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Science Fact and Science Fiction: An Encyclopedia
Par Brian Stableford. 2007
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Science-fictionCritiques , Référence
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Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary…
of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.
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Fables, fées (contes de), folklore (légendes), Histoire (romans), Intrigue amoureuse historique Critiques
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The myth of Perseus, told through the story of the three women who knew him best - his mother Danae,…
his wife Andromeda, and his victim, Medusa.History remembers him as a hero. But the women who knew him best remember a different man...Perseus grows up wanting to be a hero, but he cannot become one if his mother Danae still sees him as a boy. When his stepfather Polydektes casts him away on a voyage across the sea, Perseus is determined to fulfil the great destiny of the son of a god and the grandson of a king. But the line between heroism and monstrosity is thin, and when Perseus attempts to seduce first gentle Medusa and then beautiful Andromeda, before finally reuniting with Danae, they each learn of the dangers of resisting a boy prepared to risk it all for greatness . . .(p) 2023 Hodder & Stoughton Limited
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Policiers (romans), Intrigue amoureuse historique Critiques
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The Ambivalent Detective in Victorian Sensation Novels studies how the detective as a literary character evolved through the mid-nineteenth century…
in England, as seen in sensation novels. In contrast to most assumptions about the English detective, Yoon argues that the detective was more often tolerated than admired following the establishment of professional detectives in the London Metropolitan Police Force in 1842. Through studying the historical and literary contexts between the 1840s to the 1860s, Yoon argues that the detective was seen as a suspicious, even mistrusted and disdained, figure who was nonetheless viewed as necessary to combat rising levels of crime. The detective as a literary character responded to the often contradictory values and aspirations of the middle class, representing an independent masculinity and laying claim to scientific authority. This study surveys novels by Charles Dickens, Mary Elizabeth Braddon, and Wilkie Collins, alongside lesser-known writers like William Russell, James Redding Ware (pseudonym Andrew Forrester), and William Stephens Hayward. This book contributes to the study of mid-nineteenth-century Victorian culture and connects with broader studies of the detective fiction genre.The Modern Library: The 200 Best Novels in English Since 1950
Par Carmen Callil, Colm Toibin. 2011
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Classiques (romans), Littérature générale (romans), Oeuvres littéraires (romans), Policiers (romans), Science-fictionCritiques
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For Colm Toíbín and Carmen Callil there is no difference between literary and commercial writing - there is only the…
good novel: engrossing, inspirational, compelling. In their selection of the best 200 novels written since 1950, the editors make a case for the best and the best-loved works and argue why each should be considered a modern classic. Enlightening, often unexpected and always engaging this tour through the world of fiction is full of surprises, forgotten masterpieces and a valuable guide to what to read next. Authors in the collection include Agatha Christie, Georgette Heyer, Daphne du Maurier, Patrick Hamilton, Carson McCullers, J. D. Salinger, Bernard Malamud; Flannery O'Connor, Mulk Raj Anand, Raymond Chandler, L. P. Hartley, Amos Tutuola, Sylvia Townsend Warner, Samuel Beckett, Patricia Highsmith, Chinua Achebe, Isak Dineson, Alan Sillitoe, Ivy Compton-Burnett, Grace Paley, Harper Lee, Olivia Manning and Mordecai Richler.