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Policiers (romans), Juridique (récits), Nouvelles, Procédures policières (romans)Anthologies
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Twenty-two short stories dealing with the criminal justice system, with themes that include lawyers, victims, liars, revenge seekers, killers, and…
alibi witnesses. In Joel Goldman's "Knife Fight" a female Jewish attorney defends a black, drug-dealing murderer. Includes work by James Grippando, Barbara Parker, and S.J. Rozan. Strong language. 2009
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Juridique (récits)Histoire, Loi et justice , Anthologies, Critiques
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Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.
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Littérature générale (romans), Multiculturalisme (romans), Famille (récits), Juridique (récits), Oeuvres littéraires (romans), Intrigue amoureuseArts et divertissement, Nourriture et boissons , Mort et deuil, Famille et relations familiales , Essais et documents généraux, Loi et justice , Anthologies, Asie (voyage et géographie), Crime véritable
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A BOOK OF THE YEAR FOR THE DAILY MAIL AND WOMAN AND HOMEA New York Times 'Editor's Pick'One of the…
Observer's Ten Best Debut Novelists of 2020Shortlisted for the Author's Club First Novel AwardLonglisted for the Jhalak PrizeLonglisted for the CWA John Creasy New Blood Dagger'Enrapturing... This richly imagined novel considers the many permutations of love and what we are capable of doing in its name' New York Times'A brilliant debut' Louise Doughty, author of Apple Tree Yard'You'll have the heart rate of an Olympic hurdler' Sunday Express'I read it with my heart in my throat' Sara Collins, author of The Confessions of Frannie Langton 'An exquisitely crafted masterpiece you'll be pressing into the hands of others' Woman & Home 'An intoxicatingly atmospheric mystery' Daily Mail'Dark, addictive and eye-opening, this is a brilliant debut' StylistA gripping debut set in modern-day Tokyo and inspired by a true crime, What's Left of Me Is Yours follows a young woman's search for the truth about her mother's life - and her murder.In Japan, a covert industry has grown up around the wakaresaseya (literally "breaker-upper"), a person hired by one spouse to seduce the other in order to gain the advantage in divorce proceedings.When Sato hires Kaitaro, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Sato has never truly understood Rina or her desires and Kaitaro's job is to do exactly that - until he does it too well.While Rina remains ignorant of the circumstances that brought them together, she and Kaitaro fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter Sumiko's life.Told from alternating points of view and across the breathtaking landscapes of Japan, What's Left of Me Is Yours explores the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.
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Juridique (récits), Oeuvres littéraires (romans), Humour (romans)Anthologies
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Stephen Maserov has problems. A onetime teacher, married to fellow teacher Eleanor, he has retrained and is now a second-year…
lawyer working at mega-firm Freely Savage Carter Blanche. Despite toiling around the clock to make budget, he’s in imminent danger of being downsized. And to make things worse, Eleanor, sick of single-parenting their two young children thanks to Stephen’s relentless work schedule, has asked him to move out. To keep the job he hates, pay the mortgage and salvage his marriage, he will have to do something strikingly daring, something he never thought himself capable of. But if he’s not careful, it might be the last job he ever has...
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Juridique (récits)Anthologies
Audio avec voix humaine
Ugly. Irascible. Intolerant. Clever. Harry Curry - scion of the establishment and criminal defender extraordinaire. A class traitor, some say.…
When Harry's robust advocacy leads to his suspension for professional misconduct, he teams up reluctantly with Arabella Engineer, an English barrister of Indian descent, struggling for a foothold at the Sydney bar. Together, they wreak havoc in criminal trials involving drug-dealing, terrorism, murder and more. But can their professional relationship survive when personal matters intervene? Is Harry truly fated to live and work alone?
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Juridique (récits)Histoire, Loi et justice , Anthologies, Critiques
Audio avec voix de synthèse, Braille automatisé
Novel Judgements is a book about nineteenth century Anglo-American law and literature. But by redefining law as legal theory, Novel…
judgements departs from ‘socio-legal’ studies of law and literature, often dated in their focus on past lawyering and court processes. This texts ‘theoretical turn’ renders the period’s ‘law-and-literature’ relevant to today’s readers because the nineteenth century novel, when "read jurisprudentially", abounds in representations of law’s controlling concepts, many of which are still with us today. Rights, justice, law’s morality; each are encoded novelistically in stock devices such as the country house, friendship, love, courtship and marriage. In so rendering the public (law) as private (domesticity), these novels expose for legal and literary scholars alike the ways in which law comes to mediate all relationships—individual and collective, personal and political—during the nineteenth century, a period as much under the Rule of Law as the reign of Capital. So these novels pass judgement—a novel judgement—on the extent to which the nineteenth century’s idea of law is collusive with that era’s Capital, thereby opening up the possibility of a new legal theoretical position: that of a critique of the law and a law of critique.