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Multiculturalisme (romans), NouvellesArt de vivre, Essais
Audio avec voix humaine
Short stories and journal entries which describe the Jewish experience from the turn of the century to the aftermath of…
the Holocaust and the beginning of the state of Israel. 1988.
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NouvellesEssais, Art de vivre
Audio avec voix de synthèse, Braille automatisé
Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection, from…
the best-selling author of But What if We're Wrong?A man flying first class discovers a puma in the lavatory. A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination. Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.
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Science-fiction, Oeuvres littéraires (romans), NouvellesArt de vivre
Audio avec voix de synthèse, Braille automatisé
Whether breathlessly enthusiastic, serenely calm, or really concentrating right now on their personal zombie issues, Elizabeth Crane's happy cast explores…
the complexities behind personal satisfaction. Elizabeth Crane is the author of two previous story collections, When the Messenger is Hot and All This Heavenly Glory. Her work has also been featured in numerous publications, including Chicago Reader and The Believer, as well as several anthologies, including McSweeney's Future Dictionary of America and The Best Underground Fiction. A winner of the Chicago Public Library's 21st Century Award, Crane teaches creative writing at Northwestern's School of Continuing Studies, The School of the Art Institute, and The University of Chicago. She lives in Chicago.
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NouvellesMusique, Art de vivre
Audio avec voix de synthèse, Braille automatisé
The paperback edition of iconoclastic guitar player Marc Ribot’s darkly funny and subversive collection of writing, featuring brand-new essays not…
included in the hardcover. Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in the expanded paperback edition of Ribot’s first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays—including some new material not included in the hardcover—short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, "Lies and Distortion," Ribot turns his attention to his instrument--"my relation to the guitar is one of struggle; I'm constantly forcing it to be something else"--and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician--he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties," Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.