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Articles 3701 à 3720 sur 7088
Par Philip Roth. 2013
On March 19, 2013, a distinguished group of writers and critics gathered at the Newark Museum's Billy Johnson Auditorium in…
Newark, New Jersey, to celebrate the extraordinary career and lasting literary legacy of Philip Roth on the occasion of his 80th birthday. This keepsake volume gathers remarks from the evening's speakers, a fitting tribute to the only living novelist whose work is collected in the Library of America series. Here you'll find Jonathan Lethem, hilariously recounting his first consciousness-raising encounter with Roth's work through the Kafkaesque novel The Breast; Hermione Lee, tracing the Shakespearian themes in Roth's books, from Portnoy's Complaint to The Humbling; Alain Finkielkraut, offering a deep reading of Roth's final novel, Nemesis; Claudia Roth Pierpont, assessing Roth's portrayal of women in such books as Sabbath's Theater and The Human Stain; Edna O'Brien, recalling her long friendship with Roth; and the author himself, offering a quintessentially Rothian valediction.Par Robert Chandler, Elizabeth Chandler, Teffi, Anne Jackson, Edythe Haber. 2016
Considered Teffi's single greatest work, Memories: From Moscow to the Black Sea is a deeply personal account of the author's…
last months in Russia and Ukraine, suffused with her acute awareness of the political currents churning around her, many of which have now resurfaced.In 1918, in the immediate aftermath of the Russian Revolution, Teffi, whose stories and journalism had made her a celebrity in Moscow, was invited to read from her work in Ukraine. She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.Par Stanley Wells, Paul Edmondson, Edmondson Paul and Wells Stanley. 2015
This original and enlightening book casts fresh light on Shakespeare by examining the lives of his relatives, friends, fellow-actors, collaborators…
and patrons both in their own right and in relation to his life. Well-known figures such as Richard Burbage, Ben Jonson and Thomas Middleton are freshly considered; little-known but relevant lives are brought to the fore, and revisionist views are expressed on such matters as Shakespeare's wealth, his family and personal relationships, and his social status. Written by a distinguished team, including some of the foremost biographers, writers and Shakespeare scholars of today, this enthralling volume forms an original contribution to Shakespearian biography and Elizabethan and Jacobean social history. It will interest anyone looking to learn something new about the dramatist and the times in which he lived. A supplementary website offers imagined first-person audio accounts from the featured subjects.Par Joseph Heller, Speed Vogel. 1986
An uproarious and frank memoir of illness and recovery, No Laughing Matter is a story of friendship and recuperation from…
the author of the classic Catch-22.It all began one typical day in the life of Joe Heller. He was jogging four miles at a clip these days, working on his novel God Knows, coping with the complications of an unpleasant divorce, and pigging out once or twice a week on Chinese food with cronies like Mel Brooks, Mario Puzo, and his buddy of more than twenty years, Speed Vogel. He was feeling perfectly fine that day--but within twenty-four hours he would be in intensive care at Manhattan's Mount Sinai Hospital. He would remain hospitalized for nearly six months and leave in a wheelchair. Joseph Heller had Guillain-Barré syndrome, a debilitating, sometimes fatal condition that can leave its victims paralyzed from head to toe. The clan gathered immediately. Speed--sometime artist, sometime businessman, sometime herring taster, and now a coauthor--moved into Joe's apartment as messenger, servant, and shaman. Mel Brooks, arch-hypochondriac of the Western world, knew as much about Heller's condition as the doctors. Mario Puzo, author of the preeminent gangster novel of our time, proved to be the most reluctant man ever to be dragged along on a hospital visit. These and lots of others rallied around the sickbed in a show of loyalty and friendship that not only built a wild and spirited camaraderie but helped bring Joe Heller, writer and buddy extraordinaire, through his greatest crisis. This book is an inspiring, hilarious memoir of a calamitous illness and the rocky road to recuperation--as only the author of Catch-22 and the friend who helped him back to health could tell it. No Laughing Matter is as wacky, terrifying, and greathearted as any fiction Joseph Heller ever wrote.Par Wendy Mcclure. 2011
For anyone who has ever wanted to step into the world of a favorite book, here is a pioneer pilgrimage,…
a tribute to Laura Ingalls Wilder, and a hilarious account of butter-churning obsession. Wendy McClure is on a quest to find the world of beloved Little House on the Prairie author Laura Ingalls Wilder-a fantastic realm of fiction, history, and places she's never been to, yet somehow knows by heart. She retraces the pioneer journey of the Ingalls family- looking for the Big Woods among the medium trees in Wisconsin, wading in Plum Creek, and enduring a prairie hailstorm in South Dakota. She immerses herself in all things Little House, and explores the story from fact to fiction, and from the TV shows to the annual summer pageants in Laura's hometowns. Whether she's churning butter in her apartment or sitting in a replica log cabin, McClure is always in pursuit of "the Laura experience." Along the way she comes to understand how Wilder's life and work have shaped our ideas about girlhood and the American West. The Wilder Life is a loving, irreverent, spirited tribute to a series of books that have inspired generations of American women. It is also an incredibly funny first-person account of obsessive reading, and a story about what happens when we reconnect with our childhood touchstones-and find that our old love has only deepened.Par Rick Dodgson. 1964
Counterculture icon and best-selling author of the anti-authoritarian novels One Flew Over the Cuckoo's Nest and Sometimes a Great Notion,…
Ken Kesey said he was "too young to be a beatnik and too old to be a hippie. " It's All a Kind of Magic is the first biography of Kesey. It reveals a youthful life of brilliance and eccentricity that encompassed wrestling, writing, farming, magic and ventriloquism, CIA-funded experiments with hallucinatory drugs, and a notable cast of characters that would come to include Wallace Stegner, Larry McMurtry, Tom Wolfe, Neal Cassady, Timothy Leary, the Grateful Dead, and Hunter S. Thompson. Based on meticulous research and many interviews with friends and family, Rick Dodgson's biography documents Kesey's early life, from his time growing up in Oregon through his college years, his first drug experiences, and the writing of his most famous books. While a graduate student in creative writing at Stanford University in the late 1950s and early 1960s, Kesey worked the night shift at the Menlo Park Veterans Administration hospital, where he earned extra money taking LSD and other psychedelic drugs for medical studies. Soon he and his bohemian crowd of friends were using the same substances to conduct their own experiments, exploring the frontiers of their minds and testing the boundaries of their society. With the success of One Flew Over the Cuckoo's Nest, Kesey moved to La Honda, California, in the foothills of San Mateo County, creating a scene that Hunter S. Thompson remembered as the "world capital of madness. " There, Kesey and his growing band of Merry Prankster friends began hosting psychedelic parties and living a "hippie" lifestyle before anyone knew what that meant. Tom Wolfe's book The Electric Kool-Aid Acid Test mythologized Kesey's adventures in the 1960s. Illustrated with rarely seen photographs, It's All a Kind of Magic depicts a precocious young man brimming with self-confidence and ambition who-through talent, instinct, and fearless spectacle-made his life into a performance, a wild magic act that electrified American and world culture.Par Anne Roiphe. 1999
In this captivating memoir, Anne Roiphe revisits the world of her childhood, which was spent growing up in a rich,…
Jewish family who resided in New York during the 1940's and 1950's. Through her eyes, we witness the atrocities of her unfaithful father, the miseries of her insecure mother and the sufferings of her sickly brother, who eventually meet their end in different, tragic ways and leave her alone to deal with painful memories of the past.Par Jack London. 2018
As close to an autobiography as Jack London ever wrote, John Barleycorn recounts the author's lifelong struggle with alcohol. In…
this brutally honest memoir, which takes its title from the British folksong that personifies the source of whiskey and beer, London writes of alcohol as his friend and his enemy, an "august companion" and a "red-handed killer." In an age when alcoholism was viewed as a genetic weakness, London's frank, ahead-of-its-time treatment of his struggles tarnished his sterling reputation as a paragon of all-American manhood. The book created a sensation upon its 1913 publication and became a powerful tool of the temperance movement. More than a screed against demon rum, however, the tale recounts London's years as a sailor, explorer, and frontiersman up and down the West Coast, from Southern California to Alaska. Rich in anecdotes and written in a captivating style, the book also offers compelling insights into London's life as a rugged adventurer and popular writer.Par Aria Minu-Sepehr. 2012
ARIA MINU-SEPEHR was raised in a sheltered world of extraordinary privilege as the son of a major general in the…
Shah's Imperial Iranian Air Force. It seemed his father could do anything--lead the Golden Crowns in death-defying aerobatic maneuvers; command an air force unit using top American technology; commission a lake to be built on a desert military base, for waterskiing. When Aria was eight, "Baba" built him a dune buggy so he could explore the desert; by ten, the boy handled the controls of a Beechcraft Bonanza while his father napped in the copilot's seat. Aria moved easily between the two distinct worlds that existed under his family's roof--a division that mirrored the nation's own deep and brooding divide. He was as comfortable at the lavish cocktail parties his parents threw for Iran's elite as he was running amok in the kitchen where his beloved nanny grumbled about the whiskey drinking, French ham, and miniskirts. The 1970s were the end result of half a century of Westernization in Iran, and Aria's father was the man of the hour. But when the Shah was overthrown and the Ayatollah rose to power in 1979, Aria's idyllic life skidded to a halt. Days spent practicing calligraphy in his father's embrace, lovingly torturing his nanny, and watching Sesame Street after school were suddenly infused with fears that the militia would invade his home, that he himself could be kidnapped, or that he would have to fire a gun to save Baba's life. As the surreal began to invade the mundane, with family friends disappearing every day and resources growing scarce, Aria found himself torn between being the man of the house and being a much needed source of comic relief. His antics shone a bright light for his family, showing them how to escape, if only momentarily, the grief and horror that a vengeful revolution brought into their lives. We Heard the Heavens Then is a deeply moving story told from two vantage points: a boy growing up faster than any child should, observing and recoiling in the moment, and the adult who is dedicated to a measured assessment of the events that shaped him. In this tightly focused memoir, Aria Minu- Sepehr takes us back through his explosive youth, into the heart of the revolution when a boy's hero, held up as the nation's pride, became a hunted man.Par Mark Twain. 1999
Famed author's plain-spoken words -- recorded as character sketches, essays, diary entries, letters and more -- recall his boisterous boyhood…
in Hannibal, Missouri, life as a riverboat pilot, as a young adult in rough Nevada mining towns, years spent as an author, plus somber passages noting the death of his wife and their three children.Par Charlotte Gordon. 2015
This groundbreaking dual biography brings to life a pioneering English feminist and the daughter she never knew. Mary Wollstonecraft and…
Mary Shelley have each been the subject of numerous biographies, yet no one has ever examined their lives in one book--until now. In Romantic Outlaws, Charlotte Gordon reunites the trailblazing author who wrote A Vindication of the Rights of Woman and the Romantic visionary who gave the world Frankenstein--two courageous women who should have shared their lives, but instead shared a powerful literary and feminist legacy. In 1797, less than two weeks after giving birth to her second daughter, Mary Wollstonecraft died, and a remarkable life spent pushing against the boundaries of society's expectations for women came to an end. But another was just beginning. Wollstonecraft's daughter Mary was to follow a similarly audacious path. Both women had passionate relationships with several men, bore children out of wedlock, and chose to live in exile outside their native country. Each in her own time fought against the injustices women faced and wrote books that changed literary history. The private lives of both Marys were nothing less than the stuff of great Romantic drama, providing fabulous material for Charlotte Gordon, an accomplished historian and a gifted storyteller. Taking readers on a vivid journey across revolutionary France and Victorian England, she seamlessly interweaves the lives of her two protagonists in alternating chapters, creating a book that reads like a richly textured historical novel. Gordon also paints unforgettable portraits of the men in their lives, including the mercurial genius Percy Shelley, the unbridled libertine Lord Byron, and the brilliant radical William Godwin. "Brave, passionate, and visionary, they broke almost every rule there was to break," Charlotte Gordon writes of Wollstonecraft and Shelley. A truly revelatory biography, Romantic Outlaws reveals the defiant, creative lives of this daring mother-daughter pair who refused to be confined by the rigid conventions of their era.Advance praise for Romantic Outlaws "A fascinating, thoughtful and continuously absorbing book, one to which I know I shall return on many future occasions."--Miranda Seymour, author of Mary Shelley"Charlotte Gordon reunites a mother and daughter tragically separated at birth in this rousing and surpassingly readable epic spanning the Romantic era. Wordsworth and Byron must step aside to make room for two brilliant women, Mary Wollstonecraft and her daughter Mary Shelley, early and late Romantics whose remarkable contributions to their time and ours lend Gordon's artfully twined tale special significance."--Megan Marshall, Pulitzer Prize-winning author of Margaret Fuller: A New American Life "Romantic Outlaws is a gripping account of the heartbreaks and triumphs of two of history's most formidable female intellectuals, Mary Wollstonecraft and Mary Shelley. Gordon has reunited mother and daughter through biography, beautifully weaving their narratives for the first time."--Amanda Foreman, author of A World on Fire "Mary Wollstonecraft and her daughter Mary Shelley stand out as daring, unconventional, and courageous women--in their times and ours. Appreciate the 'heroic exertions' of their lives and savor the skill with which Charlotte Gordon tells their intersecting stories."--Susan Ware, general editor, American National BiographyFrom the Hardcover edition.Par Molly McClain. 2017
Molly McClain tells the remarkable story of Ellen Browning Scripps (1836–1932), an American newspaperwoman, feminist, suffragist, abolitionist, and social reformer…
who used her fortune to support women’s education, the labor movement, and public access to science, the arts, and education. Born in London, Scripps grew up in rural poverty on the Illinois prairie. She went from rags to riches, living out that cherished American story in which people pull themselves up by their bootstraps with audacity, hard work, and luck. She and her brother E.W. Scripps built America’s largest chain of newspapers, linking Midwestern industrial cities with booming towns in the West. Less well known today than the papers started by Joseph Pulitzer and William Randolph Hearst, Scripps newspapers transformed their owners into millionaires almost overnight. By the 1920s Scripps was worth an estimated $30 million, most of which she gave away. She established the Scripps Institution of Oceanography in La Jolla, California, and appeared on the cover of Time magazine after founding Scripps College in Claremont, California. She also provided major financial support to organizations worldwide that promised to advance democratic principles and public education. In Ellen Browning Scripps McClain brings to life an extraordinary woman who played a vital role in the history of women, California, and the American West.Par John Cheever. 1949
«Estas cartas fueron escritas por un hombre extraordinario, y lo extraordinario de mi padre no fueron su crueldad ni sus…
fracasos. Lo extraordinario era su alegría y el talento que tenía para regalarla a los que le rodeaban.»Benjamin Cheever John Cheever trazó en sus cartas, durante años y sin saberlo apenas, un autorretrato tan revelador como el que esconden sus cuentos y sus novelas. Prolífico en su correspondencia privada, podía llegar a escribir una treintena de veces semanalmente a amigos, a otros escritores como Philip Roth, John Updike o Saul Bellow, así como a familiares y amantes. A todos ellos les pedía que se deshicieran de unos textos que consideraba pasajeros: «Guardar cartas es como intentar preservar un beso». Sin embargo, sus destinatarios quisieron conservar unas misivas que, editadas y anotadas por su hijo Benjamin, forman una historia tan vívida y humana como cualquiera de sus personajes. Torturado por su alcoholismo y por una bisexualidad reprimida, Cheever siempre fue un extraño para los que tenía más cerca. Aunque la publicación póstuma de sus diarios hizo patente hasta qué punto el dolor inundaba su vida, sus cartas se convierten en una suerte de ventana que él nunca advirtió, una mirada privilegiada a la fragilidad de sus emociones y a la honestidad con que recibía sus derrotas. Una rendija al universo más íntimo de un buen hombre que reveló en estos textos el vínculo terrible entre su genialidad y sus demonios. Críticas:«El maestro de los relatos cortos también fue el maestro de las cartas cortas.»The Sunday Times «Al final, la suya fue una historia de éxito. Pero sus Cartas te hacen incómodamente consciente del precio que pagó por alcanzarlo.»The New York Times «John Cheever jamás escribió una mala carta. Cuando me escribía siempre era como si caminase por la cuerda floja.»William Maxwell, editordel autor en The New Yorker «Fascinante [...] las cartas de John Cheever irradian amor y luz. [...] Ante entregas de tal cantidad e intensidad, de nada sirven las categorías convencionales.»New York Magazine «Un placer único que ni una biografía podría ofrecer: observar cómo un artista descubre y redefine su mundo mes a mes. Sus cartas nos convencen de que estamos ante un gran escritor y un buen hombre.»Chicago TribunePar Linda Sue Park, Phyllis Reynolds Naylor, Gordon Korman, Gail Carson Levine, Eric Rohmann, Peter Lerangis, Grace Lin, Kathi Appelt, Chris Grabenstein, Marla Frazee, Brian Selznick, Yuyi Morales, Candace Fleming, Ashley Bryan, Chris Gall, Rita Williams-Garcia, Cynthia Leitich Smith, Tom Angleberger, Dan Santat, Jarrett J. Krosoczka, Elissa Brent Weissman, Thanhha Lai, R. J. Palacio, Tim Federle, Kwame Alexander, Alex Gino. 2017
From award-winning author Elissa Brent Weissman comes a collection of quirky, smart, and vulnerable childhood works by some of today’s…
foremost children’s authors and illustrators—revealing young talent, the storytellers they would one day become, and the creativity they inspire today.Everyone’s story begins somewhere… For Linda Sue Park, it was a trip to the ocean, a brand-new typewriter, and a little creative license. For Jarrett J. Krosoczka, it was a third grade writing assignment that ignited a creative fire in a kid who liked to draw. For Kwame Alexander, it was a loving poem composed for Mother’s Day—and perfected through draft after discarded draft. For others, it was a teacher, a parent, a beloved book, a word of encouragement. It was trying, and failing, and trying again. It was a love of words, and pictures, and stories. Your story is beginning, too. Where will it go?Par Tracy Kidder, Richard Todd. 2013
Good Prose is an inspiring book about writing--about the creation of good prose--and the record of a warm and productive…
literary friendship. The story begins in 1973, in the offices of The Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him. From that article grew a lifelong association. Before long, Kidder's The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize. It was a heady moment, but for Kidder and Todd it was only the beginning of an education in the art of nonfiction. Good Prose explores three major nonfiction forms: narratives, essays, and memoirs. Kidder and Todd draw candidly, sometimes comically, on their own experience--their mistakes as well as accomplishments--to demonstrate the pragmatic ways in which creative problems get solved. They also turn to the works of a wide range of writers, novelists as well as nonfiction writers, for models and instruction. They talk about narrative strategies (and about how to find a story, sometimes in surprising places), about the ethical challenges of nonfiction, and about the realities of making a living as a writer. They offer some tart and emphatic opinions on the current state of language. And they take a clear stand against playing loose with the facts. Their advice is always grounded in the practical world of writing and publishing. Good Prose--like Strunk and White's The Elements of Style--is a succinct, authoritative, and entertaining arbiter of standards in contemporary writing, offering guidance for the professional writer and the beginner alike. This wise and useful book is the perfect companion for anyone who loves to read good books and longs to write one.Praise for Good Prose "Good Prose: The Art of Nonfiction takes us into the back room behind the shop, where strong, effective, even beautiful sentences are crafted. Tracy Kidder and his longtime editor, Richard Todd, offer lots of useful advice, and, still more, they offer insight into the painstaking collaboration, thoughtfulness, and hard work that create the masterful illusion of effortless clarity."--Stephen Greenblatt, author of The Swerve: How the World Became Modern"Good Prose offers consummate guidance from one of our finest writers and his longtime editor. Explaining that 'the techniques of fiction never belonged exclusively to fiction,' Kidder and Todd make a persuasive case that 'no techniques of storytelling are prohibited to the nonfiction writer, only the attempt to pass off invention as facts.' Writers of all stripes, from fledgling journalists to essayists of the highest rank, stand to benefit from this engrossing manual."--Jon Krakauer, author of Into the Wild "What a pleasure to read a book about good prose written in such good prose! It will make many of its readers better writers (though none as good as Tracy Kidder, who sets an impossible standard), and it will make all of them wish they could hire Richard Todd to work his editorial magic on their words."--Anne Fadiman, author of The Spirit Catches You and You Fall DownPar Tracy Kidder, Richard Todd. 2013
Good Prose is an inspiring book about writing--about the creation of good prose--and the record of a warm and productive…
literary friendship. The story begins in 1973, in the offices of The Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him. From that article grew a lifelong association. Before long, Kidder's The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize. It was a heady moment, but for Kidder and Todd it was only the beginning of an education in the art of nonfiction. Good Prose explores three major nonfiction forms: narratives, essays, and memoirs. Kidder and Todd draw candidly, sometimes comically, on their own experience--their mistakes as well as accomplishments--to demonstrate the pragmatic ways in which creative problems get solved. They also turn to the works of a wide range of writers, novelists as well as nonfiction writers, for models and instruction. They talk about narrative strategies (and about how to find a story, sometimes in surprising places), about the ethical challenges of nonfiction, and about the realities of making a living as a writer. They offer some tart and emphatic opinions on the current state of language. And they take a clear stand against playing loose with the facts. Their advice is always grounded in the practical world of writing and publishing. Good Prose--like Strunk and White's The Elements of Style--is a succinct, authoritative, and entertaining arbiter of standards in contemporary writing, offering guidance for the professional writer and the beginner alike. This wise and useful book is the perfect companion for anyone who loves to read good books and longs to write one.Praise for Good Prose Good Prose: The Art of Nonfiction takes us into the back room behind the shop, where strong, effective, even beautiful sentences are crafted. Tracy Kidder and his longtime editor, Richard Todd, offer lots of useful advice, and, still more, they offer insight into the painstaking collaboration, thoughtfulness, and hard work that create the masterful illusion of effortless clarity. --Stephen Greenblatt, author of The Swerve: How the World Became Modern Good Prose offers consummate guidance from one of our finest writers and his longtime editor. Explaining that 'the techniques of fiction never belonged exclusively to fiction,' Kidder and Todd make a persuasive case that 'no techniques of storytelling are prohibited to the nonfiction writer, only the attempt to pass off invention as facts.' Writers of all stripes, from fledgling journalists to essayists of the highest rank, stand to benefit from this engrossing manual. --Jon Krakauer, author of Into the Wild What a pleasure to read a book about good prose written in such good prose! It will make many of its readers better writers (though none as good as Tracy Kidder, who sets an impossible standard), and it will make all of them wish they could hire Richard Todd to work his editorial magic on their words. --Anne Fadiman, author of The Spirit Catches You and You Fall DownPar Toby Young. 2001
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair.…
Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." --USA TodayPar Anita Thompson. 2009
Par Hunter S Thompson. 1979
The first volume in Hunter S. Thompson's bestselling Gonzo Papers offers brilliant commentary and outrageous humor, in his signature style.Originally…
published in 1979, the first volume of the bestselling "Gonzo Papers" is now back in print. The Great Shark Hunt is Dr. Hunter S. Thompson's largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. These essays offer brilliant commentary and outrageous humor, in signature Thompson style. Ranging in date from the National Observer days to the era of Rolling Stone, The Great Shark Hunt offers myriad, highly charged entries, including the first Hunter S. Thompson piece to be dubbed "gonzo"--"The Kentucky Derby Is Decadent and Depraved," which appeared in Scanlan's Monthly in 1970. From this essay a new journalistic movement sprang which would change the shape of American letters. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s.Par Steven J. Zipperstein. 2009
Born in Chicago in 1918, the prodigiously gifted and erudite Isaac Rosenfeld was anointed a "genius" upon the publication of…
his "luminescent" novel, Passage from Home and was expected to surpass even his closest friend and rival, Saul Bellow. Yet when felled by a heart attack at the age of thirty-eight, Rosenfeld had published relatively little, his life reduced to a metaphor for literary failure. In this deeply contemplative book, Steven J. Zipperstein seeks to reclaim Rosenfeld's legacy by "opening up" his work. Zipperstein examines for the first time the "small mountain" of unfinished manuscripts the writer left behind, as well as his fiercely candid journals and letters. In the process, Zipperstein unearths a turbulent life that was obsessively grounded in a profound commitment to the ideals of the writing life. Rosenfeld's Lives is a fascinating exploration of literary genius and aspiration and the paradoxical power of literature to elevate and to enslave. It illuminates the cultural and political tensions of post-war America, Jewish intellectual life of the era, and--most poignantly--the struggle at the heart of any writer's life.