including Murakami himself—to examine how countless behind-the-scenes choices over the course of many years worked to build an internationally celebrated author’s persona and oeuvre. His careful look inside the making of the “Murakami Industry" uncovers larger questions: What role do translators and editors play in framing their writers’ texts? What does it mean to translate and edit “for a market”? How does Japanese culture get packaged and exported for the West?The Lives of Lucian Freud: 1968-2011 (Biography And Autobiography Ser.)
Par William Feaver. 2020
The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th…
century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.