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Guerre (romans), NouvellesGuerre, Critiques
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Anthology of memoirs, poems, letters, and fiction that illustrate the life of a soldier at war. Servicemen and servicewomen, family…
members, journalists, and others depict experiences of adventure, terror, boredom, and mental and physical duress. Some violence and some strong language. For senior high readers. 2008
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Oeuvres littéraires (romans), Guerre (romans)Critiques
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Set on an island in the South Pacific during the final days of World War II, when the tide has…
turned against Japan and the war has unmistakably become one of attrition, The Breaking Jewel offers a rare depiction of the Pacific War from the Japanese side and captures the essence of Japan's doomed imperial aims. The novel opens as a small force of Japanese soldiers prepares to defend a tiny and ultimately insignificant island from a full-scale assault by American forces. Its story centers on squad leader Nakamura, who resists the Americans to the end, as he and his comrades grapple with the idea of gyokusai (translated as "the breaking jewel" or the "pulverization of the gem"), the patriotic act of mass suicide in defense of the homeland. Well known for his antiestablishment and antiwar sentiments, Makuto Oda gradually and subtly develops a powerful critique of the war and the racialist imperial aims that proved Japan's undoing.
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Guerre (romans)Critiques
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Writers at War addresses the most immediate representations of the First World War in the prose of Ford Madox Ford,…
May Sinclair, Siegfried Sassoon and Mary Borden; it interrogates the various ways in which these writers contended with conveying their war experience from the temporal and spatial proximity of the warzone and investigates the multifarious impact of the war on the (re)development of their aesthetics. It also interrogates to what extent these texts aligned with or challenged existing social, cultural, philosophical, and aesthetic norms. While this book is concerned with literary technique, the rich scholarship on questions of gender, trauma, and cultural studies on WWI literature serves as a foundation. This book does not oppose these perspectives but offers a complementary approach based on close critical reading. The distinctiveness of this study stems from its focus on the question of representation and form and on the specific role of the war in the four authors’ literary careers. This is the first scholarly work concerned exclusively with theorising writing produced from the immediacy of the war. This book is intended for academics, researchers, PhD candidates, postgraduates and anyone interested in war literature.