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Articles 1 à 20 sur 13515
The highly anticipated annual anthology of the best Canadian and international poetry. Each year, the best books of poetry published…
in English internationally and in Canada are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001 this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Each year The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.Par Nyla Matuk. 2019
Resisting Canada gathers together poets for a conversation bigger than poetic trends. The book's organizing principle is Canada--the Canada that…
established residential schools; the Canada grappling with the Truth and Reconciliation Commission; the Canada that has been visible in its welcome of Syrian refugees, yet the not-always-tolerant place where the children of those refugees will grow up; the Canada eager to re-establish its global leadership on the environment while struggling to acknowledge Indigenous sovereignty on resource-rich land and enabling further colonization of that land. In the face of global conflicts due to climate change, scarcity, mass migrations, and the rise of xenophobic populisms, Canada still works with a surface understanding of its democratic values--both at their noblest and most deceptive. The work included in Resisting Canada--by celebrated poets such as Lee Maracle, Jordan Abel, Billy-Ray Belcourt, Louise Bernice Halfe, Michael Prior, and Leanne Betasamosake Simpson--addresses, among other things, Indigenous agency, cultural belonging, environmental anxieties, and racial privilege. These poems ask us to judge and resist a statecraft that refuses to acknowledge past and present wrongs. Think of Resisting Canada as a poetic letter to Canada's politicians and leaders.Par Canisia Lubrin. 2017
Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems…
that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself.Par Vashti Harrison. 2017
This beautifully illustrated board book edition of instant bestseller Little Leaders: Bold Women in Black History showcases women who changed…
the world and is the perfect goodnight book to inspire big dreams. Featuring 18 trailblazing black women in American history, Dream Big, Little One is the irresistible board book adaptation of Little Leaders: Bold Women in Black History. Among these women, you'll find heroes, role models, and everyday women who did extraordinary things - bold women whose actions and beliefs contributed to making the world better for generations of girls and women to come. Whether they were putting pen to paper, soaring through the air or speaking up for the rights of others, the women profiled in these pages were all taking a stand against a world that didn't always accept them. The leaders in this book may be little, but they all did something big and amazing, inspiring generations to come.Par Canisia Lubrin. 2020
Canisia Lubrin returns with a mesmerizing new collection, the follow-up to her breakout book, Voodoo Hypothesis.The Dyzgraphxst presents seven inquiries…
into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.Par Cicely Belle Blain. 2020
The latest from Vivek Shraya's VS. Books: a poetic exploration of Black identity, history, and lived experience influenced by the…
constant search for liberation. In this incendiary debut collection, activist and poet Cicely Belle Blain intimately revisits familiar spaces in geography, in the arts, and in personal history to expose the legacy of colonization and its impact on Black bodies. They use poetry to illuminate their activist work: exposing racism, especially anti-Blackness, and helping people see the connections between history and systemic oppression that show up in every human interaction, space, and community. Their poems demonstrate how the world is both beautiful and cruel, a truth that inspires overwhelming anger and awe - all of which spills out onto the page to tell the story of a challenging, complex, nuanced, and joyful life. In Burning Sugar, verse and epistolary, racism and resilience, pain and precarity are flawlessly sewn together by the mighty hands of a Black, queer femme. This book is the second title to be published under the VS. Books imprint, a series curated and edited by writer-musician Vivek Shraya, featuring work by new and emerging Indigenous or Black writers, or writers of colour.Par Dominik Parisien. 2020
Ask, Can we for a moment make of beauty / the measure of our pain? and I will answer. To…
be ill is to be a body bursting with strangers. A curiosity. A narrative to interpret. Dominik Parisien's debut collection is a poignant celebration of the complicated lived experience of disability, a challenge to the societal gaze, and a bold reconfiguration of the language of pain. A powerful contribution to the field of disability poetics, Side Effects May Include Strangers is an affecting look at the multitude of ways a body is both boundary and boundless. Parisien takes bpNichol's claim that "what is a poem is inside of your body" and localizes the inner and outer lives of disabled, queer, and aging bodies as points of meaning for issues of autonomy, disability, sexuality, and language. Balancing hope and uncertainty, anger and gratitude, these poems shift from medical practice to myth, from trauma to intergenerational friendship, in an unflinching exploration of the beauty and complexity of othered bodies.Par Natasha Ramoutar. 2020
Reflections on a reconstructed homeland and Scarborough. Bittersweet is an exciting, accomplished collection of poems evoking both a reconstructed homeland…
and Scarborough (Ontario). Using memory?intimate as well as collective?prompted by photographs, maps, language, and folklore, Ramoutar meditates on themes of obscured and suppressed history, time, and liminality. Her poems journey from home to home to home, from Toronto to Guyana to South Asia; and Scarborough remains omnipresent, with a mix of identities and a strong, active, and boisterous youthful presence.Par Therese Estacion. 2021
Therese Estacion survived a rare infection that nearly killed her, but not without losing both her legs below the knees,…
several fingers, and reproductive organs. Phantompains is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with dreamlike surrealism. Taking inspiration from Filipino horror and folk tales, Estacion incorporates some Visayan language into her work, telling stories of mermen, gnomes, and ogres that haunt childhood stories of the Philippines and, then, imaginings in her hospital room, where she spent months recovering after her operations. Estacion says she wrote these poems out of necessity: an essential task to deal with the trauma of hospitalization and what followed. Now, they are demonstrations of the power of our imaginations to provide catharsis, preserve memory, rebel and even to find self-love. Praise for Phantompains: "Phantompains is a text of rare power, birthing a brave new world flush with pain, lust, drugs and the uterus. Estacion's 'Eunuched Female' is a masterpiece: utterly indelible." —Tamara Faith Berger, author of Queen Solomon "I love Therese Estacion's book. I love its humour, clarity, irreverence, and rage. It's not a book about triumph (though she has triumphed), or perseverance (though she has persevered), or courage (though she has it). To me, it is a book about vision and reckoning, descent and return. Therese Estacion plunged into an abyss—found suffering, dehumanization, terror—and when she emerged, she chose to make radically confrontational art. Phantompains is the cosmic result of her dwelling, and her passage. In her words, "she became the subject"—I think she also became the seer." —Sara Peters, author of I Become a Delight to My EnemiesPar Amanda Gorman. 2021
The instant #1 New York Times bestseller and #1 USA Today bestseller Amanda Gorman’s electrifying and historic poem “The Hill…
We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition, perfect for graduation or any special occasion. “Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry.Par Various Contributors, Rogé Girard. 2021
A moving #OwnVoices poetry collection written by young newcomers to Canada Carry On began in a high school in Outremont,…
Quebec, where author and poet Simon Boulerice conducted creative-writing workshops for young newcomers to Canada. As the students began writing, their poems gave voice to their reflections on leaving family, friends, and countries of origin to make new homes and connections in their new home, Canada. Paired with expressive portraits by award-winning artist Rogé, each young writer reflects on the experience of leaving one home for another. The collection of poems express feelings of anxiety, sorrow, anticipation, gratitude, and hope for the future. With thoughtful verse and evocative illustrations, Carry On is a tribute to human resilience, the voices of newcomers, and creating empathy for all those who wonder about their place in the world.Par Tyler LeBlanc. 2020
A Hill Times' 100 Best Books in 2020 SelectionOn Canada's History Bestseller ListGrowing up on the south shore of Nova…
Scotia, Tyler LeBlanc wasn’t fully aware of his family’s Acadian roots — until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc’s discovery that he could trace his family all the way to the time of the Acadian Expulsion and beyond forms the basis of this compelling account of Le Grand Dérangement.Piecing together his family history through archival documents, Tyler LeBlanc tells the story of Joseph LeBlanc (his great-great-great-great-great-great-great-great grandfather), Joseph’s ten siblings, and their families. With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their homeland. Some escaped the deportation and were able to retreat into the wilderness. Others found their way back to Acadie. But many were exiled to Britain, France, or the future United States, where they faced suspicion and prejudice and struggled to settle into new lives.A unique biographical approach to the history of the Expulsion, Acadian Driftwood is a vivid insight into one family’s experience of this traumatic event.Par Alden Nowlan. 2017
Alden Nowlan (1933-1983) once wrote of a desire to leave behind "one poem, one story / that will tell what…
it was like / to be alive." In an abundance of memorable poems, he fulfilled this desire with candour and subtlety, emotion, and humour, sympathy and truth-telling. For many years, Nowlan has been one of Canada's most-read and -beloved poets, but only now is the true range of his poetic achievement finally available between two covers, with the publication of Collected Poems of Alden Nowlan.Nowlan takes us from nightmarish precincts of fear and solitude to the embrace of friendship and family. Delving into experiences of violence and gentleness, of alienation and love, his poetry reveals our shared humanity as well as our perplexing and sometimes entertaining differences. Nowlan's childhood and adult years are colourfully reflected in his poetry. These autobiographical threads are interwoven with fantasies, an astute historical consciousness, and a keen awareness of the shiftings and transformations of selfhood.Nowlan wrote with formal variety, visually shaping his poems with a dexterity that complicates impressions that he was primarily a "plainspoken" poet. His varied uses of the poetic line — his handling of line-lengths and -breaks, stanzas, and pauses — show him to be a writer who skilfully uses the page to suggest and embody the rhythms of speech. This long-awaited volume enables readers to experience his poetic genius in its fullness and uniqueness.Par Tyler LeBlanc. 2020
Winner, 2021 Evelyn Richardson Award for Non-Fiction, 2021 Democracy 250 Atlantic Book Award for Historical WritingShortlisted, 2021 Dartmouth Book Award…
for Non-Fiction, and the 2021 Margaret and John Savage Award for Best First Book (Non-fiction)A Hill Times' 100 Best Books in 2020 SelectionOn Canada's History Bestseller ListGrowing up on the south shore of Nova Scotia, Tyler LeBlanc wasn’t fully aware of his family’s Acadian roots — until a chance encounter with an Acadian historian prompted him to delve into his family history. LeBlanc’s discovery that he could trace his family all the way to the time of the Acadian Expulsion and beyond forms the basis of this compelling account of Le Grand Dérangement.Piecing together his family history through archival documents, Tyler LeBlanc tells the story of Joseph LeBlanc (his great-great-great-great-great-great-great-great grandfather), Joseph’s ten siblings, and their families. With descendants scattered across modern-day Nova Scotia and Prince Edward Island, the LeBlancs provide a window into the diverse fates that awaited the Acadians when they were expelled from their homeland. Some escaped the deportation and were able to retreat into the wilderness. Others found their way back to Acadie. But many were exiled to Britain, France, or the future United States, where they faced suspicion and prejudice and struggled to settle into new lives.A unique biographical approach to the history of the Expulsion, Acadian Driftwood is a vivid insight into one family’s experience of this traumatic event.Par Sheree Fitch. 2020
?From those first barefoot days, wobble-dy walking over rocks and pebbles, to wandering-wild while searching for sea glass and, finally,…
huddled-up cozy at a late-summer bonfire, these summer feet flutter kick, somersault, hide-and-seek, and dance in the rain, soaking up all the season has to offer. With Sheree Fitch's classic lip-slippery, lyrical rhymes and Carolyn Fisher's bright and colourful illustrations, Summer Feet will be an instant summertime favourite.Par Ronald Caplan. 2021
In a winning new book, Pearleen Oliver: Canada's Black Crusader for Civil Rights brings to life a compassionate and passionate…
African Nova Scotian, the story of her growth and activism — a book that shows how one woman's voice changed the course of Nova Scotia's history. Pearleen Oliver pushed open doors that blocked Black girls from nurses' training. She kicked Little Black Sambo out of public schools. She was spokesperson for Viola Desmond's appeal of her 1946 conviction for challenging racist customs. A founder of the Nova Scotia Association for the Advancement of Coloured People, the Black United Front and the Black Cultural Centre, she was the first female moderator of the African United Baptist Association, and a founder of the AUBA Women's Institute. Editor Ronald Caplan weaves Pearleen's voice from her interviews and speeches. We experience Pearleen's awareness of injustice as she grew up in segregated New Glasgow schools. A married woman, we see her outrage re-kindled by a bewildered teenager at her door who was barred from nurses' training by her skin colour. Pearleen began to speak out before civic and religious and community groups, Boards of Trade, Rotary luncheons, B'nai B'rith and Baptist services and nuclear disarmament conferences. Newspapers carried her voice?a voice of reason and determination and common sense — across the province, and then across Canada. While raising five sons and carrying on the duties of a minister's wife, Pearleen mentored young girls and women in summer camps, church groups, continuing education, and women's groups. She was the organist in her churches, and she wrote histories of Black communities. In this eye-opening book Pearleen Oliver tells stories of activist journalist Carrie Best who published Nova Scotia's first Black newspaper, of successful businesswoman Viola Desmond who was sidetracked by petty racism, of Black soldiers who fought Nazi racism in the Second World War and then came home to racial discrimination in Canada. This book keeps alive a determined fighter for social justice who should not be forgotten. Pearleen Oliver demonstrated what one person, one voice, can do.Par Sheree Fitch. 2020
You won't always be this sad, her mother, who also lost a son, reassures her, while a close friend encourages…
her to pick up the pen and write it all down. Capturing her own struggles as she emerges from shock in the wake of her son’s unexpected death at age thirty-seven, author and storyteller Sheree Fitch writes unabashedly, with deep sorrow, unexpected rage, and boundless love. She discovers that she “dwells in a thin place now,” that she has crossed a threshold only to find herself in “the quicksand that is grief.” The result is a memoir of immense power and pain, a collection of moments, and a journey of resilience that lyrically combines prose and verse. Readers, bearing witness to the immeasurable depths of a mother’s love, will be forever changed.Par Cara Kansala. 2020
***BEST BOOKS FOR KIDS AND TEENS 2020, PICTURE BOOKS*** When the magical Moon King tips over the night, it spills…
across the land and sea, and he seeks the help of animals big and small to collect the stars and return them to the sky. In this beautifully illustrated bedtime story, Cara Kansala weaves an enchanting fable destined to become a children’s classic—the perfect way to welcome the night and celebrate the wonder of dreams.Par Rebecca Thomas. 2020
In Mi'kmaw, three similarly shaped words have drastically different meanings: kesalul means "I love you"; kesa'lul means "I hurt you";…
and ke'sa'lul means "I put you into the fire." Spoken word artist Rebecca Thomas' first poetry collection is at once a meditation on navigating life and love as a second-generation Residential School survivor, a lesson in unlearning, and a rallying cry for Indigenous justice, empathy, and equality.Par Douglas Walbourne-Gough. 2020
Shortlisted, Derek Walcott Prize for Poetry and Raymond Souster AwardLonglisted, First Nation Communities READ AwardFrom the author: I cannot let…
the story of Crow Gulch — the story of my family and, subsequently, my own story — go untold. This book is my attempt to resurrect dialogue and story, to honour who and where I come from, to remind Corner Brook of the glaring omission in its social history.In his debut poetry collection, Douglas Walbourne-Gough reflects on the legacy of a community that sat on the shore of the Bay of Islands, less than two kilometres west of downtown Corner Brook.Crow Gulch began as a temporary shack town to house migrant workers in the 1920s during the construction of the pulp and paper mill. After the mill was complete, some of the residents, many of Indigenous ancestry, settled there permanently — including the poet's great-grandmother Amelia Campbell and her daughter, Ella — and those the locals called the "jackytars," a derogatory epithet used to describe someone of mixed French and Mi'kmaq descent. Many remained there until the late 1970s, when the settlement was forcibly abandoned and largely forgotten.Walbourne-Gough lyrically sifts through archival memory and family accounts, resurrecting story and conversation, to patch together a history of a people and place. Here he finds his own identity within the legacy of Crow Gulch and reminds those who have forgotten of a glaring omission in history.