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Celebrating the diverse contributions of Catholic lay women in 20th century AmericaRecovering Their Stories focuses on the many contributions made…
by Catholic lay women in the 20th century in their faith communities across different regions of the United States. Each essay explores the lives and contributions of Catholic lay women across diverse racial, ethnic, and socio-economic backgrounds, addressing themes related to these women’s creative agency in their spirituality and devotional practices, their commitment to racial and economic justice, and their leadership and authority in sacred and public spaces Taken together, this volume brings together scholars working in what otherwise may be discreet areas of academic study to look for patterns, areas of convergence and areas of divergence, in order to present in one place the depth and breadth of Catholic lay women’s experience and contributions to church, culture, and society in the United States. Telling these stories together provides a valuable resource for scholars in a number of disciplines, including American Catholic Studies, American Studies, Women and Gender Studies, Feminist Studies, and US History. Additionally, scholars in the areas of Latinx studies, Black Studies, Liturgical Studies, and application of Catholic social teaching will find the book to be a valuable resource with respect to articles on specific topics.
Available in a new digital edition with reflowable text suitable for e-readersThe tradition of natural law is one of the…
foundations of Western civilization. At its heart is the conviction that there is an objective and universal justice which transcends humanity’s particular expressions of justice. It asserts that there are certain ways of behaving which are appropriate to humanity simply by virtue of the fact that we are all human beings. Recent political debates indicate that it is not a tradition that has gone unchallenged: in fact, the opposition is as old as the tradition itself. By distinguishing between philosophy and ideology, by recalling the historical adventures of natural law, and by reviewing the theoretical problems involved in the doctrine, Simon clarifies much of the confusion surrounding this perennial debate. He tackles the questions raised by the application of natural law with skill and honesty as he faces the difficulties of the subject. Simon warns against undue optimism in a revival of interest in natural law and insists that the study of natural law beings with the analysis of “the law of the land.” He writes not as a polemicist but as a philosopher, and he writes of natural law with the same force, conciseness, lucidity and simplicity which have distinguished all his other works.
A Taytsh Manifesto calls for a translational paradigm for Yiddish studies and for the study of modern Jewish culture. Saul…
Noam Zaritt calls for a shift in vocabulary, from Yiddish to taytsh, in order to promote reading strategies that account for the ways texts named as Jewish move between languages and cultures. Yiddish, a moniker that became dominant only in the early twentieth century, means “Jewish” and thus marks the language with a single identity: of and for a Jewish collective. In contrast, this book calls attention to an earlier and, at one time, more common name for the language: taytsh, which initially means “German.” By using the term taytsh, speakers indicated that they were indeed speaking a Germanic language, a language that was not entirely their own. In time, when the word shifted to a verb, taytshn, it came to mean the act of translation. To write or speak in Yiddish is thus to render into taytsh and inhabit the gap between languages.A Taytsh Manifesto highlights the cultural porousness that inheres in taytsh and deploys the term as a paradigm that can be applied to a host of modern Jewish cultural formations. The book reads three corpora in modern Yiddish culture through the lens of translation: Yiddish pulp fiction, also known as shund (trash); the genre of the Yiddish monologue as authored by Sholem Aleichem and other prominent Yiddish writers; and the persistence of Yiddish as a language of vulgarity in contemporary U.S. culture. Together these examples help revise current histories of Yiddish while demonstrating the need for new vocabularies to account for the multidirectionality of Jewish culture. A Taytsh Manifesto develops a model for identifying, in Yiddish and beyond, how cultures intertwine, how they become implicated in world systems and empire, and how they might escape such limiting and oppressive structures.
The diary of radio correspondent James Cassidy presents a unique view of World War II as this reporter followed the…
Allied armies into Nazi Germany.James Joseph Cassidy was one of 362 American journalists accredited to cover the European Theater of Operations between June 7, 1944, and the war’s end. Radio was relatively new, and World War II was its first war. Among the difficulties facing historians examining radio reporters during that period is that many potential primary documents—their live broadcasts—were not recorded. In NBC Goes to War, Cassidy’s censored scripts alongside his personal diary capture a front-line view during some of the nastiest fighting in World War II as told by a seasoned NBC reporter.James Cassidy was ambitious and young, and his coverage of World War II for the NBC radio network notched some notable firsts, including being the first to broadcast live from German soil and arranging the broadcast of a live Jewish religious service from inside Nazi Germany while incoming mortar and artillery shells fell 200 yards away. His diary describes how he gathered news, how it was censored, and how it was sent from the battle zone to the United States. As radio had no pictures, reporters quickly developed a descriptive visual style to augment dry facts. All of Cassidy’s stories, from the panic he felt while being targeted by German planes to his shock at the deaths of colleagues, he told with grace and a reporter’s lean and engaging prose.Providing valuable eyewitness material not previously available to historians, NBC Goes to War tells a “bottom-up” narrative that provides insight into war as fought and chronicled by ordinary men and women. Cassidy skillfully placed listeners alongside him in the ruins of Aachen, on icy back roads crawling with spies, and in a Belgian bar where a little girl wailed “Les Américains partent!” when Allied troops retreated to safety, leaving the town open to German re-occupation. With a journalistic eye for detail, NBC Goes to War unforgettably portrays life in the press corps. This newly uncovered perspective also helps balance the CBS-heavy radio scholarship about the war, which has always focused heavily on Edward R. Murrow and his “Murrow’s Boys.”
This collection, marking the centenary of Avery Dulles’s birth, makes an entirely distinctive contribution to contemporary theological discourse as we…
approach the second century of the cardinal’s influence, and the twenty-first of Christian witness in the world. Moving beyond a festschrift, the volume offers both historical analyses of Dulles’s contributions and applications of his insights and methodologies to current issues like immigration, exclusion, and digital culture. It includes essays by Dulles’s students, colleagues, and peers, as well as by emerging scholars who have been and continue to be indebted to his theological vision and encyclopedic fluency in the ecclesiological developments of the post-conciliar Church. Though focused more on Catholic and ecumenical affairs than interreligious ones, the volume is intentionally outward-facing and strives to make clear the diverse and pluralistic contours of the cardinal’s nearly unrivaled impact on the North American Church, which truly crossed ideological, denominational, and generational boundaries. While critically recognizing the limits and lacunae of his historical moment, it serves as one among a multitude of testaments to the notion that the ripples of Avery Dulles’s influence continue to widen toward intellectually distant shores.
Bringing together lyric poetry, documentary photographs, and lives lived along the U.S.-Mexico borderlandWritten during extended periods in Brownsville, McAllen, and…
Marfa, Texas, in Carbonate of Copper Roberto Tejada gives voice to unsettled stories from the past, as well as to present-day experiences of custody and displacement. The poems stage scenes adjacent to the U.S.-Mexico border and to the realities of migration warped by jarring political vitriol, bearing witness to past and present-day hazards and sorrows wagered by those in search of asylum. So enabled, these poems make visible not only the infrastructure of militarized surveillance and its detention complex but also the aspiration to justice and mercy and the resilient self-organized order of time for migrants seeking human dignity while awaiting passage to the other side of the dividing line.The book’s title refers also to a mineral found in azurite and malachite, a color medium that had an impact on art during the first phase of globalization, the ensuing colonial enterprise, and its systems of extraction. Carbonate of copper was less desirable than the deeper ultramarine made from ground lapis lazuli, but Renaissance artists and patrons nonetheless coveted it and prompted a market for the blue derivative used in tempera and oil pigment. The blue powder pigment serves, too, as a form of sorcery: one that would ward off those who deal in injury of the already dispossessed.Turning his attention to the forced relocation of peoples, the COVID-19 death toll, the encroaching dangers of illiberal rule, the meanings of home and eviction, the power of cultural memory, as well as his artistic forebears, Tejada accounts for the uncounted and those excluded from belonging in voices that tell the cruel fortunes and joyful vitality of human and non-human life forms.
Dry Bones, the third novel of the Fintan Dunne series by Peter Quinn, follows Fintan, who works for the OSS,…
the forerunner of the Central Intelligence Agency (CIA). The novel is set during World War II, when Fintan teams up with several of his colleagues working to rescue several intelligence officers who had been fighting the Nazis inside Czechoslovakia. Things go awry and the team soon uncovers a huge conspiracy that may change the course of their careers and their lives. After the end of the war, many of his colleagues have bad things happen to them. The common thing about his friends who either go missing or end up dead is that they were trying to unearth the mystery of an infamous doctor who had gone missing. It seems the CIA is determined to ensure that what happened to the infamous doctor who had made his name experimenting on prisoners of war remained a secret.
Available in a new digital edition with reflowable text suitable for e-readersThis work contains fifteen key documents illustrative of reform…
in the Church in the period from 1495 to 1540, an age of great religious ferment and upheaval, which is marked historically by the crisis known as the Protestant Reformation. The documents collected in this work focus on the simultaneous struggle for renewal and reform within the Catholic Church. There was much amiss within the Church at the close of the Middle Ages. The Protestant Reformation threw into high relief the urgent need for religious reform. Involving basic questions of doctrine, practice, and authority, this severe trial put in jeopardy the very life of the existing Catholic Church. The balanced selection of notable and representative source materials tells their story in a lively and dramatic way. This important work on a little-known aspect of a turbulent era is a valuable contribution to Reformation studies.
Provides vital new evidence that Union veterans remained stubbornly opposed to the nation’s reconciliationist tendencies and unwilling to surrender the…
causes for which they foughtUnion soldiers’ service to the nation did not end in 1865. Instead, it persisted well into the twentieth century as hundreds of thousands of veterans joined the Grand Army of the Republic (GAR) and directed the reform and improvement of their communities through their fraternal membership in thousands of local posts around the country.In Our Onward March, Jonathan D. Neu shows how Union veterans of the GAR drew on lessons they learned in the Civil War—lessons about broad principles like democracy, freedom, and loyalty—to undertake grassroots civic projects designed to address the rampant social ills and challenging foreign policy issues associated with US modernization. Armed this time with sage wisdom and unwavering principles, they mobilized again to consummate their wartime victory with reform-minded activism on behalf of establishing an even more perfect Union.Extending the boundaries of America’s post–Civil War era, Neu investigates the GAR during the Progressive era, a period in the organization’s history that scholars have overlooked. Countering stubborn notions that the GAR was merely a pension advocacy group or an insular bastion of sentimental nostalgia, he reveals instead that the organization reached a turning point in 1890, after which it became an active and decentralized civic association whose members worked to instill a commitment to public life, engagement with community issues, and pride in the democracy they had defended as young men.Anchored by illuminating new source material, including post-minute books and fraternal records, Our Onward March places aging GAR members squarely among the diverse constellation of turn-of-the-century social reformers, using their memory of the Civil War to promote robust, veteran-led civic engagement. By situating Union veterans in this context, we see a more accurate portrait of the GAR post in American culture—as a local center of progressive activism.
Reading Sideways explores the pivotal role that various art forms played in American literary fiction in direct relation to the…
politics of gender and sexuality in works of modern American literature. It tracks the crosswise circulation of aesthetic ideas in fiction and argues that at stake in the aesthetic turn of these works was not only the theorization of aesthetic experience but also an engagement with political arguments and debates about available modes of sociability and sexual expression. To track these engagements, its author, Dana Seitler, performs a method she calls “lateral reading,” a mode of interpretation that moves horizontally through various historical entanglements and across the fields of the arts to make sense of—and see in a new light—their connections, challenges, and productive frictions. Each chapter takes a different art form as its object: sculpture, portraiture, homecraft, and opera. These art forms appear in some of the major works of literature of the period central to negotiations of gender, race, and sexuality, including those by Henry James, Davis, Willa Cather, Du Bois, Sarah Orne Jewett, and Mary Wilkins Freeman. But the literary texts that each chapter of this book takes as its motivation not only include a specific art form or object as central to its politics, they also build an alternative aesthetic vocabulary through which they seek to alter, challenge, or participate in the making of social and sexual life. By cultivating a counter-aesthetics of the unfinished, the uncertain, the small, the low, and the allusive, these fictions recognize other ways of knowing and being than those oriented toward reductively gendered accounts of beauty, classed imperatives established by the norms of taste, or apolitical treatises of sexual disinterestedness. And within them—and through “reading sideways”—we can witness the coming-into-legibility of a set of diffuse practices that provide a pivot point for engaging the political methods of minoritized subjects at the turn of the twentieth century.
Heidegger and Nazism: Ever since the philosopher’s public involvement in state politics in 1933, his name has necessarily been a…
part of this unsavory couple. After the publication in 2014 of the private Black Notebooks, it is now unambiguously part of another: Heidegger and anti-Semitism.What do we learn from analyzing the anti-Semitism of these private writings, together with its sources and grounds, not only for Heidegger’s thought, but for the history of the West in which this thought is embedded? Jean-Luc Nancy poses these questions with the depth and rigor we would expect from him. In doing so, he does not go lightly on Heidegger, in whom he finds a philosophical and “historial” anti-Semitism, outlining a clash of “peoples” that must at all costs arrive at “another beginning.” If Heidegger’s uncritical acceptance of prejudices and long-debunked myths about “world Jewry” shares in the “banality” evoked by Hannah Arendt, this does nothing to lessen the charge. Nancy’s purpose, however, is not simply to condemn Heidegger but rather to invite us to think something to which the thinker of being remained blind: anti-Semitism as a self-hatred haunting the history of the West—and of Christianity in its drive toward an auto-foundation that would leave behind its origins in Judaism.
In the Wake of Medea examines the violence of seventeenth-century French political dramas. French tragedy has traditionally been taken to…
be a passionless, cerebral genre that refused all forms of violence. This book explores the rhetorical, literary, and performance strategies through which violence persists, contextualizing it in a longer literary and philosophical history from Ovid to Pasolini.The mythological figure of Medea, foreigner who massacres her brother, murders kings, burns down Corinth, and kills her own children, exemplifies the persistence of violence in literature and art. A refugee who is welcomed yet feared, who confirms the social while threatening its integrity, Medea offers an alternative to western philosophy’s ethical paradigm of Antigone. The Medean presence, Cherbuliez shows, offers a model of radically persistent and disruptive outsiderness, both for classical theater and for its wake in literary theory.In the Wake of Medea explores a range of artistic strategies integrating violence into drama, from rhetorical devices like ekphrasis to dramaturgical mechanisms like machinery, all of which involve temporal disruption. The full range of this Medean presence is explored in treatments of the character Medea and in works figuratively invoking a Medean presence, from the well-known tragedies of Racine and Corneille through a range of other neoclassical political theater, including spectacular machine plays, Neo-Stoic parables, didactic Christian theater. In the Wake of Medea recognizes the violence within these tragedies to explain why violence remains so integral to literature and arts today.
One of SLATE Magazine's 15 Best Literary Rediscoveries of 2024A captivating collection unveiling the intricacies of love, life, and legacyThese…
twelve stories, told from the viewpoint of young women in life’s mid-passage, explore the splendors and miseries of love, both carnal and spiritual, and cast back through sickness and health to the engraving experiences of childhood and forward to the rituals and release of death and its occasion for recall.They tell us of a dutiful but not guiltless daughter faced with the wreckage a father has made of his life, of the pain of trying to steer steadily through a doomed affair with a dearly loved married man, and of the ironies attending the funeral of a priest uncle and the birthday of an aged mother.From the outwardly unremarkable frame of a single day—on Fire Island or in New York—an entire life and an encompassment of humanity are movingly conveyed. Then, with inverted telescope, the most subjective of inner realms is explored—through a hospital stay, a sudden name change, or the surprising end of all those dreaded piano lessons.Taken together, these stories are a far greater whole than the sum of their remarkable parts, an unforgettable exploration of the paradoxical toughness and vulnerability that define the mortal condition.
Astrobiology is changing how we understand meaningful human existence. Living with Tiny Aliens seeks to imagine how an individuals’ meaningful…
existence persists when we are planetary creatures situated in deep time—not only on a blue planet burgeoning with life, but in a cosmos pregnant with living-possibilities. In doing so, it works to articulate an astrobiological humanities.Working with a series of specific examples drawn from the study of extraterrestrial life, doctrinal reflection on the imago Dei, and reflections on the Anthropocene, Pryor reframes how human beings meaningfully dwell in the world and belong to it. To take seriously the geological significance of human agency is to understand the Earth as not only a living planet but an artful one. Consequently, Pryor reframes the imago Dei, rendering it a planetary system that opens up new possibilities for the flourishing of all creation by fostering technobiogeochemical cycles not subject to runaway, positive feedback. Such an account ensures the imago Dei is not something any one of us possesses, but that it is a symbol for what we live into together as a species in intra-action with the wider habitable environment.
The World and God Are Not-Two is a book about how the God in whom Christians believe ought to be…
understood. The key conceptual argument that runs throughout is that the distinctive relation between the world and God in Christian theology is best understood as a non-dualistic one. The “two”—“God” and “World” cannot be added up as separate, enumerable realities or contrasted with each other against some common background because God does not belong in any category and creatures are ontologically constituted by their relation to the Creator.In exploring the unique character of this distinctive relation, Soars turns to Sara Grant’s work on the Hindu tradition of Advaita Vedānta and the metaphysics of creation found in Thomas Aquinas. He develops Grant’s work and that of the earlier Calcutta School by drawing explicit attention to the Neoplatonic themes in Aquinas that provide some of the most fruitful areas for comparative engagement with Vedānta. To the Christian, the fact that the world exists only as dependent on God means that “world” and “God” must be ontologically distinct because God’s existence does not depend on the world. To the Advaitin, this simultaneously means that “World” and “God” cannot be ontologically separate either. The language of non-duality allows us to see that both positions can be held coherently together without entailing any contradiction or disagreement at the level of fundamental ontology. What it means to be “world” does not and cannot exclude what it means to be “God.”
A rare and powerful illustration of what it takes to become a sustainable, community-embedded organization that continually grows the next…
generation of compassionate leaders.This essential, timely book meets us at our current moment of crisis to offer hope that American democracy’s stalled trajectory toward its founding creed to embrace all, and not just some, can indeed be re-invigorated. Pedagogy of a Beloved Commons is about low-income youth of color working within justice-oriented, community-based organizations to improve the social and spatial conditions in their surroundings. It draws from hundreds of pages of data, some collected over a decade ago by graduate research assistants at three universities and some collected recently by a graduate research assistant at a fourth university, to present verbatim quotes from interviews with constituents of three youth-serving organizations. The book posits that the disinvested neighborhoods where youth experience abandonment and marginality in fact can serve as a call to action, given appropriate organizational support.Pedagogy of a Beloved Commons envisions a place-based critical pedagogy that can provide young people with the practical skills and deep values to engage with today’s economic, racial, and ecological crises. It offers a welcome antidote to a neoliberal education system that has not only veered away from its public mandate to advance democratic citizenship but that has also reinforced today’s insidious economic inequality, rendering illusive the idea that rich and poor can work together toward a common good. Between these pages resonates a passionate call for an approach to cultivating citizens who have the critical skills to challenge injustice, the courage to hold the rich and powerful accountable, and the empathy to advance not just their own self-interest but also the health and well-being of their communities and the planet. The author proposes that such citizens develop by exercising collective agency in “the commons,” a political and psychic space whose values are mapped out in physical space. Through the expert use of an architect’s lens, this groundbreaking book argues that the three-dimensional concreteness of the nation’s disinvested neighborhoods provides a virtual stage where disenfranchised youth can experiment with collective life, become more discerning about the forces that have shaped their communities, and practice working toward just and inclusive futures.Merging Paolo Freire’s seminal theory of critical pedagogy with Grace Lee Boggs’s belief that hands-on community-building can disrupt the ever more destructive forces of neoliberal capitalism, Pedagogy of a Beloved Commons refines an aspirational framework for a pathway forward through a careful analysis of three exemplar organizations. It offers rich, unique portraits of young people transforming their communities in southwest Detroit, Wai’anae, and Harlem, respectively illustrating place-based activism through theater, organic farming, and critical inquiry. Here activism is framed as the hands-on engagement of youth in addressing inequities in the commons of their neighborhoods through small but persistent interventions that also help them learn the language of solidarity and collectivity that a sustainable democracy needs. Pedagogy of a Beloved Commons is a must-read for our times and for our future.
WINNER OF THE IASA BOOK AWARD!AMERICAN BOOK AWARD WINNER!As the child of children of immigrants, Louise DeSalvo was at first…
reluctant to write about her truths. Her abusive father, her sister’s suicide, her illness. In this stunning collection of her captivating and frank essays on her life and her Italian-American culture, Louise DeSalvo centers on her beginnings, reframing and revising her acclaimed memoiristic essays, pieces that were the seeds of longer collections, to reveal her true power as a memoirist: the ability to dig ever deeper for personal and political truths that illuminate what it means to be a woman, a second-generation American, a writer, and a scholar. Each essay is driven by a complex inquiry that examines the personal, familial, social, ethnic, and historical dimensions of identity. Collectively, they constitute a story significantly different from DeSalvo’s memoirs when they first published, where the starkness of their meaning became blunted by material surrounding them. DeSalvo has also restored material written and then deleted—experiences she was too reticent to reveal before, in writing about her sister’s suicide, her husband’s adultery, her own sexual assault. The essays also include new material to shift the ballast of an essay as her life has changed significantly through the years. The House of Early Sorrows is a courageous exploration not only of the DeSalvo’s family life and times, but also of our own.
With humor and grace, the memoir of a first-generation Chinese American in New York City.Our Laundry, Our Town is a…
memoir that decodes and processes the fractured urban oracle bones of Alvin Eng’s upbringing in Flushing, Queens, in the 1970s. Back then, his family was one of the few immigrant Chinese families in a far-flung neighborhood in New York City. His parents had an arranged marriage and ran a Chinese hand laundry. From behind the counter of his parents’ laundry and within the confines of a household that was rooted in a different century and culture, he sought to reconcile this insular home life with the turbulent yet inspiring street life that was all around them––from the faux martial arts of TV’s Kung Fu to the burgeoning underworld of the punk rock scene.In the 1970s, NYC, like most of the world, was in the throes of regenerating itself in the wake of major social and cultural changes resulting from the counterculture and civil rights movements. And by the 1980s, Flushing had become NYC’s second Chinatown. But Eng remained one of the neighborhood’s few Chinese citizens who did not speak fluent Chinese. Finding his way in the downtown theater and performance world of Manhattan, he discovered the under-chronicled Chinese influence on Thornton Wilder’s foundational Americana drama, Our Town. This discovery became the unlikely catalyst for a psyche-healing pilgrimage to Hong Kong and Guangzhou, China—his ancestral home in southern China—that led to writing and performing his successful autobiographical monologue, The Last Emperor of Flushing. Learning to tell his own story on stages around the world was what proudly made him whole.As cities, classrooms, cultures, and communities the world over continue to re-examine the parameters of diversity, equity, and inclusion, Our Laundry, Our Town will reverberate with a broad readership.
Life Under the Baobab Tree: Africana Studies and Religion in a Transitional Age is a compendium of innovating essays meticulously…
written by early and later diaspora people of African descent. Their speech arises from the depth of their experiences under the Baobab tree and offers to the world voices of resilience, newness/resurrection, hope, and life. Resolutely journeying on the trails of their ancestors, they speak about setbacks and forward-looking movements of liberation, social transformation, and community formation. The volume is a carefully woven conversation of intellectual substance and structure across time, space, and spirituality that is quintessentially “Africana” in its centering of methodological, theoretical, epistemological, and hermeneutical complexity that assumes nonlinear and dialogical approaches to developing liberating epistemologies in the face of imperialism, colonialism, racism, and religious intolerance.A critical part of this conversation is a reconceptualization and reconfiguration of the concept of religion in its colonial and imperial forms. Life Under the Baobab Tree examines how Africana peoples understand their corporate experiences of the divine not as “religion” apart from its intimate connections to social realities of communal health, economics, culture, politics, environment, violence, war, and dynamic community belonging. To that end Afro-Pessimistic formulations of life placed in dialogic relation Afro-Optimism. Both realities constitute life under the Baobab tree and represent the sturdiness and variation that anchors the deep ruptures that have affected Africana life and the creative responses. The metaphor and substance of the tree resists reductionist, essentialist, and assured conclusions about the nature of diasporic lived experiences, both within the continent of Africa and in the African Diaspora.
Finalist, 2022 Ecocriticism Book Prize, Association for the Study of Literature and the EnvironmentShortlisted, 2020 Book Prize, Association for the…
Study of the Arts of the PresentHow do literature and other cultural forms shape how we imagine the planet, for better or worse? In this rich, original, and long awaited book, Jennifer Wenzel tackles the formal innovations, rhetorical appeals, and sociological imbrications of world literature that might help us confront unevenly distributed environmental crises, including global warming.The Disposition of Nature argues that assumptions about what nature is are at stake in conflicts over how it is inhabited or used. Both environmental discourse and world literature scholarship tend to confuse parts and wholes. Working with writing and film from Africa, South Asia, and beyond, Wenzel takes a contrapuntal approach to sites and subjects dispersed across space and time. Reading for the planet, Wenzel shows, means reading from near to there: across experiential divides, between specific sites, at more than one scale.Impressive in its disciplinary breadth, Wenzel’s book fuses insights from political ecology, geography, anthropology, history, and law, while drawing on active debates between postcolonial theory and world literature, as well as scholarship on the Anthropocene and the material turn. In doing so, the book shows the importance of the literary to environmental thought and practice, elaborating how a supple understanding of cultural imagination and narrative logics can foster more robust accounts of global inequality and energize movements for justice and livable futures.