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The Dears: Lost in the Plot (Bibliophonic #1)
Par Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Shakespeare and the Theater of Religious Conviction in Early Modern England
Par Walter S Lim. 2023
This book analyzes Shakespeare’s use of biblical allusions and evocation of doctrinal topics in Hamlet, Measure for Measure, The Winter’s Tale, Richard II, and The…
Merchant of Venice. It identifies references to theological and doctrinal commonplaces such as sin, grace, confession, damnation, and the Fall in these plays, affirming that Shakespeare’s literary imagination is very much influenced by his familiarity with the Bible and also with matters of church doctrine. This theological and doctrinal subject matter also derives its significance from genres as diverse as travel narratives, sermons, political treatises, and royal proclamations. This study looks at how Shakespeare’s deployment of religious topics interacts with ideas circulating via other cultural texts and genres in society. It also analyzes how religion enables Shakespeare’s engagement with cultural debates and political developments in England: absolutism and law; radical political theory; morality and law; and conceptions of nationhood.Weird Wonder in Merleau-Ponty, Object-Oriented Ontology, and New Materialism
Par Brian Hisao Onishi. 2023
This book connects recent developments in speculative realism, new materialism, and eco-phenomenology to articulate an approach to wonder that escapes…
the connected traps of anthropocentrism and correlationism. Brian Onishi argues that wonder has explanatory power for the constitution of the world and the organization of meaning. To do this, he appeals to both fiction (speculative and Weird fiction in particular) and quantum physics. More specifically, he argues that the focus of Weird fiction on impossible experiences and a feeling of something just beyond the limits of one’s grasp dramatizes the speculative reach beyond the limits of our understanding. But more than a tool for knowledge acquisition, wonder is an organizing property of objects. Like the collapse of superposition in quantum physics, reality is constituted when objects reveal themselves to other objects and thereby organize themselves into complex objects. Since no relation is exhaustive, the capacity to wonder remains at a material level, and the possibility of reorganization is ever present. Ultimately, Onishi argues for a speculative eco-phenomenology with wonder as an engine for a Weird environmental ethics.Band II von Reiner Wilds Gesamtdarstellung der Alterslyrik Goethes gilt den Jahren 1814 bis 1819. Lyrisches Hauptgeschäft ist der West-östliche…
Divan (1819). Goethes bedeutendste Gedichtsammlung ist ein Werk der interkulturellen Begegnung mit dem Orient und zugleich einer der großen Liebeslyrikzyklen der europäischen Dichtung. Darüber hinaus werden Religion, Politik, Geschichte und nicht zuletzt die Dichtung selbst verhandelt. Neben den Divan treten Geselligkeitslyrik und Sprüche sowie vor allem Lehrdichtung zu naturwissenschaftlichen und philosophischen Themen. Auffällig ist die Gruppierung in Ensembles und die Inszenierung von Kommunikation mit den Lesern. Teile dieses späten Schaffens, das Goethe oftmals zuerst in seinen Zeitschriften veröffentlicht, gehören nicht in den klassischen Kanon und wurden bisher nur marginal behandelt. Band II erschließt diese Werke nun umfassend als Gegenstand literaturwissenschaftlicher AnalysenAuthors, Factions, and Courts in Angevin England: A Literature of Personal Ambition (12th-13th Century) advances a model for historical study of…
courtly literature by foregrounding the personal aims, networks, and careers as the impetus for much of the period’s literature. The book takes two authors as case studies – Gerald of Wales and Walter Map – to show how authors not only built their own stories but also used popular narratives and the tools of propaganda to achieve their own, personal goals. The purpose of this study is to overturn the top-down model of political patronage, in which patrons – and particularly royal patrons – set the cultural agenda and dictate literary tastes. Rather, Fabrizio De Falco argues that authors were often representative of many different interests expressed by local groups. To pursue those interests, they targeted specific political factions in the changeable political scenario of Angevin England. Their texts reveal a polycentric view of cultural production and its reception. The study aims to model a heuristic process which is applicable to other courtly texts besides the chosen case-studies.Poetry, Architecture, and the New York School: Something Like a Liveable Space examines the relationship between poetics and architecture in…
the work of the first generation New York School poets, Frank O’Hara, John Ashbery, Barbara Guest, and James Schuyler. Reappraising the much-debated New York School label, Mae Losasso shows how these writers constructed poetic spaces, structures, surfaces, and apertures, and sought to figure themselves and their readers in relation to these architextual sites. In doing so, Losasso reveals how the built environment shapes the poetic imagination and how, in turn, poetry alters the way we read and inhabit architectural space. Animated by archival research and architectural photographs, Poetry, Architecture, and the New York School marks a decisive interdisciplinary turn in New York School studies, and offers new frameworks for thinking about postmodern American poetry in the twenty-first century.This Thing Called Literature: Reading, Thinking, Writing
Par Andrew Bennett, Nicholas Royle. 2024
What is this thing called literature? Why study it? And how? Relating literature to topics such as dreams, politics, life,…
death, the ordinary and the uncanny, This Thing Called Literature establishes a sense of why and how literature is an exciting and rewarding subject to study. Andrew Bennett and Nicholas Royle expertly weave an essential love of literature into an account of what literary texts do, how they work and the sort of questions and ideas they provoke. The book’s three parts reflect the fundamental components of studying literature: reading, thinking and writing. The authors use helpful and wide-ranging examples and summaries, offering rich reflections on the question ‘What is literature?’ and on what they term ‘creative reading’. The new edition has been revised throughout with extensive updates to the further reading and a new chapter on creative non-fiction. Bennett and Royle’s accessible and thought-provoking style encourages a deep engagement with literary texts. This essential guide to the study of literature is an eloquent celebration of the value and pleasure of reading.The Road to San Giovanni
Par Italo Calvino. 1993
From the Italian author, personal essays featuring his relationship with his father, his love of movies, and fighting fascism during…
World War II. &“In each other&’s presence we became mute, would walk in silence side by side along the road to San Giovanni. To my father&’s mind, words must serve as confirmations of things, and as signs of possession; to mine, they were foretastes of things barely glimpsed, not possessed, presumed.&” —from The Road to San Giovanni In these autobiographical essays, published after Italo Calvino&’s death, the intellectually vibrant writer not only reflects on his own past but also inquires into the very workings of memory itself. From the title essay&’s lyrical evocation of the author&’s relationship with his father, and a charming account of teenage years spent in the glow of the cinema screen, to Calvino&’s reminiscences of his experiences in the Italian Resistance during World War II and of his years in Paris, to his declaration of purpose as a writer in the final essay&’s visionary fragments, these five &“memory exercises&” are heartfelt, affecting, and wise.Praise for The Road to San Giovanni&“Brimming with Calvino&’s beautifully crafted prose, dry humor, and continual questioning . . . Calvino has been very well served by his translator, Tim Parks.&” —Observer&“In five elegant &“memory exercises&” written between 1962 and 1977, Italian fiction writer Calvino (1923-85) presents an affecting self-portrait and offers indirect insights into how he conjured up his imaginary worlds . . . . This sparkling translation concludes with Calvino's lyric, metaphorical, highly elliptical description of his creative process.&” —Publishers WeeklyThis book critically analyses the way in which traditional sociocultural and legal biases might be perpetuated against those with unknown…
– or unknowable – genetic ancestries. It looks to law and works of literature across differing eras and genres focussing upon such concepts as inherited stigma, illegitimacy, orphanisation, adoption, othering, reunion, and the ‘right’ to access truths that relate to one’s original identity. Law’s role in such matters is often limited (or usurped) by custom, practice, or lingering superstitious beliefs; the importance of oral and written testimony is therefore highlighted. Characters include abandoned or orphaned figures from folk and fairy tales, Romantic and Victorian monsters and heroes, Dickensian waifs, Edwardian rescue orphans, and dystopia-set ‘rebels.‘ Their insights and experiences are mirrored in various present day scenarios that speak to familial human rights abuses, not least forced adoptions and bars on accessing original information. This cross-disciplinary book drawing on Law, Literature, Sociology, Critical Adoption Studies should be of interest to those interested in and those who have been affected in some way by adoption, origin deprivation, or reunion.Bandits in Print: "The Water Margin" and the Transformations of the Chinese Novel
Par Scott W. Gregory. 2023
Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin…
(Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era.Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.Modern Philology, volume 121 number 3 (February 2024)
Par Modern Philology. 2024
This is volume 121 issue 3 of Modern Philology. Modern Philology (MP) publishes original work in literary criticism, literary history,…
and archival scholarship. The journal welcomes contributions on literature in all modern world languages and encourages productive comparisons of texts and traditions from any part of the world. It accepts essays that focus on earlier periods as well as the present. MP also aims to publish timely review articles, reviews of recent books, and research on archival documents.Juliet: The Life and Afterlives of Shakespeare's First Tragic Heroine
Par Sophie Duncan. 2023
The enduring cultural legacy of Shakespeare&’s Juliet Capulet — a history "as vital and provocative as the character herself" (Literary…
Review).Romeo and Juliet may be the greatest love story ever told, but who is Juliet? Demure ingénue? Or dangerous Mediterranean madwoman? From tearstained copies of the First Folio to Civil War-era fanfiction, Shakespeare&’s star-crossed heroine has long captured our collective imagination. Juliet is her story, traced across continents through four centuries of history, theatre, and film. As Oxford Shakespeare scholar Sophie Duncan reveals, Juliet&’s legacy stretches beyond her literary lifespan into a cultural afterlife ranging from enslaved African girls in the British Caribbean to the real-life Juliets of sectarian violence in Bosnia and Belfast. She argues that our dangerous obsession with the beautiful dead teenager and Juliet&’s meteoric rise as a defiant sexual icon have come to define the Western ideal of romance. Wry and inventive, Juliet is a tribute to fiction&’s most famous teenage girl who died young, but who lives forever.An account of the emergence of creative nonfiction, written by the &“godfather&” of the genre In the 1970s, Lee…
Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers. Creative nonfiction—true stories enriched by relevant ideas, insights, and intimacies—offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders—doctors, lawyers, construction workers—who felt they had stories to tell about their lives and experiences. Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction. Gutkind&’s book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.In Rhetoric, Poetics, and Literary Historiography, Stefan H. Uhlig offers a new account of the emergence of literary studies. Most…
histories of the early years of the field search for unifying origins of literature as a discipline and object of study. Uhlig turns to the decades around 1800 in Europe to reveal that the inception of the literary field was instead defined by intellectual diversity and contestation. He draws on an array of European writers to show how three schools of literary study—rhetoric teaching, theories of poetry, and literary history—emerged and clashed during this time, offering near-contemporaneous, yet divergent, visions of how to understand literature. Rhetoric and poetics thwarted criticism, to different ends, while literary historiography proved institutionally reassuring yet less useful as a tool for textual understanding.Uhlig details how Scottish writers like Adam Smith and Hugh Blair taught rhetoric as a form self-expression, while Anglophone and German theorists of poetry like William Wordsworth, Friedrich Schlegel, and Johann Wolfgang von Goethe both engaged with and resented critics. At the same time, varying opinions on the practice of literary history emerged, with Immanuel Kant and Thomas De Quincey arguing for the independence of literature from historical forces while writers like Matthew Arnold approached literature as a means of narrating cultural archives instead of drawing on close reading and analysis. Rhetoric, Poetics, and Literary Historiography traces current debates in literary studies back to this formative moment, serving as a guide to past and present controversies in the field.Emotion and Historiography in Polybius’ Histories (Routledge Studies in Ancient History)
Par Regina M. Loehr. 2024
This volume explores emotion and its importance in Polybius’ conception of history, his writing of historiography, and the benefits of…
this understanding to readers of history. How and why did ancient historians include emotions in their texts? This book argues that in the Histories of Polybius – the Greek historian who recorded Rome’s rise to dominion in the ancient Mediterranean – emotions play an effective role in history, used by the historian to explain the causes of actions, connect events, and make sense of human behavior. Through analysis of the emotions in the narrative and theory of Polybius’ Histories using critical terminology and frameworks from modern philosophy, psychology, and political science, this work calls into question assumptions that emotions were purely irrational and detrimental in ancient history, politics, and historiography. Emotions often positively shape Polybius’ historical narrative, provide criteria for the success and morality of agents, actions, and even historians, and aid the historian in guiding readers to become intelligent leaders and citizens of a new world centered on Rome. Emotion and Historiography in Polybius’ Histories is a fascinating read for students and scholars of ancient historiography and history, as well as those working on ancient political thought, emotions in the ancient Greek world, and emotion in history and literature more broadly.Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies
Par Gloria Chacón. 2024
Abiayalan Pluriverses: Bridging Indigenous Studies and Hispanic Studies looks for pathways that better connect two often siloed disciplines. This edited collection…
brings together different disciplinary experiences and perspectives to this objective, weaving together researchers, artists, instructors, and authors who have found ways of bridging Indigenous and Hispanic studies through trans-Indigenous reading methods, intercultural dialogues, and reflections on translation and epistemology. Each chapter brings rich context that bears on some aspect of the Indigenous Americas and its crossroads with Hispanic studies, from Canada to Chile. Such a hemispheric and interdisciplinary approach offers innovative and significant means of challenging the coloniality of Hispanic studies.Edible Arrangements: Modernism's Queer Forms
Par Elizabeth Blake. 2023
In Edible Arrangements, Elizabeth Blake explores the way modernist writing about eating delves into larger questions about bodily and literary…
pleasure. Drawing on insights from the field of food studies, she makes dual interventions into queer theory and modernist studies: first, locating an embrace of queerness within modernist depictions of the pleasure of eating, and second, showing how this queer consumption shapes modernist notions of literary form, expanding and reshaping conventional genres. Drawing from a promiscuous archive that cuts across boundaries of geography and canonicity, Blake demonstrates how modernist authors draw on this consuming queerness to restructure a range of literary forms. Each chapter constellates a set of seemingly disparate writers working in related modes—such as the satirical writings of Richard Bruce Nugent, Virginia Woolf, and Katherine Mansfield—in order to demonstrate how writing about eating can both unsettle the norms of bodily pleasure and those of genre itself.“‘Faith’ is a fine invention”: Dickinson’s Performance of Doubt and Belief
Par Regina Yoong. 2024
This book covers nineteenth-century American poet Emily Dickinson who captured the multifaceted nature of life in all of its uncertainties.…
Studies on her exploration of faith are ample, but in this book, the author uncovers Dickinson’s playful role-play in enacting solemn themes of religion, death, and the unknown. Dickinson’s creativity encompasses not only her use of language but also her poetic personae and self-created poetic stages inviting readers to question, contemplate deeply or even poke fun at life's absurdities. By using performative roles such as the rejected outcast, passive supplicant, and playful warrior, Dickinson unveils--through a paradoxical framework of belief and unbelief-- a line of inquiry that is multifocal and erratic to “tell all the truth and tell it slant.”Precious Ramotswe: A Mysterious Profile (Mysterious Profiles)
Par Alexander McCall Smith. 2009
In this profile, the bestselling author of the No. 1 Ladies Detective Agency series recounts the creation of his popular…
Botswanan sleuth. In 1998, Mma Precious Ramotswe made her debut in Alexander McCall Smith&’s The No. 1 Ladies Detective Agency. The Plain Dealer hailed the novel as &“One of the best, most charming, honest, hilarious and life-affirming books to appear in years.&” Decades and many books later, Precious has her own bestselling series, but readers may be wondering how exactly this beloved character came to be. In this profile, the prolific McCall Smith offers readers a behind-the-scenes look at the development of his delightful detective. He recounts his childhood spent in Southern Rhodesia (now Zimbabwe) and working in Botswana in the 1980s. He reveals the inspiration for Precious and discusses the experience of creating the first book and getting it published. Those and other tales are sure to entertain fans of Precious old and new. Praise for Alexander McCall Smith and the No. 1 Ladies Detective Agency series &“The Miss Marple of Botswana.&” —The New York Times Book Review &“Smart and sassy . . . Precious&’ progress is charted in passages that have the power to amuse or shock or touch the heart, sometimes all at once.&” —Los Angeles Times &“The author&’s prose has the merits of simplicity, euphony and precision. His descriptions leave one as if standing in the Botswana landscape. This is art that conceals art. I haven&’t read anything with such alloyed pleasure for a long time.&” —Anthony Daniels, The Sunday Telegraph &“McCall Smith is a master. . . . There&’s beauty and revelation of one kind or another woven expertly into every line.&” —The Christian Science Monitor &“Comfort-food reading, and never more welcome.&” —Kirkus Reviews&“A lively survey…her research and insights make us conscious of how we, today, use books.&”—John Sutherland, The New York Times Book…
Review Two centuries before the advent of radio, television, and motion pictures, books were a cherished form of popular entertainment and an integral component of domestic social life. In this fascinating and vivid history, Abigail Williams explores the ways in which shared reading shaped the lives and literary culture of the eighteenth century, offering new perspectives on how books have been used by their readers, and the part they have played in middle-class homes and families. Drawing on marginalia, letters and diaries, library catalogues, elocution manuals, subscription lists, and more, Williams offers fresh and fascinating insights into reading, performance, and the history of middle-class home life. &“Williams&’s charming pageant of anecdotes…conjures a world strikingly different from our own but surprisingly similar in many ways, a time when reading was on the rise and whole worlds sprang up around it.&”—TheWashington Post