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Being Reflected Upon (Penguin Poets)
Par Alice Notley. 2024
A memoir in verse from one of America's legendary poetsIn a New York Times review of Alice Notley&’s 2007 collection…
In the Pines, Joel Brouwer wrote that &“the radical freshness of Notley&’s poems stems not from what they talk about, but how they talk, in a stream-of-consciousness style that both describes and dramatizes the movement of the poet&’s restless mind, leaping associatively from one idea or sound to the next.&” Notley&’s new collection is at once a window into the sources of her telepathic and visionary poetics, and a memoir through poems of her Paris-based life between 2000 and 2017, when she finished treatment for her first breast cancer. As Notley wrote these poems she realized that events during this period were connected to events in previous decades; the work moves from reminiscences of her mother and of growing up in California to meditations on illness and recovery to various poetic adventures in Amsterdam, Berlin, Prague, and Edinburgh. It is also concerned with the mysteries of consciousness and the connection between the living and dead, &“stream-of-consciousness&” teasing out a lived physics or philosophy.The Principle of Rapid Peering
Par Sylvia Legris. 2024
A lyrical guide through Saskatchewan’s Aspen Parkland by a poet whose work is “fizzing with ecological intellect” (Times Literary Supplement).…
Self-seeding wind is a wind of ever-replenishing breath. —from “The Walk, or The Principle of Rapid Peering” The title of Sylvia Legris’ melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of “rapid peering.” Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist’s notebook in verse. Here is “where nature converges with words,” as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.Put your dinosaur knowledge to the test with this brilliant quiz book for kids!Introducing Dinosaur Knowledge Genius! - a brilliant…
quiz book packed with over 80 topics on the fascinating prehistoric world of dinosaurs. Which were the most fearsome predators? How big were the most gigantic plant-eaters? Why did so many dinosaurs have frills, crests, or spikes? Did dinosaurs really lay eggs? Which ones had feathers? If you want to know the answers, then this may be the book for you! Take on this brain-busting challenge about prehistoric life.This dinosaur quiz book for children aged 9-12 offers: - Plenty of quiz questions throughout the book to put your knowledge to the test.- Interactive &“Test Yourself&” panel lists with three levels of difficulty - starter, challenger, and genius.- Impressive dinosaur graphics that jump out at you on every page.- A variety of fun facts, picture puzzles, and quiz questions to keep kids entertained and engaged.As you hop from one dinosaur species to the next, you will learn all about the fascinating prehistoric world in this entertaining quiz book for kids and the whole family to enjoy. The pages are packed with eye-popping pictures and the "Test Yourself" panels list the type of dinosaur you&’re looking for on the page. With three levels of difficulty, the challenge gets harder from Starter to Challenger and the truly tricky Genius category. There's a fun fact with every picture to give a helpful clue.At DK, we believe in the power of discovery. So why stop here? Why not put your general knowledge to the test with other books in the Knowledge Genius series? Try General Knowledge Genius! to learn about everything, explore the animal world with Animal Knowledge Genius! or explore our planet with Earth Knowledge Genius!Crying Dress: Poems
Par Cassidy McFadzean. 2024
The poems in Crying Dress, acclaimed poet Cassidy McFadzean’s third collection, explore the multiplicity of meaning that arises from fragmentation,…
rhythm, competing sounds, and ellipsis. Rooted in the tradition of lyric poetry, these strikingly original poems revel in musicality (rhyme, beat, and alliteration) while deploying puns, idiom, and other forms of linguistic play to create a dissonance that challenges the expected coherence of a poem. From the ghosts and gardens of Brooklyn and Sicily to the clanging of garbage chutes in Uno Prii’s modernist high rises in Toronto, to quiet moments of intimacy in domestic spaces, and the early days of sobriety and grief, Crying Dress explores the intersections between noise and coherence, the conversational and the associative, the architectural and the ecological, while reaffirming the poet’s sonic, vertiginous lyricism and gift for overlooked detail.Scientific Marvel: Poems
Par Chimwemwe Undi. 2024
Marked by rhythmic drive, humour, and surprise, Undi’s poems consider what is left out from the history and ongoing realities…
of Winnipeg, Manitoba. Firmly grounded in the local, the arresting poems in Chimwemwe Undi’s debut collection, Scientific Marvel, are preoccupied with Winnipeg in the way a Winnipegger is preoccupied with Winnipeg, the way a poet might be preoccupied with herself: through history and immigration; race and gender; anxieties and observation. Marked by rhythmic drive, humour and surprise, Undi’s poems consider what is left out from the history and ongoing realities of Winnipeg, Manitoba, and the west. Taking its title from a beauty school in downtown Winnipeg that closed in 2017 after nearly 100 years of operation, Scientific Marvel approaches the prairies from the point of view of a person who is often erased from the prairies’ idea of itself. “I mean my country the way / my country means my country / and what else is there to say? / I am bad and brown / and trying. Nothing here / belongs to me or could / or ever will.” This is poetry that touches on challenging topics—from queerness and colonialism to racism, climate rage, and decolonization, while never straying far from specific lived experience, the so-called ‘smaller’ questions: about self, art, dance parties and pop culture, relationships and love.Midway: Poems
Par Kayla Czaga. 2024
Honest, elegiac, characteristically strange, and frequently funny, Midway is an exploration of grief in all its manifestations. “I feel like…
the crud / I accidentally touch sometimes, whatever it is / that collects under cushions on my couch,” writes Kayla Czaga in her third collection, Midway, an exploration of grief in all its manifestations. In her search for meaning in the aftermath of her parents’ deaths, Czaga visits the underworld (at least twice), Vietnamese restaurants, the beach, London’s Tate Modern, Las Vegas casinos, and a fish textbook. Honest, elegiac, characteristically strange, and frequently funny, these poems take the reader through bright scenery like carnival rides with fast climbs and sudden drops. The meanings and messages Czaga uncovers on her travels are complicated: hopeful, bleak—both comforting and not. Along with the parents the poet mourns, this collection showcases a varied cast. A suburban father-in-law copes with a troubling diagnosis. Marge Simpson quits The Simpsons. Death is a metalhead who dates girls too young for him. Midway is a welcome and necessary collection from one of the most celebrated and accomplished poets of her generation.The Blue Mimes: Poems
Par Sara Daniele Rivera. 2024
Sara Daniele Rivera’s award-winning debut is a collection of sprawling elegy in the face of catastrophic grief, both personal and…
public. From the lead-up to the 2016 presidential election through the COVID-19 pandemic, these poems memorialize lost loved ones and meditate on the not-yet gone—all while the wider-world loses its sense of connection, safety, and assurance. In those years of mourning, The Blue Mimes is a book of grounding and heartening resolve, even and especially in the states of uncertainty that define the human condition.Rivera’s poems travel between Albuquerque, Lima, and Havana, deserts and coastlines and cities, Spanish and English—between modes of language and culture that shape the contours of memory and expose the fault lines of the self. In those inevitable fractures, with honest, off-kilter precision, Rivera vividly renders the ways in which the bereft become approximations of themselves as a means of survival, mimicking the stilted actions of the people they once were. Where speech is not enough, this astonishing collection finds a radical practice in continued searching, endurance without promise—the rifts in communion and incomplete pictures that afford the possibility to heal.The Invention of Prehistory: Empire, Violence, and Our Obsession with Human Origins
Par Stefanos Geroulanos. 2024
“[A]n incisive and captivating reassessment of prehistory . . . In lucid prose, Geroulanos unspools an enthralling and detailed history…
of the development of modern natural science. It’s a must-read.” —Publishers Weekly, starred review “An astute, powerfully rendered history of humanity.” —Kirkus Reviews, starred review An eminent historian tells the story of how we came to obsess over the origins of humanity—and how, for three centuries, ideas of prehistory have been used to justify devastating violence against others. Books about the origins of humanity dominate bestseller lists, while national newspapers present breathless accounts of new archaeological findings and speculate about what those findings tell us about our earliest ancestors. We are obsessed with prehistory—and, in this respect, our current era is no different from any other in the last three hundred years. In this coruscating work, acclaimed historian Stefanos Geroulanos demonstrates how claims about the earliest humans not only shaped Western intellectual culture, but gave rise to our modern world. The very idea that there was a human past before recorded history only emerged with the Enlightenment, when European thinkers began to reject faith-based notions of humanity and history in favor of supposedly more empirical ideas about the world. From the “state of nature” and Romantic notions of virtuous German barbarians to theories about Neanderthals, killer apes, and a matriarchal paradise where women ruled, Geroulanos captures the sheer variety and strangeness of the ideas that animated many of the major thinkers of the eighteenth and nineteenth centuries, including Jean-Jacques Rousseau, Charles Darwin, and Karl Marx. Yet as Geroulanos shows, such ideas became, for the most part, the ideological foundations of repressive regimes and globe-spanning empires. Deeming other peoples “savages” allowed for guilt-free violence against them; notions of “killer apes” who were our evolutionary predecessors made war seem natural. The emergence of modern science only accelerated the West’s imperialism. The Nazi obsession with race was rooted in archaeological claims about prehistoric IndoGermans; the idea that colonialized peoples could be “bombed back to the Stone Age” was made possible by the technology of flight and the anthropological idea that civilization advanced in stages. As Geroulanos argues, accounts of prehistory tell us more about the moment when they are proposed than about the deep past—and if we hope to start improving our future, we would be better off setting aside the search for how it all started. A necessary, timely, indelible account of how the quest for understanding the origins of humanity became the handmaiden of war and empire, The Invention of Prehistory will forever change how we think about the deep past.New and Selected Poems
Par Marie Howe. 2024
An indispensable collection of more than four decades of profound, luminous poetry from acclaimed poet Marie Howe. Characterized by “a…
radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions” (Matthew Zapruder, New York Times Magazine), Marie Howe’s poetry transforms penetrating observations of everyday life into sacred, humane miracles. This essential volume draws from each of Howe’s four previous collections—including What the Living Do (1997), a haunting archive of personal loss, and the National Book Award–longlisted Magdalene (2017), a spiritual and sensual exploration of contemporary womanhood—and contains twenty new poems. Whether speaking in the voice of the goddess Persephone or thinking about aging while walking the dog, Howe is “a light-bearer, an extraordinary poet of our human sorrow and ordinary joy” (Dorianne Laux).The Life of Tu Fu
Par Eliot Weinberger. 2024
A book-length poem by “our best living literary essayist” (Forrest Gander). For over fifty years Eliot Weinberger has been celebrated…
for his innovative literary and political essays—translated into over thirty languages—as well as his trailblazing translations from the Spanish. In his exquisite new book The Life of Tu Fu, Weinberger has composed a montage of fifty-eight poems that capture the life and times of the great Tang Dynasty poet Tu Fu (712–770 AD). As he writes in a note to the edition, “This is not a translation of individual poems, but a fictional autobiography of Tu Fu derived and adapted from the thoughts, images, and allusions in the poetry.” Through lines as penetrating as a classical tanka and as fluid as a mountain stream, themes of endless war and ongoing pandemic surround the wandering life of the ancient Chinese master.No Going Back
Par Patrick Flores-Scott. 2024
A Junior Library Guild Gold Standard Selection"Powerful…. The excellent pacing and heart-wrenching exploration of redemption will sweep readers up." —Kirkus…
Reviews"[A] page-turning, highly readable story." —Booklist"Time-stamped chapters add urgency, intensity, and excitement as the thrilling plot progresses, making for a page-turning story about forgiveness and personal evolution." —Publishers WeeklyIn this tour de force about one teen&’s quest for redemption from the award-winning author of American Road Trip, Antonio is determined to make amends to the people he hurt most—even if it means breaking the terms of his early release from juvenile detention. It&’s Friday morning, and seventeen-year-old Antonio Sullivan is on the verge of earning his early release from Zephyr Woods Youth Detention Center. Having been incarcerated for the last year and a half for a crime he didn&’t directly commit, he&’s now dedicating himself to his education and his sobriety program. What&’s more, Antonio is driven by a deep need to make amends to the two people he hurt the most: his mom and his lifelong best friend, Maya. The conditions of his early release are clear—Antonio can&’t have any contact with his father or miss his first meeting with his parole officer Monday morning. But a lot can happen between Friday and Monday, especially when the odds are against you. Told through time-stamped chapters that race at a fever pitch over the course of a weekend, this absorbing coming-of-age novel explores what it means to right past wrongs in the face of adversity.PRAISE FOR NO GOING BACK "Fast-paced, poignant, and poetic . . . This is a book of unexpected hope." —Sondra Soderborg, author of Sky Ropes "A deep look into the heart of being misunderstood, told with prose you just can't fake. With honest voices, a flow of poetry, and a satisfying conclusion, this book is a gift with a purpose, the kind you hand to a reader that both wants and needs it." —Sean Beaudoin, author of Welcome Thieves and Wise Young Fool "A gripping and heart-wrenching novel about family, friendship and second chances—will keep you on the edge of your seat until the very end." —Betty Culley, author of Three Things I Know are True and The Name She Gave Me "Poetry, resilience, unflinching honesty, a steady undercurrent of hope, plus a wild adventure with a ticking clock, this book packs it all in for a three-day turbulent ride that's full of heart." —Kristin Bartley Lenz, author of The Art of Holding On and Letting Go "A powerful story of the push and pull between doing what&’s right and being there for the people we love." —Katherine Higgs-Coulthard, author of Junkyard Dogs and Hanging with My Peeps "Patrick Flores-Scott delivers a beautiful exploration of familial love, the idea of healthy friendships, and the long-term impacts of trauma." —Rita Shah, author of The Meaning of Rehabilitation and Its Impact on ParoleLVOE II
Par Atticus. 2024
In the highly anticipated follow-up to LVOE: Poems, Epigrams & Aphorisms, three-time New York Times bestselling author Atticus is inviting…
readers to take a deeper look behind the mask as he continues his powerful journey inward in search of love, peace, and acceptance.LVOE. Volume II is an expanded exploration of self-love, meditation, meaning, loss, and romance from the internet's favourite poet. Atticus implores his instantly recognizable lyrical style, gorgeous illustrations, and relatable themes to once again dazzle readers, inspiring them to look within. This collection will feature all-new poems, each paired with beautiful sketches that bring the words alive from the page.LVOE. Volume II looks forward, backward, but most importantly inward to the often confusing yet hopeful human experience.Central Avenue Poetry Prize 2024
Par Beau Adler. 2024
A collaborative effort between poets from all corners of the world and all walks of life, The Central Avenue Poetry…
Prize presents a collection of poetry like no other. Rife with heartache, longing, laughter, and life, this book captures the spark of creativity and the vastness that is the human soul within its pages. This collection contains stories that are funny, some that are sad, some that are beautiful—and all that are true. Diverse in content and rich in talent, this is a testament to the art of poetry, and a reminder that the act of writing comes from the act of living, and when we create, we allow ourselves to see and be seen.Sailing without Ahab: Ecopoetic Travels
Par Steve Mentz. 2024
Journey through uncharted literary waters and explore Melville’s epic in bold new lightCome sail with I.We’re not taking the same…
trip, though you might recognize the familiar course. This time, the Pequod’s American voyage steers its course across the curvature of the Word Ocean without anyone at the helm. We are leaving one man and his madness on shore. Our ship overflows with glorious plurality—multiracial, visionary, queer, conflicted, polyphonic, playful, violent. But on this voyage something is different. Today we sail headless without any Captain. Instead of binding ourselves to the dismasted tyrant’s rage, the ship’s crew seeks only what we will find: currents teeming with life, a blue-watered alien globe, toothy cetacean smiles from vasty deeps. Treasures await those who sail without.This cycle of one hundred thirty-eight poems—one for each chapter in Moby-Dick, plus the Etymology, Extracts, and Epilogue—launches into oceanic chaos without the stabilizing mad focus of the Nantucket captain. Guided by waywardness and curiosity, these poems seek an alien ecopoetics of marine depths, the refraction of light, the taste of salt on skin. Directionless, these poems reach out to touch oceanic expanse and depth. It’s not an easy voyage, and not a certain one. It lures you forward. It has fixed its barbed hook in I.Sailing without means relinquishing goals, sleeping at the masthead, forgetting obsessions. I welcome you to trace wayward ways through these poems. Read them any way you can—back to front, at random, sideways, following the obscure promptings of your heart. It’s the turning that matters. It’s a blue wonder world that beckons.The Brush: Poems
Par Eliana Hernández-Pachón. 2024
A wise, visionary debut on ecological and human resistance, perfect for readers of Joy Harjo and Tracy K. Smith, and…
fans of the earth-body artwork of Ana MendietaThe Brush is an incantatory, fearless exploration of collective trauma – and its horrific relevance in today&’s Colombia, where mass killings continue. Told from the voices Pablo, Ester, and the Brush itself, Hernández-Pachón&’s poem is an astounding response to a traumatic event in recent Colombian history: the massacre in the village of El Salado between February 16 and 21, 2000. Paramilitary forces tortured and killed sixty people, interspersing their devastating violence with music in the town square.Pablo Rodríguez steps thirteen paces out into the night and buries a wooden box. Its contents: a chain, a medallion, a few overexposed photographs, and finally, a deed. He burrows into the ground without knowing quite why, but with the certainty of a heavy change pressing through the air, of fear settling &“like a cat in his throat.&” Meanwhile, his wife Ester – a sharpshooter and keeper of all village secrets – slips into her fifth dream of the night. As Ester tosses and Pablo pats his fresh mound of earth, another character emerges in Eliana Hernández-Pachón&’s vivid and prophetic triptych.The Brush is a tangled grove, a thicket of vines, an orchid pummeled with rain. It is also an extraordinary depiction of ecological resistance, of the natural world that both endures human cruelty and lives on in spite of it.The Span of a Small Forever: Poems
Par April Gibson. 2024
With echoes of Audre Lorde’s The Cancer Journals and Susan Sontag’s Illness as Metaphor, an extraordinary debut collection from a…
prize-winning poet that chronicles a Black woman’s journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice.With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms. Gibson presents her body as a “looking glass” that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the “we” in her. The Span of a Small Forever is both testimony and transformation—heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives.La Risa
Par Idegu Ojonugwa Shadrach. 2024
La risa se compone de cuatro poemas épicos: El futuro: este poema se centró en un grupo divino que utilizó…
sus planes divinos para mejorar a la humanidad en su nación con el poder del Creador de la humanidad. Esto ayuda a dar crédito a las ideas y esfuerzos colectivos de un grupo que ayuda a su nación a superar las bárbaras transacciones de poder por parte de notorias personalidades conocedoras. El mensaje del Bosque: señala factores y soluciones que se inician entre las actividades ignorantes de los mortales e inmortales que no permiten la orientación divina de los seres inmortales. Los antepasados ganan protagonismo y mayores posibilidades de vivir si los mortales promueven y toman parte de sus costumbres en la tierra; esto exige una buena relación entre los humanos y sus antepasados. En los libros dos y cuatro, todos los poemas señalan las diferencias en la humanidad y cómo se pueden manejar las diferencias sin producir resultados negativos. Además, se señalan los desarrollos humanos tangibles que permiten preservar el dominio entre otras criaturas.The Invisible Thread: Prose poetry - Romantic poetry and poetry for the soul - Inspiring verses
Par Jesús Ignacio Carrero. 2024
Only one thing is certain for us: life. The rest is unknown or non-existent. We are all one, and at…
some point, as we transition into the now, we forget. We are bound by that thread that we can't see, but we know it's there. It is something we have all heard about but have not been told. Now, in this collection of poetry written in prose, the author takes us down the path of the soul from the perspective of the soul itself, where getting lost in what is the heart and what is the self will take you into a perpetual now. You will find yourself holding that thread and that you know it is the hand of another soul, and you don't know if it is your soul or not, because as the day goes by it turns out to be the same. During the course of this journey, there will be times when you will not know if you are here or not, but you will surely be in a now where you will not let go of the thread that holds the soul. And at some point in the journey you will discover that a book is not the only thing you have in your hands.From Sand Creek
Par Simon J. Ortiz. 1981
In this work by Simon Ortiz, Sand Creek shines like a dark star over a continent of pain, and gives…
the poet a powerful vision which is alternately personal, social-political and historical: a vision of damnation and resistance which is nevertheless understanding and even hopeful. Thomas McGrathLand of the Cranes
Par Aida Salazar. 2020
Nine-year-old Betita knows she is a crane. Papi has told her the story, even before her family fled to Los…
Angeles to seek refuge from cartel wars in Mexico. The Aztecs came from a place called Aztlan, what is now the Southwest US, called the land of the cranes. They left Aztlan to establish their great city in the center of the universe-Tenochtitlan, modern-day Mexico City. It was prophesized that their people would one day return to live among the cranes in their promised land. Papi tells Betita that they are cranes that have come home.Then one day, Betita's beloved father is arrested by Immigration Customs Enforcement (ICE) and deported to Mexico. Betita and her pregnant mother are left behind on their own, but soon they too are detained and must learn to survive in a family detention camp outside of Los Angeles. Even in cruel and inhumane conditions, Betita finds heart in her own poetry and in the community she and her mother find in the camp. The voices of her fellow asylum seekers fly above the hatred keeping them caged, but each day threatens to tear them down lower than they ever thought they could be. Will Betita and her family ever be whole again?