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Articles 1 à 20 sur 148
Par Anne Hemkendreis, Anna-Sophie Jürgens. 2024
This book brings together the perspectives of eminent and emerging scholars from fields as varied as science communication, art history,…
pop cultural studies, environmental studies, sciences studying ice and artists to explore the power of (popular) arts and aesthetics to communicate ice research and the urgency of environmental action. Examining the aesthetic strategies employed in images, (popular) visual fiction and narratives to convey meaning and awareness – and how they can be made fruitful for science communication – the project will generate new perspectives on how our collective environmental responsibility can be addressed and communicated across disciplines and divers audiences. In doing so, the volume will illuminate the cultural power of ice research and contribute to a better understanding of the cultural work that emerges from our ecological crisis.Par Kemeshia Randle Swanson. 2024
Beginning with their forced introduction to American soil, Black women have relied on maverick-like characteristics to survive. And yet, these…
liberating qualities have been repeatedly disparaged by the masses in favor of an elitist politics of respectability. In Maverick Feminist: To Be Female and Black in a Country Founded upon Violence and Respectability, scholar Kemeshia Randle Swanson examines the extent to which the politics of respectability diminish joy and increase sorrow throughout the lifespan of Black women. By rejecting this damaging standard in society, Black women can wholly and attentively assist in the obliteration of racist, sexist, classist, and ableist oppression. But first, they must work towards becoming self-identified, self-actualized, and self-sexualized.Bridging the gap between women in both the streets and the academy, Maverick Feminist expands the traditional understandings of activism and enlarges discussions about Black female sexuality. Swanson emphasizes sexuality’s significance to the literary and sociopolitical success of Black women of the past and in this contemporary climate. Through close readings and critical analyses of fiction, nonfiction, and popular culture, Swanson argues that #BlackGirlMagic and racial progression require rejecting respectability politics and developing an intimate appreciation of self. Maverick Feminist examines texts by and about bold Black women, including Zora Neale Hurston’s Their Eyes Were Watching God, Sister Souljah’s The Coldest Winter Ever, Brittney Cooper’s Eloquent Rage: A Black Feminist Discovers Her Superpower, Alice Walker’s The Color Purple, Sapphire’s PUSH, Roxane Gay’s Hunger: A Memoir of (My) Body, Terry McMillan’s Getting to Happy, and Michelle Obama’s Becoming.Maverick Feminist offers hope concerning the growing divide between scholars and the communities about which they theorize. The book celebrates centuries of agency and control that Black women have mustered and maintained in a world that seems to want nothing more than to see them prone and powerless. Ultimately, maverick feminism provides a freer means of living out, evaluating, understanding, and improving the lives of Black women.Par Lauren Rocha. 2024
Pregnancy, birth, and postpartum recovery are challenging experiences that impact women’s physical, mental, and emotional health in ways that have…
been historically minimalized, dismissed, or neglected. A mother’s body becomes a public body, physically and politically not her own, instead shared by her spouse, her children, and those around her. Her body, therefore, makes the perfect vessel for an invasive presence—or possession. The Sinful Maternal: Motherhood in Possession Films examines the role of mothers and motherhood in ten possession films, including Rosemary’s Baby, The Exorcist, The Babadook, and Hereditary. Chapters discuss the work of such directors as James Wan, Jennifer Kent, Robert Eggers, and Ari Aster to address how their cinematic approaches to these films produce rich possession narratives that explore different facets of motherhood and women’s agency. Working at the intersections of gender studies, architectural theory, trauma studies, and monster theory, with a particular focus on the treatment of (often unruly) female bodies, author Lauren Rocha investigates the ways in which motherhood is a fertile state for possession and how possession acts to influence, destabilize, and reshape identity and the self. Placing the films in chronological order, she closely analyzes the ways in which sociocultural influences create different roles women and mothers are expected to perform. Ultimately, Rocha demonstrates how possession offers a way to challenge performative motherhood to free the self.Par Kenneth B. Kidd and Derritt Mason. 2024
Contributions by Kristopher Alexander, Amanda K. Allen, Brianna Anderson, Catherine Burwell, Katharine Capshaw, Negin Dahya, Gabriel Duckels, Paige Gray, Gabrielle…
Atwood Halko, Natasha Hurley, Kenneth B. Kidd, Erica Law-Montes, Derritt Mason, Brandon Murakami, Tehmina Pirzada, Cristina Rhodes, Cristina Rivera, Jakob Rosendal, TreaAndrea M. Russworm, Vivek Shraya, Victoria Ford Smith, Joshua Whitehead, and Shuyin Yu How do we think about children’s and young adult literature? Children’s literature is often defined through audience, so what happens when children are drawn to and claim genres not built expressly “for” them? To what extent do canonical formations tend to overwrite or obscure less visible efforts to create and promote material for the young? These are the driving questions of Alt Kid Lit: What Children's Literature Might Be. Contributors to the volume offer theoretical meditations on the category of children’s and young adult literature as well as case studies of materials that complicate our understanding of such. Chapters attend to a diverse array of subjects including the “non-places” of children’s literature; child mediums; Black theater for children; children’s interpretive drawings; fanfiction; Latinx, Indigenous, and silkpunk speculative fiction; environmental zines; shōnen anime; Jim Henson's The Dark Crystal; South Asian television; and “emergency children’s literature.” The book also features interviews with two experimental writers about genre and alt-publishing and a roundtable conversation on video games and children’s digital engagements. Building on diverse approaches including queer theory and postcolonial studies, Alt Kid Lit shines light on materials, methodologies, and epistemologies that are sometimes underacknowledged in the field of children’s and young adult literature studies.Par James J. Donahue. 2024
In recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the…
same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field.Par John Paul Meyers. 2024
Popular music and its listeners are strongly associated with newness and youth. Young people can stay up late dancing to…
the latest hits and use cutting-edge technology for listening to and sharing fresh music. Many young people incorporate their devotion to new artists and styles into their own developing personalities. However, if popular music is a genre meant for the youthful, what are listeners to make of the widespread sampling of music from decades-old R&B tracks, sold-out anniversary tours by aging musicians, retrospective box sets of vintage recordings, museum exhibits, and performances by current pop stars invoking music and images of the past? In Same Old Song: The Enduring Past in Popular Music, John Paul Meyers argues that these phenomena are part of what he calls “historical consciousness in popular music.” These deep relationships with the past are an important but underexamined aspect of how musicians and listeners engage with this key cultural form. In chapters ranging across the landscape of twentieth- and twenty-first-century music, Meyers finds indications of historical consciousness at work in multiple genres. Rock music canonizes its history in tribute performances and museums. Jazz and pop musicians cover tunes from the “Great American Songbook.” Hip-hop and contemporary R&B singers invoke Black popular music from the 1960s and 1970s. Examining the work of influential artists like Ella Fitzgerald, Bob Dylan, Miles Davis, Kanye West, Prince, D’Angelo, and Janelle Monáe, Meyers argues that contemporary artists’ homage to the past is key for understanding how music-lovers make meaning of popular music in the present.Par Bob Suren. 2024
Once you've collected every 7" from your favorite label, broken your back in the mosh pit, and become so well-versed…
in the interpersonal dynamics of every hardcore band that there's nothing more to learn, what's a punk to do? Try jazz, recommends Bob Suren. No, really. Suren, who wrote Crate Digger about his life and work in punk, turns his obsessive gaze onto another form of rebellious, improvisational outsider music, but this time with more sax.What does Dixieland have in common with D.R.I.? Did Charles Mingus write the first punk song? And who was the Butthole Surfer of jazz? Suren answers these questions and many more. Reading his irreverent guide to jazz, filled with punk references and colorful language, is more fun than getting arrested for vandalism. Learn about the surprising history and scandalous etymology of jazz, explore its connections to punk, and take in biographical sketches of over 25 notable artists—with plenty of recommendations thrown in for your listening pleasure.AN INSTANT NEW YORK TIMES BESTSELLER&“Get the Picture is one of the funniest books I&’ve read . . . Brilliant.&” —The…
Washington Post &“A gripping and often hilarious investigation into the art world. . . . Bosker goes full Tom Wolfe.&” —TIME &“Funny, whip-smart, and gorgeously written, Get the Picture will forever transform the way you see. . . . I loved every word.&” —Suleika Jaouad, New York Times bestselling author of Between Two Kingdoms The New York Times bestselling author of Cork Dork takes readers on another fascinating, hilarious, and revelatory journey—this time burrowing deep inside the secretive world of art and artistsAn award-winning journalist obsessed with obsession, Bianca Bosker&’s existence was upended when she wandered into the art world—and couldn&’t look away. Intrigued by artists who hyperventilate around their favorite colors and art fiends who max out credit cards to show hunks of metal they think can change the world, Bosker grew fixated on understanding why art matters and how she—or any of us—could engage with it more deeply.In Get the Picture, Bosker throws herself into the nerve center of art and the people who live for it: gallerists, collectors, curators, and, of course, artists themselves—the kind who work multiple jobs to afford their studios while scrabbling to get eyes on their art. As she stretches canvases until her fingers blister, talks her way into A-list parties full of billionaire collectors, has her face sat on by a nearly-naked performance artist, and forces herself to stare at a single sculpture for hours on end while working as a museum security guard, she discovers not only the inner workings of the art-canonization machine but also a more expansive way of living.Probing everything from cave paintings to Instagram, and from the science of sight to the importance of beauty as it examines art&’s role in our culture, our economy, and our hearts, Get the Picture is a rollicking adventure that will change the way you see forever.Par Susan J. Douglas. 2010
Women today are inundated with conflicting messages from the mass media: they must either be strong leaders in complete command…
or sex kittens obsessed with finding and pleasing a man. In The Rise Of Enlightened Sexism, Susan J. Douglas, one of America's most entertaining and insightful cultural critics, takes readers on a spirited journey through the television programs, popular songs, movies, and news coverage of recent years, telling a story that is nothing less than the cultural biography of a new generation of American women.Revisiting cultural touchstones from Buffy the Vampire Slayer to Survivor to Desperate Housewives, Douglas uses wit and wisdom to expose these images of women as mere fantasies of female power, assuring women and girls that the battle for equality has been won, so there's nothing wrong with resurrecting sexist stereotypes—all in good fun, of course. She shows that these portrayals not only distract us from the real-world challenges facing women today but also drive a wedge between baby-boom women and their "millennial" daughters.In seeking to bridge this generation gap, Douglas makes the case for casting aside these retrograde messages, showing us how to decode the mixed messages that restrict the ambitions of women of all ages. And what makes The Rise Of Enlightened Sexism such a pleasure to read is Douglas's unique voice, as she blends humor with insight and offers an empathetic and sisterly guide to the images so many American women love and hate with equal measure.Par Jace Clayton. 2016
In 2001, Jace Clayton was an amateur DJ who recorded a three-turntable, sixty-minute mix called Gold Teeth Thiefand put it…
online to share with his friends. Within months, the mix became an international calling card, whisking Clayton away to a sprawling, multitiered nightclub in Zagreb, a tiny gallery in Osaka, a former brothel in São Paolo, and the atrium of MoMA. And just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of an education in the creative upheavals of art production in the twenty-first-century globalized world.Uproot is a guided tour of this newly opened cultural space, mapped with both his own experiences and his relationships with other industry game-changers such as M.I.A. and Pirate Bay. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie rock scene, Mexican surfers and Israeli techno, Japanese record collectors and hidden rain-forest treasure, and offers an unparalleled understanding of music in a digital age. Uproot takes readers behind the turntable decks to tell a story that only a DJ--and writer--of this caliber can tell.Par Jessica Wu. 2011
Tired of wasting hundreds of dollars on expensive wrinkle creams, drying lotions, and zit-zappers that just don't work? Well listen…
up, ladies. To really get gorgeous, you've got to change the way you feed your face. Cosmetics companies, women's magazines—heck, even most doctors—will swear that food doesn't affect the skin. But celebrity dermatologist Dr. Jessica Wu knows that's just not true. After years spent battling her own pimple-prone, "problem" skin (not to mention caring for some of Hollywood's most famous faces), she's learned that what you eat has everything to do with the condition of your complexion. Packed with patient testimonials and celebrity anecdotes from stars like Katherine Heigl, Maria Bello, Kimora Lee Simmons, and Lisa Ling, FEED YOUR FACE is an easy-to-follow, 28-day diet plan that will help you banish blemishes, wipe out wrinkles, shed unwanted pounds, and generally feel better—in your clothes and in your skin. Along the way, Dr. Wu will dish the dirt on her journey from Harvard Medical School to the glamorous Hollywood Hills, while offering realistic, practical beauty and diet advice for women of all ages. Want to soften your crow's-feet? Find out which foods will turn back time.Plagued by pimples? Discover the snacks that will erase stubborn blemishes.Did you know milk doesn't always do a body good? Feel a sunburn coming on? Learn why red wine may save your skin from peeling and flaking.What does a hard-partying rock star eat for good skin? So stop thinking about food in terms of what you can't have: no butter, no red meat, no fat, and no flavor. Instead, discover the foods that will keep you feeling full and looking gorgeous. Follow the FEED YOUR FACE Diet, and you can have pizza. You can go out for Italian, indulge in Chinese takeout, and dine at The Cheesecake Factory (with the help of the FEED YOUR FACE Restaurant Guide). Because you do have the power to change your skin. All you have to do is eat.Par Erin La Rosa. 2017
The Big Redhead Book: Inside the Secret Society of Red Hair is an inside look into one of the most…
elite societies in the world—the real two percent. Well, you know, the two percent of the world's population that are natural redheads, at least. This book has equal parts pop culture, ginger facts, and humorous stories about what it's like to actually have red hair. It's loaded with everything you'd ever want to know about us reds; how we're scientifically different from the norms (non-redheads), how we've been stereotyped in pop culture, and the do's and don'ts of having a red in your life, among other things!Whether you are a redhead, know a redhead, or are just an enthusiast, this book explores the realities, the myths, and where red hair actually originates (it’s not Ireland). Author Erin La Rosa not only delivers the facts, statistics, and undeniable realities of being a ginger, but she also weaves in her own personal and hilarious stories about being red. Being a redhead is not just a hair color, it’s a lifestyle—and this book is your own exclusive peek into that fabulous world.Some surprising facts about redheads that you will discover include:- The association between redheads and humor came from redheaded slaves in ancient Greece- There are over 30 leading or recurring redhead characters in Disney and Pixar films... that's a lot when you remember we're only two percent of the world's population!- Redhead women allegedly have more sex, more threesomes, and more orgasms than other women... or do they? Let's find out!- Some Egyptian rulers dyed their hair red to assert their power (looking at you, Cleopatra)- And redheads need more anesthesia at the dentist, because they're not going down without a fightA thrilling page-turner that also happens to be the biography of one of Russia's most controversial figuresThis is how Emmanuel…
Carrère, the magnetic journalist, novelist, filmmaker, and chameleon, describes his subject: "Limonov is not a fictional character. There. I know him. He has been a young punk in Ukraine, the idol of the Soviet underground; a bum, then a multimillionaire's butler in Manhattan; a fashionable writer in Paris; a lost soldier in the Balkans; and now, in the fantastic shambles of postcommunism, the elderly but charismatic leader of a party of young desperadoes. He sees himself as a hero; you might call him a scumbag: I suspend my judgment on the matter. It's a dangerous life, an ambiguous life: a real adventure novel. It is also, I believe, a life that says something. Not just about him, Limonov, not just about Russia, but about all our history since the end of the Second World War."So Eduard Limonov isn't fictional—but he might as well be. This pseudobiography isn't a novel, but it reads like one: from Limonov's grim childhood to his desperate, comical, ultimately successful attempts to gain the respect of Russia's literary intellectual elite; to his immigration to New York, then to Paris; to his return to the motherland. Limonov could be read as a charming picaresque. But it could also be read as a troubling counternarrative of the second half of the twentieth century, one that reveals a violence, an anarchy, a brutality, that the stories we tell ourselves about progress tend to conceal.Par Dominic Pettman, Eugene Thacker. 2024
“Everything is sad,” wrote the Ancient poets. But is this sadness merely a human experience, projected onto the world, or…
is there a gloom attributable to the world itself? Could the universe be forever weeping the “tears of things”? In this series of meditations, Dominic Pettman and Eugene Thacker explore some of the key “negative affects” – both eternal and emergent – associated with climate change, environmental destruction, and cosmic solitude. In so doing they unearth something so obvious that it has gone largely unnoticed: the question of how we should feel about climate change. Between the information gathered by planetary sensors and the simple act of breathing the air, new unsettling moods are produced for which we currently lack an adequate language. Should we feel grief over the loss of our planet? Or is the strange feeling of witnessing mass extinction an indicator that the planet was never “ours” to begin with? Sad Planets explores this relationship between our all-too-human melancholia and a more impersonal sorrow, nestled in the heart of the cosmic elements.Spanning a wide range of topics – from the history of cosmology to the “existential threat” of climate change – this book is a reckoning with the limits of human existence and comprehension. As Pettman and Thacker observe, never before have we known so much about the planet and the cosmos, and yet never before have we felt so estranged from that same planet, to say nothing of the stars beyond.Par Tim Lawson, Alisa Persons. 2004
The Magic Behind the Voices is a fascinating package of biographies, anecdotes, credit listings, and photographs of the actors who…
have created the unmistakable voices for some of the most popular and enduring animated characters of all time. Drawn from dozens of personal interviews, the book features a unique look at thirty-nine of the hidden artists of show business. Often as amusing as the characters they portray, voice actors are charming, resilient people—many from humble beginnings—who have led colorful lives in pursuit of success. Beavis and Butthead and King of the Hill's Mike Judge was an engineer for a weapons contractor turned self-taught animator and voice actor. Nancy Cartwright (the voice of Bart Simpson) was a small-town Ohio girl who became the star protégé of Daws Butler—most famous for Yogi Bear, Huckleberry Hound, and Quick Draw McGraw. Mickey Mouse (Wayne Allwine) and Minnie Mouse (Russi Taylor) were a real-life husband-and-wife team. Spanning many studios and production companies, this book captures the spirit of fun that bubbles from those who create the voices of favorite animated characters. In the earliest days of cartoons, voice actors were seldom credited for their work. A little more than a decade ago, even the Screen Actors Guild did not consider voice actors to be real actors, and the only voice actor known to the general public was Mel Blanc. Now, Oscar-winning celebrities clamor to guest star on animated television shows and features. Despite the crushing turnouts at signings for shows such as Animaniacs, The Simpsons, and SpongeBob Squarepants, most voice actors continue to work in relative anonymity. The Magic Behind the Voices features personal interviews and concise biographical details, parting the curtain to reveal creators of many of the most beloved cartoon voices.Par Dominique Roques. 2022
'[An] immersive debut... with detailed accounts of his trips and vivid descriptions of the scents ... [Roques'] rich travelogue will…
transport readers' Publishers Weekly (Starred Review)In Search of Perfumes is a fragrant journey across the world, revealing the beauty and mysteries of the perfume trade.Fruits, flowers, spices, bark, leaves, and branches are just some of the natural ingredients from the plant world that are used in the creation of perfume. Dominique Roques, travelling from Andalusia to Somaliland by way of Bulgaria, Laos, El Salvador, Indonesia and Egypt, describes his search to find the best natural ingredients, precious to perfumers everywhere.In Search of Perfumes demonstrates how the prestigious multi-million-pound perfume industry may begin its life as a single plant harvested by producers surviving on ancestral traditions and techniques and often risking their lives in the process as they combat the rising threat of climate change. Roques reveals the beauty and mysteries of a familiar trade; a return to the source of the world's scents.Par John Storey. 2024
In this tenth edition of his award-winning introduction, John Storey presents a clear and critical survey of competing theories of,…
and various approaches to, popular culture. Its breadth and theoretical unity, exemplified through popular culture, means that it can be flexibly and relevantly applied across a number of disciplines.Retaining the accessible approach of previous editions and using appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area.New to this edition: updated throughout with contemporary examples of popular culture a chapter called 'Culture and nature', which includes sections on culture in nature, the Anthropocene, the Capitalocene, and popular culture and climate change updated student resources at routledgelearning.com/culturaltheoryandpopularculture This new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects.Par Edward Humes. 2024
An investigative narrative that dives into the waste embedded in our daily lives—and shows how individuals and communities are making…
a real difference for health, prosperity, quality of life and the fight against climate change, by a Pulitzer Prize winning journalistWhat happens to our trash? Why are our oceans filling with plastic? Do we really waste 40 percent of our food 65 percent of our energy? Waste is truly our biggest problem, and solving our inherent trashiness can fix our economy, our energy costs, our traffic jams, and help slow climate change—all while making us healthier, happier and more prosperous. This story-driven and in-depth exploration of the pervasive yet hard-to-see wastefulness that permeates our daily lives illuminates the ways in which we've been duped into accepting absolutely insane levels of waste as normal. Total Garbage also tells the story of individuals and communities who are finding the way back from waste, and showing us that our choices truly matter and make a difference. Our big environmental challenges – climate, energy, plastic pollution, deforestation, toxic emissions—are often framed as problems too big for any one person to solve. Too big even for hope. But when viewed as symptoms of a single greater problem—the epic levels of trash and waste we produce daily--the way forward is clear. Waste is the one problem individuals can positively impact—and not just on the planet, but also on our wallets, our health, and national and energy security. The challenge is seeing our epic wastefulness clearly. Total Garbage will shine a light on the absurdity of the systems that all of us use daily and take for granted--and it will help both individuals and communities make meaningful changes toward better lives and a cleaner, greener world.Par Julie Wosk. 2024
What distinguishes humanity from artificial beings? What do constructed creatures tell us about ourselves? From sex dolls to Siri, talking…
Barbies to robotic mothers, Artificial Women explores the ways in which today's simulated females—both real and fictional—reflect and expose our own ideas about gender and female identity. Join Julie Wosk as she probes the realm of compliant sex workers, nurturing caretakers, genial servants, and rebellious creations in film, television, literature, art, photography, and current developments in robotics. These modern-day Galateas must embrace their own synthetic nature while also striving for authenticity and autonomy, all the while foregrounding gender stereotypes and changing perceptions of women and their roles. They embody the paradoxes and tensions that continue to arise in our increasingly simulated world, where the lines between the real and the virtual only continue to blur. As these "artificial women" become ever more lifelike, so too do the questions they raise become more provocative, and more illuminating of our own conceptions and conventions. Artificial Women pushes the boundaries of gender, sexuality, and culture studies to consider new digital technologies, artificial intelligences, and burgeoning simulations.Par Anshare Antoine, Gerald R. Butters Jr., Ellen Cleghorne, Kelly Cole, Phillip Lamarr Cunningham, Ken Feil, Lisa Guerrero, Timothy Havens, Felicia D. Henderson, Jacqueline Johnson, Alfred L. Martin Jr., Scott Poulson-Bryant, Mel Stanfill, Joshua Truelove. 2024
Since slavery, African and African American humor has baffled, intrigued, angered, and entertained the masses.Rolling centers Blackness in comedy, especially…
on television, and observing that it is often relegated to biopics, slave narratives, and the comedic. But like W. E. B. DuBois's ideas about double consciousness and Racquel Gates's extension of his theories, we know that Blackness resonates for Black viewers in ways often entirely different than for white viewers. Contributors to this volume cover a range of cases representing African American humor across film, television, digital media, and stand-up as Black comic personas try to work within, outside, and around culture, tilling for content. Essays engage with the complex industrial interplay of Blackness, white audiences, and comedy; satire and humor on media platforms; and the production of Blackness within comedy through personal stories and interviews of Black production crew and writers for television comedy.Rolling illuminates the inner workings of Blackness and comedy in media discourse.