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Christianisme
如果一切都按照上帝的心意而行，今天的教会会是什么样子？ 这是陈恩藩牧师迄今为止最有力量的一本 书，他深深扎根于圣经真理，回顾自己牧会历程 中的失败经历，展望教会的愿景，透过很多真实 的故事，让人看到上帝如何使用 普通的人来改 变这个世界。 正如陈牧师所说： 我们已经离上帝最初设 立教会的心意太远了。我们当前所经历的，与圣 经所描绘的教会生活有着天壤之别。多年来，教 会领袖们将教会超凡的奥秘束之高阁，把会众训 练成一群对次要事物上瘾的人。是时候悔改了。 当耶稣再来的时候，我们是忙着照顾他的新 妇还是我们自己的生活？本书提醒我们，教会原 来是如此的充满能力和荣耀，并呼召我们再一次 回到上帝最初设立教会的心意当中。
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Poésie, Coutumes et cultures, Essais et documents généraux
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Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism…
in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.
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Coutumes et cultures, Essais et documents généraux
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Two Twelfth-Century Texts on Chinese Painting presents two texts in translation that provide dual insight into the Painting Academy of…
Emperor Hui-tsung and the literati school of painting. The Shan-shui ch’un-ch’uan chi is a treatise for beginning landscape painters dated to the Hsüan-ho era. The treatise was written by Han Cho, a reputed member of the Academy, but the text was not specifically directed at Academicians. The treatise collects and orders previous writings on landscape painting; one of Han Cho’s main goals is to list all landscape definitions and their practical application in painting. Yet his view is more detached and analytical than a stereotypical Academy painter, revealing an approach reminiscent of Confucian scholarship and literati painting as well. The Hua-chi by Teng Ch’un is a history of painting that was written as a sequel to two earlier painting histories. In ten chapters, Teng Ch’un compiles facts and critical evaluations of painters from 1075 to 1167, as well as listings of selected masterpieces. Teng Ch’un provides more specific information about the Academy than Han Cho, discussing its organization and examination system, and noting that “form-likeness” and adherence to rules were leading standards for painting in the Academy. On the other hand, he thinks that painting should transmit “soul,” not just “form.” Thus, Teng Ch’un writes the history of both the establishment values of the Academy and the intellectual tendencies of the literati.
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Poésie, Coutumes et cultures, Essais et documents généraux
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The interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry,…
and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.
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Philosophie, Coutumes et cultures, Essais et documents généraux
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The relationships, both historical and philosophical, among the Zhuangzi’s Inner, Outer, and Miscellaneous chapters are the subject of ancient and…
enduring controversy. Liu marshals linguistic, intertextual, intratextual, and historical evidence to establish an objectively demonstrable chronology and determine the philosophical affiliations among the various chapters. This major advance in Zhuangzi scholarship furnishes indispensable data for all students of the great Daoist text. In a lengthy afterword, Liu compares his conclusions with those of A. C. Graham and addresses the relationship between the Zhuangzi and the Laozi.
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Référence, Coutumes et cultures, Essais et documents généraux
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For many years, the oral performing and dramatic literatures of China from 1200 to 1600 CE were considered some of…
the most difficult texts in the Chinese corpus. They included ballad medleys, comic farces, Yuan music dramas, Ming music dramas, and the novel Shuihu zhuan. The Japanese scholars who first dedicated themselves to study these works in the mid-twentieth century were considered daring. As late as 1981, no comprehensive dictionary or glossary for this literature existed in any language, Asian or Western. A Glossary of Words and Phrases fills this gap for Western readers, allowing even a relative novice who has resonable command of Chinese to read, translate, and appreciate this great body of literature with an ease undreamed of even two decades ago. The Glossary is organized into approximately 8,000 entries based on the reading notes and glosses found in various dictionaries, thesauruses, glossaries, and editions of works from the period. Main entries are listed alphabetically in the pinyin romanization system. In addition to glosses, entries include symbolic annotations, guides to pronunciation, and text citations. The result is a broadly useful glossary serving the needs of students of this literature as well as scholars researching Jin and Yuan language and its usage.
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Christianisme
Read Crazy Love in Simplified Chinese! Now you can experience Francis Chan's life-changing message in this Simplified Chinese version of…
Crazy Love.God is love. Crazy, relentless, all-powerful love. Have you ever wondered if we're missing it?It's crazy, if you think about it. The God of the universe--the Creator of nitrogen and pine needles, galaxies and E-minor--loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss.Whether you've verbalized it yet or not, we all know something's wrong.Does something deep inside your heart long to break free from the status quo? Are you hungry for an authentic faith that addresses the problems of our world with tangible, even radical, solutions? God is calling you to a passionate love relationship with Himself. Because the answer to religious complacency isn't working harder at a list of do's and don'ts-it's falling in love with God. And once you encounter His love, as Francis describes it, you will never be the same. Because when you're wildly in love with someone, it changes everything.Learn more about the Crazy Love Simplified Chinese version at www.crazylovebook.com/cn. Check out Francis Chan's video blog at francischanblog.blogspot.com.