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CELAPublic library services for Canadians with print disabilities

Centre for Equitable Library Access
Public library service for Canadians with print disabilities

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Classical Chinese for Everyone: A Guide for Absolute Beginners

By Bryan W. Van Norden. 2019

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General non-fiction, Philosophy, Poetry
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In just thirteen brief, accessible chapters, this engaging little book takes "absolute beginners" from the most basic questions about the…

language (e.g., what does a classical Chinese character look like?) to reading and understanding selections from classical Chinese philosophical texts and Tang dynasty poetry. "An outstanding introduction to reading classical Chinese. Van Norden does a wonderful job of clearly explaining the basics of classical Chinese, and he carefully takes the reader through beautifully chosen examples from the textual tradition. An invaluable work." —Michael Puett, Harvard University

The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry (Michigan Monographs In Chinese Studies #75)

By Zong-Qi Cai, Zong-Qu Cai. 1997

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Poetry, Customs and cultures, General non-fiction
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Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism…

in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.

Pearl from the Dragon’s Mouth: Evocation of Scene and Feeling in Chinese Poetry (Michigan Monographs In Chinese Studies #67)

By Cecile C. Sun. 1995

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Poetry, Customs and cultures, General non-fiction
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The interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry,…

and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.

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