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Articles 6361 à 6380 sur 11064
Par Nick Duerden. 2022
'Exit Stage Left is the book I've long wanted to read about the PTSD-like after-effects of pop stardom - and…
Nick Duerden is the perfect writer for the job. The pop star's bittersweet lot - the mass adoration that comes with pop stardom, followed by the bathetic comedown of what inevitably follows - is represented with flair and empathy.' - Pete Paphides, author of Broken Greek'Tragedy, genius, addiction and inspiration: Exit Stage Left is a comprehensive tour through all the ways life can go wrong post-fame (and the few ways it can go right). Funny, poignant and often inspirational.' - Mat Osman 'Duerden finds fascinating layers of humanity, pathos, humour and wisdom in equal measure. A brilliant book, for artists and fans alike.' - Frank Turner'Fame is the brightest candle, but in this brilliant collection of interviews, Nick Duerden answers the question: what does a candle do after it's burned out?' - David Quantick The desire for adulation is a light that never goes out. We live in a culture obsessed by the notion of fame - the heedless pursuit of it; the almost obligatory subsequent fallout. But what's it like to actually achieve it, and what happens when fame abruptly passes, and shifts, as it does, onto someone else?This is the world the pop star is required to inhabit. It's invariably eventful. We know all about them when they're at the top of their game, of course, but they tend to reveal far more of their true selves once they've peaked, and are on their way down. This is the point at which they are at their most heroic, because they don't give up. They keep on striving, keep making music, and refuse simply to ebb away. Some sustain themselves on the nostalgia circuit, others continue to beaver away in the studio, no longer Abbey Road, perhaps, so much as the garden shed. But all of them, in their own individual ways, still dare to dream.Exit Stage Left features tales of drug addiction, bankruptcy, depression and divorce, but also of optimism, a genuine love of the craft, humility and hope. This is a candid, laugh-out-loud and occasionally shocking look at what happens when the brightest stars fall back down to earth.Featuring brand new interviews with the likes of: Bob Geldof, Shaun Ryder, Robbie Williams, Roisin Murphy, Stewart Copeland, Billy Bragg, Wendy James, Alex Kapranos, Joan Armatrading, Leo Sayer, Gary Lightbody, Lisa Maffia, Tim Booth, Bill Drummond, Rufus Wainwright, David Gray, and Justin Hawkins.Par Tulisa Contostavlos. 2012
Tulisa Contostavlos is one of the most talented and high-profile recording artists working in the UK today. She has three…
platinum N-Dubz albums, four MOBO awards, a groundbreaking drama series, two documentaries, a MIND award and an X Factor judge's win under her belt. Not bad for a girl who's not yet twenty-five.But this is not just a tale of glittering success. Tulisa grew up on a tough London estate and left school with no qualifications as she struggled to cope with deep-seated emotional problems while caring for her mother alone. She has seen first hand what drugs, alcohol, gang culture and violent relationships can do to young people, but she has come through it all to become the confident, inspiring artist she is today. After taking her little muffins Little Mix to the winning spot of the X Factor at the end of 2011, and with her long-awaited solo album being released later this year, the future is bright for Tulisa. Told in her own words, this is her story.(P)2012 Headline DigitalThe work formulates a status quo of the music video medium in the late 2010s and shows which trends, aesthetics…
and (new) standards have established themselves. Particularly the role of the prosumer amidst evolved technical conditions is highlighted in this context, which strongly influences the evolution of music video in this period. Moreover, the author understands music videos as socio-political actors and examines the resulting questions of their interaction with culture.Par Klan. 2022
Uno de los máximos referentes del freestyle, último campeón argentino de la Red Bull, cuenta su historia. La historia de…
Lucas comienza en Glew, su ciudad natal, en el Conurbano bonaerense. Nacido en el seno de una familia trabajadora, empezó de muy joven a apasionarse por el arte callejero, el grafiti y la música. Las batallas en el emblemático Halabalusa le dieron un nombre: Klan. Luego vino El quinto escalón, la competencia de freestyle que marcó un antes y un después en Argentina; decenas de trofeos ganados en competencias nacionales e internacionales; la FMS y, por supuesto, la Red Bull, la competencia más importante, que se convirtió en uno de los objetivos principales de su carrera. Recientemente consagrado campeón argentino de la Red Bull, después de muchos años de esfuerzo, preparación, discos, viajes y búsquedas, Klan repasa el camino que lo trajo hasta aquí: sus comienzos, el nacimiento de una pasión que le cambió la vida y las decisiones que tuvo que tomar para concretar sus sueños sin traicionarse a sí mismo.Par Cheryl Wills. 2022
A unique tribute to often overlooked women who have left an indelible mark on Gospel Music—powerful talents who overcame racism…
and sexism to define the genre, establish its sound, and set the standard for good sangin’ for generations.Nothing in the world soothes the soul better than Gospel music. From the foot-stomping, hand-clapping melodies of yesterday to the head-bobbing, bass-thumping hits of today, Gospel music ignites the spirit and delivers the inspiration that takes us from the rough side of the mountain to the peak of God’s love and grace. That feeling of joy, peace, love, and contentment is amplified when it’s ringing through the voice of a sister who can SANG, Cheryl Wills reminds us. The remedy for a tough day at work can be alleviated with Mary Mary’s uplifting jam Shackles, the answer to your heart’s desires can be found in the harmonies of The Clark Sisters Name It, Claim It, and if you need a reminder of God’s love, there is nothing more timeless that Aretha Franklin’s stirring rendition of Amazing Grace.Some talented performers, like Sister Rosetta Tharpe have faded from history, while singers like Yolanda Adams are at the top of her game. During the twentieth century, Willie Mae Ford spent most of her life encouraging and uplifting Christians both in church and on stage and composed more than 100 Gospel songs, yet it was men like her co-writer, Thomas A. Dorsey, who received the accolades and fame. Many women in the Gospel music industry go unnoticed, unpaid, and under-appreciated for their contributions, yet it is these women who are often the bedrock for songwriting, arranging, directing, and developing singers. Cheryl Wills, the granddaughter of a Gospel singer, at last shines a spotlight on these spectacular women of song. The only book of its kind, Isn’t Her Grace Amazing! showcase the talents, gifts, and skills of women in the Gospel music industry. It celebrates these heroines, chronicles their journeys from the choir loft to the world’s largest stages, and reveals how they revolutionized this sacred music that is beloved worldwide. From the matriarchs of this movement to today’s chart-topping divas, Wills offers in-depth portraits of twenty-five amazing women of Gospel music—based on interviews and extensive research—behind-the-scenes stories of favorite gospel hits, and illuminates what makes each of them shine.Par Emily Bingham. 2022
The long journey of an American song, passed down from generation to generation, bridging a nation&’s fraught disconnect between history…
and warped illusion, revealing the country's ever evolving self.MY OLD KENTUCKY HOME, from its enormous success in the early 1850s, written by a white man, considered the father of American music, about a Black man being sold downriver, performed for decades by white men in blackface, and the song, an anthem of longing and pain, turned upside down and, over time, becoming a celebration of happy plantation life.It is the state song of Kentucky, a song that has inhabited hearts and memories, and in perpetual reprise, stands outside time; sung each May, before every Kentucky Derby, since 1930. Written by Stephen Foster nine years before the Civil War, &“My Old Kentucky Home&” made its way through the wartime years to its decades-long run as a national minstrel sensation for which it was written; from its reference in the pages of Margaret Mitchell&’s Gone with the Wind to being sung on The Simpsons and Mad Men. Originally called &“Poor Uncle Tom, Good-Night!&” and inspired by America&’s most famous abolitionist novel, it was a lament by an enslaved man, sold by his "master," who must say goodbye to his beloved family and birthplace, with hints of the brutality to come: &“The head must bow and the back will have to bend / Wherever the darky may go / A few more days, and the trouble all will end / In the field where the sugar-canes grow . . .&” In My Old Kentucky Home, Emily Bingham explores the long, strange journey of what has come to be seen by some as an American anthem, an integral part of our folklore, culture, customs, foundation, a living symbol of a &“happy past.&” But &“My Old Kentucky Home&” was never just a song. It was always a song about slavery with the real Kentucky home inhabited by the enslaved and shot through with violence, despair, and degradation. Bingham explores the song&’s history and permutations from its decades of performances across the continent, entering into the bloodstream of American life, through its twenty-first-century reassessment. It is a song that has been repeated and taught for almost two hundred years, a resonant changing emblem of America's original sin whose blood-drenched shadow hovers and haunts us still.Par Jeffery Deaver. 2017
Number one bestselling author and master of suspense Jeffery Deaver returns with the thirteenth Lincoln Rhyme thriller, which sees a…
crime go global...The only leads in a broad-daylight kidnapping are the account of an eight-year-old girl, some nearly invisible trace evidence and the calling card: a miniature noose left lying on the street. A crime scene this puzzling demands forensic expertise of the highest order. Lincoln Rhyme and Amelia Sachs are called in to investigate. Then the case takes a stranger turn: a recording surfaces of the victim being slowly hanged, his desperate gasps the backdrop to an eerie piece of music. The video is marked as the work of The Composer...Despite their best efforts, the suspect gets away. So when a similar kidnapping occurs on a dusty road outside Naples, Rhyme and Sachs don't hesitate to rejoin the hunt. But the search is now a complex case of international cooperation - and not all those involved may be who they seem. All they can do is follow the evidence, before their time runs out.(P)2017 Hodder & Stoughton LimitedPar Greil Marcus. 2022
A funny, fierce, and uninhibited musical chronicle of the convulsive past six years from one of our finest cultural critics…
"A one-of-a-kind guide to rock music’s resonance in every aspect of our lives.”—David Kirby, Wall Street Journal “A smart set of suggestions for further reading, viewing, and listening by a most trustworthy guide.”—Kirkus Reviews For the past thirty-five years, celebrated author Greil Marcus has applied his unmatched critical apparatus to everything from music, television, radio, and politics to overheard comments, advertisements, and happenstance street encounters—an eclectic collection of what he calls “everyday culture and found objects.” This book collects hundreds of items from the crisscrossing spectrum of culture and politics throughout the tumultuous past six years of American life, an essential travel guide to the scorched landscape of recent history. Tracking the evolution of national identity during the Trump administration, Marcus spotlights the most whip-smart cultural artifacts to compose a mosaic portrait of American society, replete with unexpected heroes and villains, absurdity and its consequences, humor and despair, terror and defiance—as seen through media, music, and more. Bursting with Marcus’s effortless, no-nonsense, unapologetic verve, this book features seventy-three columns from 2014 through February 2021.Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art…
in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art…
in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.Par Alyn Shipton. 2022
Few musical genres inspire the passionate devotion of jazz. Its mystique goes far beyond the melodies and rhythms, with its…
key players and singers discussed by aficionados with a respect that borders on reverence. Some books on jazz offer little more than theory or dry facts, thereby relinquishing the 'essence' of the music. This book is different. One of the most influential and internationally known writers on the subject describes, through vivid personal contacts, reminiscences and zesty anecdotes, his life in jazz as a player, broadcaster and observer. Alyn Shipton recalls friendships with legendary musicians, while revealing fresh discoveries about such luminaries as Fats Waller, Louis Armstrong, Count Basie, Duke Ellington, Charlie Parker, Abbey Lincoln and Geri Allen. On Jazz powerfully evokes the atmosphere of clubs and dancehalls, and takes us behind the scenes and up onto the stage, so that this electrifying world is unforgettably spotlighted as never before.Par Shea Serrano. 2021
#1 New York Times bestselling author Shea Serrano's latest audiobook combines the smooth hipness of Tribe Called Quest, the hellfire…
of DMX (RIP), the quirky brilliance of Missy Elliot, and the sheer, unstoppable flow of Jay-Z into one enlightened compendium of hip-hop greatnessHIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful audiobook that spends the entirety of its time celebrating what has become the most dominant form of music over the past two and a half decades. From Tupac to Jay Z, Missy Elliott to Drake, you'll find pretty much all of the big names among these pages - as well as a bunch of the smaller names, too.Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve.(P) 2021 Hachette AudioPar Clemency Burton-Hill. 2021
'Clemency Burton-Hill makes classical music absolutely accessible, magical and medicinal. Another Year of Wonder is, indeed, another wonder.' Dolly Alderton,…
broadcaster, writer and bestselling author'Clemmie's recommendations have broadened my mind, sharpened my imagination, tugged on my heartstrings and given me a song for every mood. Read this book and let yourself float away for a moment or two. What a gift.' Emma Gannon, bestselling author and host of the Ctrl Alt Delete podcastANOTHER YEAR OF WONDER IS A CAREFULLY CURATED COLLECTION OF CLASSICAL MUSIC OFFERING ONE PIECE TO LISTEN TO EVERY DAY OF THE YEAR.READ BY EDDIE REDMAYNE, WITH A FOREWORD READ BY ELIZABETH DAYIn this follow-up to her much-loved Year of Wonder, award-winning broadcaster, journalist and violinist Clemency Burton-Hill continues her mission to demystify and open up the world of classical music to everyone, offering up one extraordinary piece of music to listen to every day of the year.'There is no algorithm to this book: it is a thoughtfully curated selection given from one human to another. It is not a history book, or a formal 'guide to classical music'. It is simply from my heart to yours. I have chosen pieces I love, or think historically interesting, or which have some resonance for me personally or in the world. But what matters is what you think; how they make you feel as you listen. I hope that you will fall in love with most of them, or at least be fascinated by their historical context, or find them curious in other ways, because then you are already in a relationship with classical music. This is your book, as much it is mine.'Another Year of Wonder shows that, whoever you are and wherever you come from, classical music can be a soundtrack for your everyday life and a reminder that finding a space to sit and listen to a piece of music every day can be a singular gift.(P)2021 Headline Publishing Group LimitedPar Joshua Ploeg. 2022
When you don’t wanna go down to the pizzeria, whip up these vegan pizzas. Automne Zingg—mastermind behind Comfort Eating with…
Nick Cave, Defensive Eating with Morrissey, and Enter Sandwich—has illustrated pizza-themed boys-from-Queens homages, as they eat pizza, sneer at pepperoni, and play pizza guitars. Joshua Ploeg’s recipes wittily incorporate vaguely familiar lyrics and humor. Pizzas range from traditional marinara with vegetables and veggie sausage (Texas Chain Sauce Massacre) and white sauce specials (Carbonara Not Glue), to variations like Beet on the Brat, Havana Pizza Affair, Thyme Bomb. “Well, I’m Against It,” comments Johnny, but you’ll find a pineapple pizza recipe in here as well. Pizza is deconstructed, reconstructed, and, like the best bands, turns into something far better than the sum of its parts.Par Joshua Ploeg. 2022
Oh, aging rockers. We've all seen them struggle to get along and cope with life. Maybe they just need to…
sit around a backyard picnic table, share a vegan feast, and talk about their feelings. After all, to live is to stir fry. Automne Zingg, genius mastermind behind Comfort Eating with Nick Cave and Defensive Eating with Morrissey is back with hilarious illustrations of the band's revolving cast eating their feelings and expressing their enthusiasm for food, but in a tough and intense way. "Yeahms!" sings James, riffing on a giant yam. Zingg's work is coupled with the inventive and flavorful recipes of chef and queercore punk musician, Joshua Ploeg. Written in lyrical form, the recipes parody 40 of the most quintessential tunes. Crank up the volume while concocting plant-based recipes like Master of Nuggets, Pie of the Beholder, an All Nightmare Footlong, or maybe just a little stock. So let it be eaten. (Just don't try to illegally download this book.)Par Kent Gustavson. 2012
From the day Doc Watson stepped off the bus in New York City, the North Carolina music legend changed the…
world forever. His influence has been recognised by presidents and by the heroes of modern music. This is the first comprehensive biography of Doc Watson, with never before released details about the American guitar icons life. This book includes new interviews with popular musicians: Ben Harper, Michelle Shocked, Warren Haynes, Sam Bush, Bela Fleck, Tom Paxton, Maria Muldaur, John Cohen, Mike Seeger, Peggy Seeger, Abigail Washburn, Ketch Secor, Marty Stuart, Norman Blake, Tony Rice, Pat Donohue, Peter Rowan, Si Kahn, Tommy Emmanuel, Tony Trischka, Greg Brown, Guy Clark, Don Rigsby, David Grisman, Alice Gerrard, Alan O Bryant, Edgar Meyer, Guy Davis, Jack Lawrence, Tao Rodriguez-Seeger, Jean Ritchie, Jerry Douglas, Jonathan Byrd, Larry Long, Paddy Moloney, and many more. . .Par Patricia Joan Saunders. 2022
Buyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book…
revisits commonly accepted representations of the Caribbean from “less respectable” segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability. Treating these pop cultural texts and phenomena with the same critical attention as dominant mass cultural representations of the region allows Patricia Joan Saunders to read them against the grain and consider whether and how their “pulp” preoccupation with contemporary fashion, music, sex, fast food, and television, is instructive for how race, class, gender, sexuality and national politics are constructed, performed, interpreted, disseminated and consumed from within the Caribbean.Par James B. Hartman. 1997
Pipe organs were once a central (and sometimes hotly debated) part of Manitoba's cultural life. The Organ in Manitoba portrays…
that history--the instruments, builders, players and critics--from the date of the earliest known installations to the 1990s, and includes information on musical organizations such as the Royal Canadian College of Organists. It documents over a century of evolution and changes, from concepts of tonal design to styles of musical commentary and tastes, and includes an inventory of installations and specifications for over 100 organs. Well-illustrated with photographs and excerpts from historical reviews and other documents, it will be of interest to musicians, teachers, and music, church, and cultural historians.Par Alessandro Portelli. 2022
Bob Dylan’s iconic 1962 song “A Hard Rain’s A-Gonna Fall” stands at the crossroads of musical and literary traditions. A…
visionary warning of impending apocalypse, it sets symbolist imagery within a structure that recalls a centuries-old form. Written at the height of the 1960s folk music revival amid the ferment of political activism, the song strongly resembles—and at the same time reimagines—a traditional European ballad sung from Scotland to Italy, known in the English-speaking world as “Lord Randal.”Alessandro Portelli explores the power and resonance of “A Hard Rain’s A-Gonna Fall,” considering the meanings of history and memory in folk cultures and in Dylan’s work. He examines how the ballad tradition to which “Lord Randal” belongs shaped Dylan’s song and how Dylan drew on oral culture to depict the fears and crises of his own era. Portelli recasts the song as an encounter between Dylan’s despairing vision, which questions the meaning and direction of history, and the message of resilience and hope for survival despite history’s nightmares found in oral traditions.A wide-ranging work of oral history, Hard Rain weaves together interviews from places as varied as Italy, England, and India with Portelli’s autobiographical reflections and critical analysis, speaking to the enduring appeal of Dylan’s music. By exploring the motley traditions that shaped Dylan’s work, this book casts the distinctiveness and depth of his songwriting in a new light.Par Brad Schiller. 2022
Living the Audio Life details the aspects and procedures necessary for one to have a successful career in live entertainment…
sound. Encompassing a wide range of topics, the text clearly guides anyone interested in working in a position within the live entertainment audio field. The guide is broken into clearly defined sections, allowing the reader to easily navigate through various subjects including jobs, career, business, creativity, lifestyle, and travel. Real-world examples and documentation from the author and key industry experts allow the reader to gain insight into the essential practices that are helpful throughout a career. Additional in-depth interviews provide details of careers from industry veterans. Whether considering a career in live entertainment audio or just starting out, readers will find the resources for the key to success in audio. Students, those new to sound, and workers already within their careers can refer to the text as a guide throughout their journeys. With benefits to anyone interested in the audio field, Living the Audio Life is a key navigational resource for success.