Résultats de recherche de titre
Articles 7321 à 7340 sur 14666
Finna: Poems
Par Nate Marshall. 2020
Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling…
and in creating the safety found only within its intimacyDefinition of finna, created by the author: fin·na /ˈfinə/ contraction: (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of &“fixing to&” (3) Black possibility; Black futurity; Blackness as tomorrowThese poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America&’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of hope:nothing about our people is romantic& it shouldn&’t be. our people deservepoetry without meter. we deserve ourown jagged rhythm & our own unevenwalk towards sun. you make happening happen.we happen to love. this is our greatestaction.A never-before-seen volume of poetry by the preeminent poet laureate Herman Hesse--a beautiful companion to Seasons of the Soul and…
the author's better-known prose work.Organized into four parts--spring, summer, autumn, and winter--The Seasons of Life relates the transitions in nature to the organic progressions of human life from birth through death. From the mundane to the sublime, the spiritual to the political, and private feeling to expressed opinion, Hesse touches on the range of human experience, inviting the reader to consider both the beauty and what Hesse called the "adversities of life."Beloved by readers as a wise and open friend, Hesse offers in this never-before-translated volume an honest portrayal of a whole life: its lessons and mysteries, its glories and despairs. The poet's voice--so treasured in his novels among a worldwide English-speaking audience--can now be enjoyed through this new translation in the follow-up to Seasons of the Soul.The Collected Poems of Chika Sagawa (Modern Library Torchbearers)
Par Chika Sagawa. 2014
Winner of the PEN Award for Poetry in Translation • The electrifying collected works of &“one of the most innovative…
and prominent avant-garde poets in early twentieth-century Japan&” (The New Yorker). Translated by and with an introduction by Sawako NakayasuAn important and daringly experimental voice in Tokyo&’s avant-garde poetry scene, Chika Sagawa broke with the gender-bound traditions of Japanese poetry. Growing up in isolated rural Japan, Sagawa moved to Tokyo at seventeen, and begin publishing her work at eighteen.She was immediately recognized as a leading light of the male-dominated Japanese literary scene; her work combines striking, unique imagery with Western influences. The results are short, sharp, surreal poems about human fragility and the beauty of nature from Japan&’s first female Modernist poet. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance. AMERICAN INDIAN STORIES • THE AWAKENING • THE CUSTOM OF THE COUNTRY • THE HEADS OF CERBERUS • LADY AUDLEY&’S SECRET • LOVE, ANGER, MADNESS • PASSING • THE RETURN OF THE SOLDIER • THERE IS CONFUSION • THE TRANSFORMATION OF PHILIP JETTAN • VILLETTEAt Times: New and Selected Poems
Par Brooke Horvath. 2020
Over thirty years of poems from an American poet in the spirit of Alan Dugan and Nelson Algren's Chicago: City…
on the Make."At times . . . I wanted to be a poet." A fittingly sly and humble epigraph for this half- a- lifetime's worth of sly and humble, and also lyrical and joyous, poems. From the first poem in the collection, "The Woman in the Peter Pan Collar," in which the poet examines an old photograph of his mother, searching for clues, to the last, "Rainouts," in which he beseeches the Lord to let his own death take place on the sort of day that strands baseball games mid-inning, leaving "all final decisions happily deferred," Brooke Horvath is always intimate, never rhetorical or bland. This is poetry not just for the sake of poetry, but poetry as a way of life, of engaging with the world. Like the works of Alan Dugan or Galway Kinnell, these are poems of the everyday and, when read slantwise, of what lies beyond. The whole collection, in fact, is imbued with the wily double meaning of the final couplet from "What in the World Were We Thinking Of?"--"It was a day when nothing happened / that we will find worth remembering."A Commentary on Wordsworth's Prelude: Books I-V (RLE: Wordsworth and Coleridge #5)
Par Ted Holt, John Gilroy. 1983
First published in 1983, this books aims to guide Wordsworth students through his difficult masterpiece by reading it in continuous…
sequence and making its sense emerge. The special value of this commentary is that it explains the structure of The Prelude by encouraging study of the poem as a continuous whole rather than selectively looking at individual sections — an approach that has typified modern criticism of the work. This depends upon a close attention to the careful arrangement of the verse paragraphs, all of which make an indispensable contribution to the overall thought pattern, thus leading to a fuller appreciation and understanding of the poem.The Vidas of The Troubadours (Routledge Revivals)
Par Margarita Egan. 1984
Published in 1984: These texts which have been little studied for their literary qualities represent a vital link between the…
didactic tradition of the Middle Ages and the fictional short stories of the Renaissance, such as the thirteenth-century collection of tales known as the Novellino, and later, Boccaccio's Decameron.Of Kings and Things: Strange Tales and Decadent Poems by Count Eric Stanislaus Stenbock (Strange Attractor Press)
Par Eric Stanislaus Stenbock. 1988
An introduction to the Decadent writer Stanislaus Eric Stenbock for the general reader, offering morbid stories, suicidal poems, and an…
autobiographical essay. Described by W. B. Yeats as a “scholar, connoisseur, drunkard, poet, pervert, most charming of men,” Count Stanislaus Eric Stenbock (1860–1895) is surely the greatest exemplar of the Decadent movement of the late nineteenth century. A friend of Aubrey Beardsley, patron of the extraordinary pre-Raphaelite artist Simeon Solomon, and contemporary of Oscar Wilde, Stenbock died at the age of thirty-six as a result of his addiction to opium and his alcoholism, having published just three slim volumes of suicidal poetry and one collection of morbid short stories. Stenbock was a homosexual convert to Roman Catholicism and owner of a serpent, a toad, and a dachshund called Trixie. It was said that toward the end of his life he was accompanied everywhere by a life-size wooden doll that he believed to be his son. His poems and stories are replete with queer, supernatural, mystical, and Satanic themes; original editions of his books are highly sought by collectors of recherché literature. Of Kings and Things is the first introduction to Stenbock's writing for the general reader, offering fifteen stories, eight poems and one autobiographical essay by this complex figure.The Penguin Anthology of Twentieth-Century American Poetry
Par Rita Dove. 2011
Penguin proudly presents an unparalleled survey of the best poems of the past century. Rita Dove, Pulitzer Prize-winning poet and…
former U . S. Poet Laureate, introduces readers to the most significant and compelling poems of the past hundred years. Selecting from the canon of American poetry throughout the twentieth century, Dove has created an anthology that represents the full spectrum of aesthetic sensibilities-from styles and voices to themes and cultures-while balancing important poems with significant periods of each poet. Featuring poems both classic and contemporary, this collection reflects both a dynamic and cohesive portrait of modern American poetry and outlines its trajectory over the past century.Mosaic Orpheus (Hugh MacLennan Poetry Series #43)
Par Peter Scott. 2009
Working always to connect the polemical to the personal, Peter Dale Scott's political poems - from the tear gas of…
Berkeley protests in the 1960s to the problems of Thai forest monks in an era of drug-trafficking and deforestation - are a process of self-questioning. Self-questioning also marks his meditation poems, including a sequence on the death of his first wife. In opposition to contemporary poems of studied meaninglessness, Scott increasingly recognizes a compulsion in himself to radically reaffirm traditional rejections of the external world and turn to the refuges of poets before him, the enduring commonplaces that are more than cliches.Knots (Hugh MacLennan Poetry Series #37)
Par Edward Carson. 2016
The mind is made / of pleasures and / uncertainty, inviting / as it yearns to be both / puzzle…
and adversity Full of philosophical digressions, questions, and answers, Knots forms a series of cyclical narrations, a kind of verbal asymmetry or mathematician’s knot, continuously mirroring its ideas and subject matter in a play of language and contrasting points of view. "Flight of the Mind & Measure of the Stars" sets an itinerary and series of proposed directions for the book, its poems introducing the mind in action, laying down themes of art and memory, reason and belief, intimacy and desire. The final sections are composed of verses that can also be read as parts of two longer, interconnected poems. "The Occupied Mind" enticingly pulls us deeper into philosophical questions and answers about the needs of the mind and the ambiguities of love. The central conceit of "Minutes" offers sixty meditations that are both a measure of time and testimony, as well as a witnessing and confession of what takes place within a changing relationship. Confronting the riddles and dualities of mind and heart, Knots provokes a layered interplay of reason, paradox, code, and cipher from our daily thinking and feeling. Actively engaging with the spoken strategies of thought, the nature of art, and our always unpredictable, evolving experience of love, we quickly discover the mind and heart are rarely what we expect.Achieving Student Success: Effective Student Services in Canadian Higher Education
Par C. Carney Strange, Donna Hardy Cox. 2010
This incisive and luminescent story, scrupulously grounded in sixteenth-century sources, illuminates the power that "naming" has to create a world…
- in this case a world still haunted by being the accidental Indies. It is a book about how we perceive and represent the world around us, about the creative and destructive power of language. Through its elaboration of the rich and lively ironies of the Columbus story, The Accidental Indies looks at the nature of storytelling itself.What's the Import?: Nineteenth-Century Poems and Contemporary Critical Practice
Par Kerry McSweeney. 2007
Kerry McSweeney critiques such readings of Romantic, Victorian, and 19th-century American poems. In What's the Import? he proposes and exemplifies…
an aesthetic or intrinsic critical model rooted in literary-historical contextualization that considers the determination of meanings to be only one of the qualities that full engagement with a poem requires. His wide-ranging study discusses poems by Wordsworth, Keats, Tennyson, Browning, Whitman, Dickinson, Carroll, Dante and Christina Rossetti, Swinburne, Hopkins, Hardy, and the Michael Field poets. What's the Import? contributes to the current debates in North America about the state and direction of English studies and the teaching of literature in general.hook (Hugh MacLennan Poetry Series #33)
Par nancy viva davis halifax. 2015
See her? / Steadfast and firm her / branches graze the mantle of quiet clouds / as she elaborates her…
claim Haunted by indifference toward systemic violences and the disregard endured by those people labelled as "problems," nancy viva davis halifax’s poems articulate the constraints of discredited lives. Conveying her experiences witnessing homelessness, poverty, disability, and chronic illness on the streets and within women's emergency shelters, davis halifax orients readers to recognize ongoing suffering in our society. One poem, a purl of four words, reminds the reader that language entangles and unbinds lives, and that life is an unfastening, a knitting by which some are lost and others made separable. These are unregulated poems, poems that refuse indifference and reassert mutuality. They are not an argument, they are not assured, not facts, not a problem, not a resource, but an opening.The Unlit Path Behind the House (Hugh MacLennan Poetry Series #35)
Par Margo Wheaton. 2016
The day’s an old room / stripped of its furniture; there are / never enough beds in winter. / By…
late afternoon, the shadows / are forming a blue inconsolable hall // as sparrows retreat to makeshift / cots of pine bark and eaves. // Even the parched marsh grass / has stilled, every blade / become an ear. Sensuous, atmospheric, and spare, The Unlit Path Behind the House collects poems that seek light in difficult places. In lines filled with an intense music, Margo Wheaton listens for the lyricism inside the day’s blessings and catastrophes. Wheaton’s poems sing at the intersections where public and private worlds collide: the steady cadence of a boy carrying an unconscious girl in his arms, the afternoon journey of a woman taking books to prisoners, the rhythmic breathing of a homeless man asleep in a parking lot. In these works, fireflies pulse in the dark, lovers clasp and unclasp, and street signs sing like Blake’s angels. Deeply informed by the natural world, Wheaton’s writing is marked by great meditative depth; while passionately engaged, these poems evoke a field of mystery and stillness. Whether exploring themes of isolation, spiritual dispossession, desire, or the sanctity of daily rituals, The Unlit Path Behind the House conveys our longing for home and the different ways we try to find it.Blindfold (Hugh MacLennan Poetry Series #22)
Par John Asfour. 2011
A sense of exile and belonging dominates the poems, following the journey of a blind man whose life in his…
new land has been hampered by prejudice and barriers to communication. Exposing the rich and surprising possibilities of a life that has undergone a frightening transformation, Blindfold relates feelings of loss, displacement, and disorientation experienced not only by the disabled but by everyone who finds themselves separated from the norm. Silver Threads He recalls the absence of sound, the impossible silence the disappearance of light. He is only aware of the movement of his mother's hand inside her purse, looking for her handkerchief. He recalls her warning not to play with unknown objects the type that explode on impact. Later, he lies in the dark remembering how she pointed out the silver threads of the morning light just the day before and he sparkles with guilt.Grotesque Tenderness (Hugh MacLennan Poetry Series #48)
Par Daniel Cowper. 2019
Afraid to be alone / we met by lamplight, trading stories: // Sin of Man was one, // Age of…
Science, another. More // prayers than answers. Daniel Cowper's debut poetry collection, Grotesque Tenderness, speaks for an unrooted age, for unrooted people. In these poems, city-dwellers long to ally themselves with some sympathetic culture or the evolutionary logic of nature, but those alliances remain conditional, ambiguous, or dangerous. A tsunami smashes a harbour city into “tide-rows of burning debris”; children chase snakes in summer meadows. The primordial past spins off “rogue by-products and flawed replicas,” while lonely office workers get high on back porches and drink themselves to sleep. The musical and kinetic energy of Grotesque Tenderness is driven by our urge to understand pain and our hunger to reach an imperfect reconciliation with the problems of guilt and suffering. But in the tradition of William Blake, these poems affirm again and again that “the lit / world goes on living” and life justifies itself through its own workings. From elegant lyrics of alienation and heartbreak to long-form mythopoeia and lament, these poems approach beauty, ugliness, even criminality in a spirit of wonder and vulnerability.Particles: Particles (Hugh MacLennan Poetry Series #43)
Par Michael Penny. 2011
Michael Penny addresses his poems directly to the reader, challenging you to satisfy your need to investigate and understand the…
sensory and intellectual assumptions we use to make sense of our world. Balanced between abstract metaphysical challenges and the concrete and commonplace, Penny's poetry considers a range of topics, including cars, bruises, lotteries, pine needles, and dogs, infusing each with strangeness and unexpected intrigue. A lively and surprising collection, Particles joins together inner and outer space and suggests that you might not know what you think you know.Small Fires (Hugh MacLennan Poetry Series #36)
Par Kelly Norah Drukker. 2016
We come / to kneel at the doorway, / to peer into that kind of / dark. To think our…
way / backwards, listening. Tracing a series of journeys, real and imagined, Kelly Norah Drukker’s Small Fires opens with a section of poems set on Inis Mór, a remote, Irish-speaking island off the west coast of County Galway, where the poet-as-speaker discovers the ways in which remnants of the island’s early Christian monastic culture brush up against island life in the twenty-first century. Also present is a series of poems set in the Midi-Pyrénées and in the countryside around Lyon. Linked to the shorter poems in the collection by landscape, theme, and tone is a set of longer narrative poems that give voice to imagined speakers who are, each in a different way, living on the margins. The first describes a young emigrant woman’s crossing from Ireland to Canada in the early twentieth century, where she must sacrifice her tie to the land for the uncertain freedom of a journey by sea, while a second depicts the lives of silk workers living under oppressive conditions in Lyon in the 1830s. In detailed and musical language, the poems in Small Fires highlight aspects of landscape and culture in regions that are haunted by marginal and silenced histories. The collection concludes with a long poem written as a response to American writer Paul Monette’s autobiographical work Borrowed Time: An AIDS Memoir.Delivering the News (Hugh MacLennan Poetry Series #47)
Par Thomas O'Grady. 2019
War, Pestilence, Famine, Death. Was I deaf / to the headline roar of my unwieldy load? Engaging with the inevitability…
of change and flux, Thomas O'Grady's poems grapple with themes of death and rebirth, of loss and resiliency, of ebb and flow within nature and within individual lives and romantic and domestic relationships. Bookended by the springtime of “Controlled Burn” and its mirror, the wistfully autumnal “Magritte,” the collection follows multiple arcs within and across poems and longer sequences. Part I, "Seeing Red," grounds the poems in the rural landscapes, shorescapes, and streetscapes of the poet's childhood on Prince Edward Island, leading O'Grady home as he returns to “the heartening blaze / of red that frames the doors, // the eaves, the corner trim / of every outlying / Island barn and shed.” Part II, “The Wide World,” comprises poems prompted by more cosmopolitan landscapes, both literal and figurative, and inspired by the graphic arts, jazz music, classical mythology, and other writers. A later sequence of eight poems reflects O'Grady's Irish heritage within the social fabric of PEI. Through precise and steadying language, Delivering the News reflects the capacity of poetry both to acknowledge and to mitigate life's mutability.Palilalia (Hugh MacLennan Poetry Series #19)
Par Jeffery Donaldson. 2008
Palilalia is disordered speech. According to the Oxford English Dictionary, this lesser known vocal tic is "an involuntary repetition of…
words, phrases or sentences." Sister to echolalia (repeating what others say), and distant cousin to the more forbidding coprolalia (the involuntary use of obscene language), palilalia can feel, on the one hand, like an affliction to be suppressed, and on the other, like a kind of meditative mantra that focuses and intensifies your thought. "Your repetitious tics," the ghost of the poet's mentor, Northrop Frye, tells him, are " the ecstatic rhapsodist's / St. Vitus Dance, slangster's whizzle / and conjuration, philologist's hullabaloo." It isn't a question of how to stop them, but of finding how far they will take you. Jeffery Donaldson offers poems about Tourette's Syndrome, about his loves and blessings, about the erotic life as flavoured by all these, and about the grace of a stillness in the midst of so much mental noise. Paul Val�ry said that a poem is never finished, only abandoned. All poets have palilalia, or should have....