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The Brother
Par Rein Raud, Adam Cullen. 2008
The Brother is a spaghetti western told in poetic prose, simultaneously paying tribute to both Clint Eastwood and Alessandro Baricco.…
It opens with a mysterious stranger arriving in a small town controlled by a group of men-men who recently cheated the stranger's supposed sister out of her inheritance. Following his arrival, fortunes change dramatically, enraging this group of powerful men.The Last Samurai
Par Helen Dewitt. 2016
Called "remarkable" (The Wall Street Journal) and "an ambitious, colossal debut novel" (Publishers Weekly), Helen DeWitt's The Last Samurai is…
back in print at last Helen DeWitt's 2000 debut, The Last Samurai, was "destined to become a cult classic" (Miramax). The enterprising publisher sold the rights in twenty countries, so "Why not just, 'destined to become a classic?'" (Garth Risk Hallberg) And why must cultists tell the uninitiated it has nothing to do with Tom Cruise? Sibylla, an American-at-Oxford turned loose on London, finds herself trapped as a single mother after a misguided one-night stand. High-minded principles of child-rearing work disastrously well. J. S. Mill (taught Greek at three) and Yo Yo Ma (Bach at two) claimed the methods would work with any child; when these succeed with the boy Ludo, he causes havoc at school and is home again in a month. (Is he a prodigy, a genius? Readers looking over Ludo's shoulder find themselves easily reading Greek and more.) Lacking male role models for a fatherless boy, Sibylla turns to endless replays of Kurosawa's masterpiece Seven Samurai. But Ludo is obsessed with the one thing he wants and doesn't know: his father's name. At eleven, inspired by his own take on the classic film, he sets out on a secret quest for the father he never knew. He'll be punched, sliced, and threatened with retribution. He may not live to see twelve. Or he may find a real samurai and save a mother who thinks boredom a fate worse than death.Against the Wind
Par Howard Scott, Madeleine Gagnon, Phyllis Aronoff. 2012
Is an artist born, or rather, created by experience? From the moment in childhood when he is forced to take…
drastic action to defend his adoptive mother from a violent assault - the only maternal figure that he has ever known - it is evident that the life of Joseph Sully-Jacques is to be no ordinary life, and one marked by sorrow and adversity.Unable to cope with or even recognize the residual effects of his trauma in adolescence, Joseph retreats into an increasingly abstract world, one in which he must confront what he calls his "visions." And when he hears of the death of his natural mother, this brings to the surface memories he had hoped were buried deep within him, and precipitates the form of various crises to come, particularly as he discovers and makes use of the artistic abilities revealed to his family during his psychiatric evaluation.After many more hardships, the young man does find meaning to the absurdities of life, ironically in the asylum, where he meets a virtuoso pianist whose condition prevents her from continuing to exercise her talents. They heal together through their mutual love, which will soon subsist upon nothing but memory and absence. During mournful years of raising his son alone, in his extensive adversaria, Joseph sets out to reconcile the contradictory themes in his life, including abandonment, madness, love, and death.In spare, lucid prose, and in a style reminiscent of André Gide, Madeleine Gagnon invites the reader to experience the creation and development of an artist "in his own words" - Joseph's gelid journal entries that are to become emphatic poetic laments - in a novel that chronicles the extreme destitution of Quebec in the years before World War Two and in abstract developing forms of artistic expression after years of uncertainty and loss.Fear: A brilliantly gripping and twisty psychological thriller
Par Dirk Kurbjuweit. 2017
The Guardian, Daily Telegraph and Irish Times Book of the Year.'Something we've not seen before in contemporary crime fiction' GUARDIAN'[An]…
uncomfortably close-to-home thriller' SUNDAY TIMES CRIME CLUB'As intellectually stimulating as it is gripping' DAILY TELEGRAPH, BOOKS OF THE YEAR 2018'Takes you right into the heart of darkness' MAIL ON SUNDAY'A must-have new read' DAILY EXPRESS'Wonderfully sinister' THE OBSERVER'Frightening' THE TIMES'Addictive' INDEPENDENT'Terrific' JOANNE HARRIS'Brilliantly done' FIONA BARTON'A great achievement' HERMAN KOCH'Claustrophobic and unsettling' BBC NEWS'[A] creepy tale of obsession' SUNDAY MIRROR'An unsettling tale of merciless self-scrutiny' RENEE KNIGHT'A terrifying study of a family threatened by the tenant living downstairs' WOMAN & HOME*********How far would you go to protect your family?Family is everything. So what if yours was being terrorised by a neighbour - a man who doesn't listen to reason, whose actions become more erratic and sinister with each passing day?You go to the police, but they can't help you. You become afraid to leave your family at home alone. But there's nothing more you can do to protect them.Or is there...?FEAR is a brilliantly grippling, original psychological thriller - for fans of THE WOMAN IN THE WINDOW, ANATOMY OF A SCANDAL and THE DINNER.-------------------------FEAR is translated from the German by Imogen TaylorRituals
Par Cees Nooteboom. 1984
In Rituals, Amsterdam of the fifties, sixties and seventies is viewed from the perspective of the capricious Inni Wintrop. An…
unintentional suicide survivor, the unexpected gift of life returned lends him the curiousity, and impartiality, to survey others' lives and rountines. Inni's opposite, the one-eyed downhill skier Arnold Taads measures his life by the clock, while his disowned son Philip follows Japanese rituals which themselves seem to render his existence meaningless. A novel for those who seek to unravel our mysterious, apparently directionless lives...Heaven and Hell
Par Jón Kalman Stefánsson. 2007
In a remote part of Iceland, a boy and his friend Barður join a boat to fish for cod. A…
winter storm surprises them out at sea and Barður, who has forgotten his waterproof as he was too absorbed in 'Paradise Lost', succumbs to the ferocious cold and dies. Appalled by the death and by the fishermen's callous ability to set about gutting the fatal catch, the boy leaves the village, intending to return the book to its owner. The extreme hardship and danger of the journey is of little consequence to him - he has already resolved to join his friend in death. But once in the town he immerses himself in the stories and lives of its inhabitants, and decides that he cannot be with his friend just yet. Set at the turn of the twentieth century, Heaven and Hell is a perfectly formed, vivid and timeless story, lyrical in style, and as intense a reading experience as the forces of the Icelandic landscape themselves. An outstandingly moving novel.Monsieur Linh and His Child
Par Philippe Claudel. 2005
Traumatized by memories of his war-ravaged country, his son and daughter-in-law dead, Monsieur Linh travels to a foreign land to…
bring the child in his arms to safety. To begin with, he is too afraid to leave the refugee centre, but the first time he braves the freezing cold to walk the streets of this strange, fast-moving town, he encounters Monsieur Bark, a widower whose dignified sorrow mirrors his own. Though they have no shared language, an instinctive friendship is forged; but Monsieur Linh's stay in the dormitory is only temporary. Sooner or later he and his child must find a permanent home.Delicate and restrained, but with an extraordinary twist, Monsieur Linh and His Child is an immensely moving novel of perfect simplicity, by the author of Brodeck's Report.The Natural Way of Things: 'The Handmaid's Tale for our age' (Economist)
Par Charlotte Wood. 2015
'Savage: think Atwood in the outback' Paula Hawkins, author of The Girl on the Train'An unforgettable reading experience' Liane Moriarty,…
author of Big Little Lies'Ferocious... recalls the early Elena Ferrante' NPR'A masterpiece' Guardian'Devastating' EconomistShe hears her own thick voice deep inside her ears when she says, 'I need to know where I am.'The man stands there, tall and narrow, hand still on the doorknob, surprised.He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'"Two women awaken from a drugged sleep to find themselves imprisoned in a brokendownproperty in the middle of a desert.Strangers to each other, they have no idea where they are or how they came to be therewith eight other girls, their heads shaved, guarded by two inept yet vicious jailers.Doing hard labour under a sweltering sun, the prisoners soon learn what links them: ineach girl's past is a sexual scandal with a powerful man.They pray for rescue but as the hours turn into days and the days into weeks and months,it becomes clear only the girls can rescue themselves. Winner, 2016 Stella PrizeWinner, 2016 Indie Book of the Year AwardWinner, Fiction Book of the Year, 2016 Indie Book AwardWinner, 2016 Prime Minister's Literary Award for FictionWinner, Reader's Choice, 2016 ABIA Literary Fiction Book of the Year Shortlisted, 2016 Miles Franklin Literary AwardShortlisted, 2016 ABA Nielsen BookData Booksellers Choice AwardLonglisted, 2017 International Dublin Literary AwardThe Way Back: The funny, insightful and hopeful family adventure you need in 2021
Par Jamie Fewery. 2020
A moving, funny, sweeping and emotional family drama perfect for fans of David Nicholls, Beth O'Leary, Mike Gayle and Caroline…
Hulse.* * * * * * *If you're reading this, my funeral must have just finished. I've got something to ask of you...Who knows, you might even enjoy it?The Cadogan children haven't spoken to each other for three years. But their father, Gerry, has a plan to bring them together. To scatter his ashes, they must first drive his old camper van up to Scotland...For the trip, Gerry has provided them with three family photo albums and a bottle of single malt whisky.But will the journey help banish their ghosts and turn them back into a family? Or will it show them exactly why they've stayed apart for so long?* * * * * * *Praise for Jamie Fewery:'Moving, honest, sad and hopeful' MIRANDA DICKINSON'Will melt your heart' VERONICA HENRY'Clever, moving, funny, insightful' ZOE FOLBIGG'Made me do a proper ugly cry' DOMESTIC SLUTTERYThe River Why
Par David James Duncan. 1983
The classic novel of fly fishing and spirituality, originally published in 1983.Since its publication in 1983, THE RIVER WHY has…
become a classic. David James Duncan's sweeping novel is a coming-of-age comedy about love, nature, and the quest for self-discovery, written in a voice as distinct and powerful as any in American letters.Gus Orviston is a young fly fisherman who leaves behind his comically schizoid family to find his own path. Taking refuge in a remote cabin, he sets out in pursuit of the Pacific Northwest's elusive steelhead. But what begins as a physical quarry becomes a spiritual one as his quest for self-knowledge batters him with unforeseeable experiences. Profoundly reflective about our connection to nature and to one another, THE RIVER WHY is also a comedic rollercoaster. Like Gus, the reader emerges utterly changed, stripped bare by the journey Duncan so expertly navigates.Dark Places: The New York Times bestselling phenomenon from the author of Gone Girl
Par Gillian Flynn. 2009
THE BESTSELLING PHENOMENON 'Eerily macabre... Wonderful' Guardian'A nerve-fraying thriller' New York Times'Every bit as horribly fascinating as In Cold Blood'…
Daily MailLibby Day was seven when her family was murdered: she survived by hiding in a closet - and famously testified that her older brother Ben was the killer. Twenty-five years later the Kill Club - a secret society obsessed with notorious crimes - gets in touch with Libby to try to discover proof that may free Ben. Almost broke, Libby agrees to go back to her hometown to investigate - for a fee. But when Libby's search uncovers an unimaginable truth, she finds herself right back where she started: on the run from a killer. THE ORIGINAL #1 BESTSELLER, BY THE AUTHOR OF GONE GIRL 'I would rather read her than just about any other crime writer' Kate Atkinson'Gillian Flynn is the real deal: a sharp, acerbic and compelling storyteller' Stephen King'An extraordinarily good writer' ObserverThe Lip: a novel of the Cornwall tourists seldom see
Par Charlie Carroll. 2021
'This unsparing debut novel portrays the unromantic side of Cornwall few visitors see and which so many novelists choose to…
overlook. Charlie Carroll inhabits his damaged heroine completely' Patrick Gale 'A moving and affecting novel about life on the edge, with a very special flavour of wild and rugged Cornwall.' Emma Stonex, author of THE LAMPLIGHTERSAway from the hotels and holiday lets, there is an unseen side of Cornwall, where the shifting uncertainties of the future breed resentment and mistrust. Melody Janie is hidden. She lives alone in a caravan in Bones Break: a small cliff-top on Cornwall's north coast. She spends her time roaming her territory, spying on passing tourists and ramblers, and remembering. She sees everything and yet remains unseen. However, when a stranger enters her life, she is forced to confront not only him but the terrible tragedies of her past. The Lip is a novel about childhood, isolation and mental health, told in the unique and unforgettable voice of Melody Janie. 'All of this is Bones Break. All of this is mine. I know every inch of it; I know it as intimately as the seagulls. I stand at dead-centre, my feet teetering on the edge of the lip. Below, the thundering tattoo of waves on rock. Wind catches the tips of my hair, lifting them above my ribs: less force than it takes to knock me down; enough to make me right myself with a step to the left, and then another back again. Here on the lip, it is vital to know where my feet are.'The Paper Lantern
Par Will Burns. 2021
'Will Burns is a soulful English poet of the kind we don't make enough of' MAX PORTER'Hugely affecting and timely'…
LUKE TURNER'A boldly struck chord, one that contains many of the dissonances, but also the harmonies, found in England today' CHRIS POWERIn THE PAPER LANTERN, a single speaker charts and interrogates the shifts in mood and understanding that have defined a surreal, transformative period in both his own history and that of the surrounding area. Set in a shuttered pub - The Paper Lantern - in a village in the very middle of the country adjacent to the Chequers estate, the narrator embarks on a series of walks in the Chiltern Hills, which become the landscape for evocations of a past scarred with trauma and a present lacking compass. From local raves in secret valleys and the history of landmarks such as Halton House, to the fallout of the lockdown period, climate change and capitalism, THE PAPER LANTERN creates a tangible, lived-in, complicated rendering of a place.The Hummingbird: ‘Magnificent’ (Guardian)
Par Sandro Veronesi. 2019
'MAGNIFICENT' GUARDIAN'A TOWERING ACHIEVEMENT' FINANCIAL TIMES'INVENTIVE, BOLD, UNEXPECTED' THE SUNDAY TIMES'Everything that makes the novel worthwhile and engaging is here:…
warmth, wit, intelligence, love, death, high seriousness, low comedy, philosophy, subtle personal relationships and the complex interior life of human beings'Guardian'Not since William Boyd's Any Human Heart has a novel captured the feast and famine nature of a single life with such invention and tenderness'Financial Times'There is a pleasing sense of having grappled with the real stuff of life: loss, grief, love, desire, pain, uncertainty, confusion, joy, despair - all while having fun'The Sunday Times'The kind of novel summer is made for: instantly immersive, playfully inventive, effortlessly wise'Observer'Masterly: a cabinet of curiosities and delights, packed with small wonders'Ian McEwan'A real masterpiece. A funny, touching, profound book that made me cry like a little girl on the last page'Leïla Slimani'A remarkable accomplishment, a true gift to the world'Michael Cunningham'Ardent, gripping, and inventive to the core'Jhumpa LahiriMarco Carrera is 'the hummingbird,' a man with the almost supernatural ability to stay still as the world around him continues to change.As he navigates the challenges of life - confronting the death of his sister and the absence of his brother; taking care of his parents as they approach the end of their lives; raising his granddaughter when her mother, Marco's own child, can no longer be there for her; coming to terms with his love for the enigmatic Luisa - Marco Carrera comes to represent the quiet heroism that pervades so much of our everyday existence.A thrilling novel about the need to look to the future with hope and live with intensity to the very end.THE NO. 1 INTERNATIONAL BESTSELLEROver 300,000 copies soldSoon to be a major motion pictureWinner of the Premio StregaWinner of the Prix du Livre EtrangerBook of the Year for the Corriere della SeraYou Be Mother: The debut novel from the author of Sorrow and Bliss
Par Meg Mason. 2017
EVENING STANDARD'S 'BEST FICTION BOOKS TO LOOK FORWARD TO IN 2022'What do you do, when you find the perfect family......and…
it's not yours?'Rare and delightful . . . A beautifully crafted novel about female relationships. I couldn't put this book down'Marie ClaireThe only thing Abi ever wanted was a proper family. So when she falls pregnant by an Australian exchange student in London, she cannot pack up her old life in Croydon fast enough, to start all over in Sydney and make her own family.It is not until she arrives, with three-week-old Jude in tow, that Abi realises Stu is not quite ready to be a father after all. And he is the only person she knows in this hot, dazzling, confusing city, where the job of making friends is turning out to be harder than she thought.That is, until she meets Phyllida, her wealthy, charming, imperious older neighbour, and they become almost like mother and daughter.If only Abi had not told Phil that teeny tiny small lie, the very first day they met...The River Why
Par David James Duncan. 1983
The classic novel of fly fishing and spirituality, originally published in 1983.Since its publication in 1983, THE RIVER WHY has…
become a classic. David James Duncan's sweeping novel is a coming-of-age comedy about love, nature, and the quest for self-discovery, written in a voice as distinct and powerful as any in American letters.Gus Orviston is a young fly fisherman who leaves behind his comically schizoid family to find his own path. Taking refuge in a remote cabin, he sets out in pursuit of the Pacific Northwest's elusive steelhead. But what begins as a physical quarry becomes a spiritual one as his quest for self-knowledge batters him with unforeseeable experiences. Profoundly reflective about our connection to nature and to one another, THE RIVER WHY is also a comedic rollercoaster. Like Gus, the reader emerges utterly changed, stripped bare by the journey Duncan so expertly navigates.The Fifth Sally
Par Daniel Keyes. 1980
The powerful, moving and turbulent novel of Sally Porter and the multiple personalities she has no idea she lives with...…
From the award-winning bestselling author of FLOWERS FOR ALGERNON: 'Heartbreaking, and utterly, completely brilliant' GUARDIANSally Porter is perfectly 'ordinary'. A waitress, divorcee, and loner in the great city. But, though she is unaware of it, she is also four other, quite different people: Nola, the cold independent artist who has a studio in Greenwich Village; Derry, the happy-go-lucky tomboy; Bella, the highly-sexed live wire with a talent for singing and dancing; and finally Jinx, the hate-filled killer. Whenever events put too much of a strain on Sally Porter, she feels a headache and a blackout coming on - and a new character takes over. If there is a man to be fascinated, she will become Bella. If there is an intellectual problem, she will become Nola. And - as happens in the opening scene of the novel - if there is a rapist to be dealt with, she becomes the vicious Jinx. It is the task of the wise and patient psychiatrist, Dr. Roger Ash - a man who nevertheless has severe problems of his own - to deal with this case of multiple personality and, through painstaking therapy, to try to fuse the four disparate personalities into "the fifth Sally."The Wrong Child: The darkest literary thriller of the year
Par Barry Gornell. 2017
What if your child committed the ultimate crime When a rural village school building collapses, only one child survives: Dog…
Evans.To his own mother and father, Dog becomes a daily reminder of their survivor's guilt. To the other parents he is a hated and feared emblem of their unbearable loss.Now, seven years after the tragedy, Dog's parents have abandoned him. And with no one to protect him, the broken community's desire for justice soon becomes unstoppable...Uncompromising and powerful, THE WRONG CHILD is a heartbreaking - but ultimately hopeful - portrayal of loss and grief in an unimaginable situation. A must-read for fans of THE BAD SEED by William March, WE NEED TO TALK ABOUT KEVIN and WE HAVE ALWAYS LIVED IN THE CASTLE by Shirley Jackson.Sorrow and Bliss: The Instant Sunday Times Top Five Bestseller
Par Meg Mason. 2020
The instant Sunday Times top five bestseller: the book you have to read this summer'Just read it. It's unforgettable'India Knight,…
The Sunday Times'The most wonderful, heartbreakingly gorgeous novel of the year'Elizabeth Day'It is impossible to read this novel and not be moved. It is also impossible not to laugh out loud... Extraordinary'Guardian'Summer's must-read novel'Stylist'A raucously funny, beautifully written, emotion-bashing book'The Times'Universally proclaimed the book of the summer'Evening Standard'Set to become one of the hits of the year'Financial Times 'I was making a list of all the people I wanted to send it to, until I realised that I wanted to send it to everyone I know'Ann Patchett, author of The Dutch House'A masterclass on family, damage and the bonds of love'Jessie Burton, author of The Confession'Patrick Melrose meets Fleabag. Brilliant'Clare Chambers, author of Small Pleasures Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. A gift, her mother once said, not everybody gets.So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave?Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. Something that broke when a little bomb went off in her brain, at 17, and left her changed in a way that no doctor or therapist has ever been able to explain.Forced to return to her childhood home to live with her dysfunctional, bohemian parents (but without the help of her devoted, foul-mouthed sister Ingrid), Martha has one last chance to find out whether a life is ever too broken to fix - or whether, maybe, by starting over, she will get to write a better ending for herself.THE BOOK OF THE SUMMER One of The Times 'Best books for summer'One of the Guardian's '50 hottest new books everyone should read this summer'One of the Independent's '30 best books for summer'One of the Irish Independent's '50 hottest summer reads''Witty and affecting' David Nicholls, Guardian's summer reading'If there were any prospect of stuffing a suitcase with books this summer for hours reading beside a pool somewhere, I'd advise you to make room for this' Sara Collins, Guardian's summer readingThis book presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis. The Australian…
continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ‘cosmos’—the order of the world—to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ‘cosmological readings’ of a diverse range of authors—Indigenous and non-Indigenous—as a challenge to the Anthropocene’s decline-narrative. As a result, it reactivates ‘cosmos’ as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era. This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.