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Braille électronique (intégral), DAISY audio (CD), DAISY audio (Téléchargement direct), DAISY audio (Zip), Braille (intégral)
Biographies, Journaux personnels et mémoires, Canadiens (biographies), Ouvrages documentaires canadiens, Auteurs canadiens (documentaires)
Audio avec voix humaine, Braille avec transcription humaine
A dreamy, bitter-sweet book founded on recollections of a faraway backwoods childhood. 1968.
Braille électronique (intégral), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip), Braille (intégral)
Famille et relations familiales , Journaux personnels et mémoires
Audio avec voix de synthèse, Braille avec transcription humaine
Winner of the 2019 Hilary Weston Writers' Trust Prize for NonfictionA beautiful and haunting memoir of kinship and culture rediscovered.Jenny…
Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught. Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women--sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces--Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.
Braille électronique (intégral), DAISY audio (CD), DAISY audio (Téléchargement direct), DAISY audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip), Braille (intégral)
Femmes (biographies), Journaux personnels et mémoires, Mort et deuil
Audio avec voix humaine, Braille avec transcription humaine
A genuinely moving, funny, and inventive account of loss and grief, mental illness and suicide, from film and TV producer…
Liz Levine (Story of a Girl), written in the aftermath of the deaths of her sister and best friend.I feel like I might be a terrible person to be laughing in these moments. But it turns out, I’m not alone. In November of 2016, Liz Levine’s younger sister, Tamara, reached a breaking point after years of living with mental illness. In the dark hours before dawn, she sent a final message to her family then killed herself. In Nobody Ever Talks About Anything But the End, Liz weaves the story of what happened to Tamara with another significant death—that of Liz’s childhood love, Judson, to cancer. She writes about her relationship with Judson, Tamara’s struggles, the conflicts that arise in a family of challenging personalities, and how death casts a long shadow. This memorable account of life and loss is haunting yet filled with dark humor—Tamara emails her family when Trump is elected to check if she’s imagining things again, Liz discovers a banana has been indicted as a whistleblower in an alleged family conspiracy, and a little niece declares Tamara’s funeral the “most fun ever!” With honesty, Liz exposes the raw truths about grief and mourning that we often shy away from—and almost never share with others. And she reveals how, in the midst of death, life—with all its messy complications—must also be celebrated.
Braille électronique (intégral), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip), Braille (intégral)
Littérature (biographies), Journaux personnels et mémoires
Audio avec voix de synthèse, Braille avec transcription humaine
WINNER OF THE CANADIAN JEWISH LITERARY AWARD FOR MEMOIRFINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE FOR NONFICTIONAn unforgettable memoir…
about a young woman who tries to outrun loss, but eventually finds a way home. Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari’s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story. For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because—as in the Intifada—it was safer to keep going than to stand still. Soon the act of leaving—jobs, friends and relationships—came to feel most like home. But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.Beautifully written, frank and poignant, The Art of Leaving is a courageous coming-of-age story that reflects on identity and belonging and that explores themes of family and home—both inherited and chosen.
Braille électronique (intégral), Braille (intégral)
Biographies, Journaux personnels et mémoires
Braille avec transcription humaine
A 30 ans, Marie-Christine Ricignuolo est une femme heureuse. Elle a tout pour l'être : l'homme de ses rêves à…
ses côtés, un bon travail et un bébé, le plus beau de la planète, évidemment ! Le 31 mai 2018, l'inimaginable se produit : Marie-Christine devient aveugle. Au nombre des conséquences : elle ne verra pas grandir le petit Liam
Braille électronique (intégral), Braille (intégral)
Journaux personnels et mémoires, Biographies
Braille avec transcription humaine
Eric St-Pierre a grandi entouré d'animaux de ferme et de chiens. Frondeur et rêveur, il a d'abord investi le monde…
de la musique, où son incursion lui a valu d'être nommé Révélation de Jeunesse d'aujourd'hui de l'année 1967. Il a par la suite exploré plusieurs domaines liés à l'univers canin jusqu'à ce qu'il découvre sa vocation, qui l'amènera à créer en 1981 la Fondation Mira, avec le soutien de Johanne Hallé, sa conjointe de l'époque et la mère de ses enfants. Parti de rien, en butte à l'incrédulité de plusieurs, il a su, à force d'audace, donner vie à son projet et le faire prospérer.. Mira offre des chiens-guides et des chiens d'assistance à des personnes qui doivent composer avec des déficiences visuelles ou motrices ainsi qu'à des jeunes présentant un trouble du spectre de l'autisme. Elle compte une soixantaine d'employés et fait appel à des centaines de bénévoles pour remettre gratuitement plus de 100 chiens par année.. Le talent et le dévouement d'Eric St-Pierre lui ont valu de nombreuses marques de reconnaissance : il est notamment chevalier de l'Ordre national du Québec et il a reçu, au nom de la Fondation, la Médaille du Lieutenant-gouverneur du Québec pour mérite exceptionnel. Il a dirigé pendant 34 ans Mira, aujourd'hui reconnue internationalement, et son fils, Nicolas St-Pierre, en assure maintenant la relève