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Articles 19461 à 19480 sur 27765
Par Elizabeth L. Wollman. 2006
The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them…
the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater and a major cultural export. Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical's evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!---and in notable flops such as The Capeman.Par Zofia Burr. 1997
Set in Motioncollects for the first time the prose writings of A. R. Ammons, one of our most important and…
enduring contemporary poets. Hailed as a major force in American poetry by such redoubtable critics as Harold Bloom and Helen Vendler, Ammons has reflected upon the influences of luminaries like Emerson, Thoreau, Whitman, Frost, Stevens, and Williams while creating a compelling style and an artistic vision uniquely his own. Set in Motionincludes essays, reviews, and interviews as well as a selection of Ammons's poems, with commentary from the author about their inspiration and effects. He takes up the questions that have been central to American poetry over the last forty years and connects them to the larger enterprise of living in a difficult, changing world. At a moment when the arts are under attack, Ammons reminds us of the crucial role poetry plays in teaching us to recognize and use sources of understanding that are irreducible to statement. A. R. Ammons is the author ofSphere, A Coast of Trees,andGarbageand was recently the editor ofThe Best American Poetry 1994. His awards include the MacArthur and Guggenheim fellowships, the Bollingen Prize, two National Book Awards, and prizes from the American Academy of Arts and Letters and the National Book Critics Circle. He is Goldwin Smith Professor of Poetry, Cornell University.Par Harry J. Elam. 2006
Pulitzer-prizewinning playwright August Wilson, author of Fences, Ma Rainey's Black Bottom, and The Piano Lesson, among other dramatic works, is…
one of the most well respected American playwrights on the contemporary stage. The founder of the Black Horizon Theater Company, his self-defined dramatic project is to review twentieth-century African American history by creating a play for each decade. Theater scholar and critic Harry J. Elam examines Wilson's published plays within the context of contemporary African American literature and in relation to concepts of memory and history, culture and resistance, race and representation. Elam finds that each of Wilson's plays recaptures narratives lost, ignored, or avoided to create a new experience of the past that questions the historical categories of race and the meanings of blackness. Harry J. Elam, Jr. is Professor of Drama at Stanford University and author of Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka (The University of Michigan Press).Par Mark Thurner, Andrés Guerrero. 2003
Insisting on the critical value of Latin American histories for recasting theories of postcolonialism, After Spanish Rule is the first…
collection of essays by Latin Americanist historians and anthropologists to engage postcolonial debates from the perspective of the Americas. These essays extend and revise the insights of postcolonial studies in diverse Latin American contexts, ranging from the narratives of eighteenth-century travelers and clerics in the region to the status of indigenous intellectuals in present-day Colombia. The editors argue that the construction of an array of singular histories at the intersection of particular colonialisms and nationalisms must become the critical project of postcolonial history-writing. Challenging the universalizing tendencies of postcolonial theory as it has developed in the Anglophone academy, the contributors are attentive to the crucial ways in which the histories of Latin American countries--with their creole elites, hybrid middle classes, subordinated ethnic groups, and complicated historical relationships with Spain and the United States--differ from those of other former colonies in the southern hemisphere. Yet, while acknowledging such differences, the volume suggests a host of provocative, critical connections to colonial and postcolonial histories around the world. Contributors Thomas Abercrombie Shahid Amin Jorge Caizares-Esguerra Peter Guardino Andrs Guerrero Marixa Lasso Javier Morillo-Alicea Joanne Rappaport Mauricio Tenorio-Trillo Mark ThurnerPar Sandra Azofeifa. 2016
El abuso sexual y la violencia contra mujeres y niños es un asunto de todos. Este libro está dedicado a…
todas las víctimas de abuso sexual. Es una invitación para que tanto las víctimas, como sus familiares denuncien este tipo de delito, que no callen por vergüenza o miedo. Los abusos sexuales a veces se mantienen en secreto por largo tiempo, aunque muchos de estos casos han salido a la luz pública recientemente gracias a las investigaciones. Se han hecho publicaciones y hasta películas sobre el tema.Par Shelley Costa Bloomfield. 2007
The genius and orphan son of itinerant actors, Poe led a tragic life and suffered greatly--as much at his own…
hands as those of Fate. Yet tragedy never stopped him from writing: poems, short stories, literary journalism, and even creating a new genre, the detective story--a contribution so great that the most prestigious writing award for crime fiction, given annually by the Mystery Writers of America, bears his name.The Everything Guide to Edgar Allan Poe is a fascinating guide to the tormented genius, with critical insight into: His difficult childhood His 13-year-old bride The truth about his drug use The enduring mystery of his death Poe led a life as epic as one of his poems. In The Everything Guide to Edgar Allan Poe, you'll learn all the deepest secrets that haunted this tortured writer, influenced his writing, and ultimately drove him to an early death.Par T. Denean Sharpley-Whiting. 1999
Black Venus is a feminist study of the representations of black women in the literary, cultural, and scientific imagination of…
nineteenth-century France. Employing psychoanalysis, feminist film theory, and the critical race theory articulated in the works of Frantz Fanon and Toni Morrison, T. Denean Sharpley-Whiting argues that black women historically invoked both desire and primal fear in French men. By inspiring repulsion, attraction, and anxiety, they gave rise in the nineteenth-century French male imagination to the primitive narrative of Black Venus. The book opens with an exploration of scientific discourse on black females, using Sarah Bartmann, the so-called Hottentot Venus, and natural scientist Georges Cuvier as points of departure. To further show how the image of a savage was projected onto the bodies of black women, Sharpley-Whiting moves into popular culture with an analysis of an 1814 vaudeville caricature of Bartmann, then shifts onto the terrain of canonical French literature and colonial cinema, exploring the representation of black women by Baudelaire, Balzac, Zola, Maupassant, and Loti. After venturing into twentieth-century film with an analysis of Josephine Baker's popular Princesse Tam Tam, the study concludes with a discussion of how black Francophone women writers and activists countered stereotypical representations of black female bodies during this period. A first-time translation of the vaudeville show The Hottentot Venus, or Hatred of Frenchwomen supplements this critique of the French male gaze of the nineteenth and early twentieth centuries. Both intellectually rigorous and culturally intriguing, this study will appeal to students and scholars in the fields of nineteenth- and twentieth-century French literature, feminist and gender studies, black studies, and cultural studies.Par Holger Schott Syme. 2012
Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as…
a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage.Par M. M. Mahood. 1968
`Professor Mahood's book has established itself as a classic in the field, not so much because of the ingenuity with…
which she reads Shakespeare's quibbles, but because her elucidation of pun and wordplay is intelligently related both to textualPar J. C. Mardrus, Powys Mathers. 1986
Par David Scott. 2004
At this stalled and disillusioned juncture in postcolonial history--when many anticolonial utopias have withered into a morass of exhaustion, corruption,…
and authoritarianism--David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance--as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future does not appear as an uninterrupted movement forward, but instead as a slow and sometimes reversible series of ups and downs. Scott explores the political and epistemological implications of how the past is conceived in relation to the present and future through a reconsideration of C. L. R. James's masterpiece of anticolonial history, The Black Jacobins, first published in 1938. In that book, James told the story of Toussaint L'Ouverture and the making of the Haitian Revolution as one of romantic vindication. In the second edition, published in the United States in 1963, James inserted new material suggesting that that story might usefully be told as tragedy. Scott uses James's recasting of The Black Jacobins to compare the relative yields of romance and tragedy. In an epilogue, he juxtaposes James's thinking about tragedy, history, and revolution with Hannah Arendt's in On Revolution. He contrasts their uses of tragedy as a means of situating the past in relation to the present in order to derive a politics for a possible future.Par A. David Moody. 1994
An international team of leading T. S. Eliot scholars contribute studies of different facets of the writer's work to build…
up a carefully coordinated and fully rounded introduction. Five chapters give a complete account of Eliot's poems and plays, while others assess the major aspects of his life and thought. Later chapters place his work in historical perspective. There is a full review of Eliot studies, and a useful chronological outline. Taken as a whole, this Companion comprises an essential handbook for students and readers of T. S. Eliot.Par Sibylle Fischer. 2004
Modernity Disavowed is a pathbreaking study of the cultural, political, and philosophical significance of the Haitian Revolution (1791-1804). Revealing how…
the radical antislavery politics of this seminal event have been suppressed and ignored in historical and cultural records over the past two hundred years, Sibylle Fischer contends that revolutionary antislavery and its subsequent disavowal are central to the formation and understanding of Western modernity. She develops a powerful argument that the denial of revolutionary antislavery eventually became a crucial ingredient in a range of hegemonic thought, including Creole nationalism in the Caribbean and G. W. F. Hegel's master-slave dialectic. Fischer draws on history, literary scholarship, political theory, philosophy, and psychoanalytic theory to examine a range of material, including Haitian political and legal documents and nineteenth-century Cuban and Dominican literature and art. She demonstrates that at a time when racial taxonomies were beginning to mutate into scientific racism and racist biology, the Haitian revolutionaries recognized the question of race as political. Yet, as the cultural records of neighboring Cuba and the Dominican Republic show, the story of the Haitian Revolution has been told as one outside politics and beyond human language, as a tale of barbarism and unspeakable violence. From the time of the revolution onward, the story has been confined to the margins of history: to rumors, oral histories, and confidential letters. Fischer maintains that without accounting for revolutionary antislavery and its subsequent disavowal, Western modernity--including its hierarchy of values, depoliticization of social goals having to do with racial differences, and privileging of claims of national sovereignty--cannot be fully understood.Par Benjamin Lee. 1997
In Talking Heads, Benjamin Lee situates himself at the convergence of multiple disciplines: philosophy, linguistics, anthropology, and literary theory. He…
offers a nuanced exploration of the central questions shared by these disciplines during the modern era--questions regarding the relations between language, subjectivity, community, and the external world. Scholars in each discipline approach these questions from significantly different angles; in seeking to identify and define the intersection of these angles, Lee argues for the development of a new sense of subjectivity, a construct that has repercussions of immense importance beyond the humanities and into the area of politics. Talking Heads synthesizes the views and works of a breathtaking range of the most influential modern theorists of the humanities and social sciences, including Austin, Searle, Derrida, Jakobson, Bakhtin, Wittgenstein, Peirce, Frege, Kripke, Donnellan, Putnam, Saussure, and Whorf. After illuminating these many strands of thought, Lee moves beyond disciplinary biases and re-embeds within the context of the public sphere the questions of subjectivity and language raised by these theorists. In his examination of how subjectivity relates not just to grammatical patterns but also to the specific social institutions in which these patterns develop and are sustained, Lee discusses such topics as the concept of public opinion and the emergence of Western nation-states.Par J. C. Mardrus, E. P. Mathers. 1986
Par Hannah Crawforth. 2013
How did authors such as Jonson, Spenser, Donne and Milton think about the past lives of the words they used?…
Hannah Crawforth shows how early modern writers were acutely attuned to the religious and political implications of the etymology of English words. She argues that these lexically astute writers actively engaged with the lexicographers, Anglo-Saxonists and etymologists who were carrying out a national project to recover, or invent, the origins of English, at a time when the question of a national vernacular was inseparable from that of national identity. English words are deployed to particular effect – as a polemical weapon, allegorical device, coded form of communication, type of historical allusion or political tool. Drawing together early modern literature and linguistics, Crawforth argues that the history of English as it was studied in the period radically underpins the writing of its greatest poets.Par Lucy Munro. 2013
Ranging from the works of Shakespeare, Spenser, Jonson and Milton to those of Robert Southwell and Anna Trapnel, this groundbreaking…
study explores the conscious use of archaic style by the poets and dramatists between 1590 and 1674. It focuses on the wide-ranging, complex and self-conscious uses of archaic linguistic and poetic style, analysing the uses to which writers put literary style in order to re-embody and reshape the past. Munro brings together scholarly conversations on temporality, memory and historiography, on the relationships between medieval and early modern literary cultures, on the workings of dramatic and poetic style, and on national history and identity. Neither pure anachronism nor pure nostalgia, the attempts of writers to reconstruct outmoded styles within their own works reveal a largely untold story about the workings of literary influence and tradition, the interactions between past and present, and the uncertain contours of English nationhood.Par Chuck Palahniuk. 2004
Chuck Palahniuk's world has always been, well, different from yours and mine. In his first collection of nonfiction, Chuck Palahniuk…
brings us into this world, and gives us a glimpse of what inspires his fiction.At the Rock Creek Lodge Testicle Festival in Missoula, Montana, average people perform public sex acts on an outdoor stage. In a mansion once occupied by The Rolling Stones, Marilyn Manson reads his own Tarot cards and talks sweetly to his beautiful actress girlfriend. Across the country, men build their own full-size castles and rocketships that will send them into space. Palahniuk himself experiments with steroids, works on an assembly line by day and as a hospice volunteer by night, and experiences the brutal murder of his father by a white supremacist. With this new direction, Chuck Palahniuk has proven he can do anything.From the Trade Paperback edition.s lived in and/or observed by one of our most flagrantly daring and original literary talents.Par Worth Books. 2017
So much to read, so little time? This brief overview of All the Light We Cannot See tells you what…
you need to know—before or after you read Anthony Doerr’s book. Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader. This short summary and analysis of All the Light We Cannot See includes: Historical contextChapter-by-chapter overviewsProfiles of the main charactersThemes and symbolsImportant quotesFascinating triviaGlossary of termsSupporting material to enhance your understanding of the original work About All the Light We Cannot See by Anthony Doerr: Anthony Doerr’s Pulitzer Prize–winning novel is a beautifully crafted story about the intersection of two very different lives: A German boy with a knack for radios and a blind girl in occupied France are somehow united as Europe is plunges into World War II. An ambitious and symbolic tale spanning eighty years, All The Light We Cannot See illiminates how goodness and hope can be found even in the darkest of times. The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of fiction.Par Sue Zemka. 2012
Sudden changes, opportunities, or revelations have always carried a special significance in Western culture, from the Greek and later the…
Christian kairos to Evangelical experiences of conversion. This fascinating book explores the ways in which England, under the influence of industrializing forces and increased precision in assessing the passing of time, attached importance to moments, events that compress great significance into small units of time. Sue Zemka questions the importance that modernity invests in momentary events, from religion to aesthetics and philosophy. She argues for a strain in Victorian and early modern novels critical of the values the age invested in moments of time, and suggests that such novels also offer a correction to contemporary culture and criticism, with its emphasis on the momentary event as an agency of change.